NOTE IMDb
6,5/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueThree vignettes, each set in room 719 of New York's Plaza Hotel, make up this comedy.Three vignettes, each set in room 719 of New York's Plaza Hotel, make up this comedy.Three vignettes, each set in room 719 of New York's Plaza Hotel, make up this comedy.
- Récompenses
- 2 nominations au total
José Ocasio
- Room Service Waiter
- (as Jose Ocasio)
Frank Albanese
- Parking Lot Attendant
- (non crédité)
Raina Barrett
- Girl in Lobby
- (non crédité)
Jack Beers
- Man in Hotel
- (non crédité)
James Bryson
- Doorman
- (non crédité)
Jordan Charney
- Jesse's Aide
- (non crédité)
Gordon B. Clarke
- Hotel Manager
- (non crédité)
Alan DeWitt
- Man in Lobby
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe stage version of "Plaza Suite" by Neil Simon originally had four acts instead of three. The act that was cut was entitled "Visitor from Toledo", and was intended to open the play. Simon once described the act to the Newark Evening News as being "...about a man who came to New York from out of town and lost his luggage. He got there in the middle of a transit strike. It was snowing. So after he had checked into the Plaza [Hotel] he had this monologue. We put Plaza Suite into rehearsal, and after about the fifth day [director] Mike Nichols said, 'We just have too much show here. If we include that monologue, the curtain will be coming down at midnight.'" Simon later re-worked and expanded that story into the film Escapade à New York (1970).
- GaffesIn Act 3, Norma Hubley's hat gets soaking wet when she sticks her head out of the window. In the next shot it is dry again.
- Citations
Norma Hubley: Promise me you won't get hysterical.
Roy Hubley: Why? What'd you do?
Norma Hubley: Just promise me.
Roy Hubley: Alright, I promise. what'd you do?
Norma Hubley: I broke my diamond ring.
Roy Hubley: Your good diamond ring?
Norma Hubley: How many do I have?
- ConnexionsFeatured in Paramount Presents (1974)
- Bandes originalesTangerine
Written by Johnny Mercer and Victor Schertzinger
Commentaire à la une
I expected this 1971 film to be a bright comedy. Instead I was presented with the filming of a very deep three-part stage play about the dark side of human relationships; only the last of the three stories could really be called funny.
A bride-to-be locks herself in the bathroom and her parents go through all kinds of hilarious slapstick agony trying to persuade her to come out. It is free of the darker undertones of the first two vignettes and has a cute surprise ending with a happy message. The other two, while being wry and witty in places, are really commentaries on the nature of man's unfaithfulness and exploitation of women, and women's culpability in allowing that state of affairs to develop and continue.
Walter Matthau plays the lead in each of the three stories, which take place in the same suite, 719, of the Plaza Hotel in Manhattan. He has different leading ladies in each one: Maureen Stapleton, Barbara Harris and Lee Grant. There are a few incidental characters but the stories revolve around the two main characters in each story. The dialogue is quite true to real life, even appearing to be repetitive and meaningless in places as real life conversations can be, but the playwright is taking us in each case to a specific understanding of the characters. There is nothing extraneous even though at first it appears to be cluttered with incidentals.
In the first story, a husband and wife check into the Plaza Hotel for their anniversary - and then things begin to fall apart. Maureen Stapleton as the seemingly scatterbrained wife is brilliant in playing both the tragic and comic aspects of this complicated role. As the story unfolds we realize things are not as they appear on the surface.
In the second story, a sleazy Hollywood businessman calls up various names in his little black book so that he can have some woman - any woman - come to his suite for sex from 2 to 4 between meetings. The woman from his past whom he persuades to show up is both afraid of the possible seduction and hoping he will talk her into it. This is all too painful and familiar a scenario and anyone will relate to the awkward dance between two individuals who have to try to save face while getting their needs met.
If you are looking for a light and fluffy comedy this is not the one to choose. It will disturb you and make you think about the tragic aspects of love, sex and marriage, long after it is over.
A bride-to-be locks herself in the bathroom and her parents go through all kinds of hilarious slapstick agony trying to persuade her to come out. It is free of the darker undertones of the first two vignettes and has a cute surprise ending with a happy message. The other two, while being wry and witty in places, are really commentaries on the nature of man's unfaithfulness and exploitation of women, and women's culpability in allowing that state of affairs to develop and continue.
Walter Matthau plays the lead in each of the three stories, which take place in the same suite, 719, of the Plaza Hotel in Manhattan. He has different leading ladies in each one: Maureen Stapleton, Barbara Harris and Lee Grant. There are a few incidental characters but the stories revolve around the two main characters in each story. The dialogue is quite true to real life, even appearing to be repetitive and meaningless in places as real life conversations can be, but the playwright is taking us in each case to a specific understanding of the characters. There is nothing extraneous even though at first it appears to be cluttered with incidentals.
In the first story, a husband and wife check into the Plaza Hotel for their anniversary - and then things begin to fall apart. Maureen Stapleton as the seemingly scatterbrained wife is brilliant in playing both the tragic and comic aspects of this complicated role. As the story unfolds we realize things are not as they appear on the surface.
In the second story, a sleazy Hollywood businessman calls up various names in his little black book so that he can have some woman - any woman - come to his suite for sex from 2 to 4 between meetings. The woman from his past whom he persuades to show up is both afraid of the possible seduction and hoping he will talk her into it. This is all too painful and familiar a scenario and anyone will relate to the awkward dance between two individuals who have to try to save face while getting their needs met.
If you are looking for a light and fluffy comedy this is not the one to choose. It will disturb you and make you think about the tragic aspects of love, sex and marriage, long after it is over.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Plaza Suite?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Apartman hotela Plaza
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 669 403 $US
- Durée1 heure 54 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Plaza Suite (1971) officially released in India in English?
Répondre