Mimi métallo blessé dans son honneur

Lina Wertmuller packs a lot of exaggeration into her characters and stories. Her actors deliver it, too. This film would deserve watching just to admire Giancarlo Giannini and Mariangela Melato, they are infectiously good. What I find detracts a bit from the film, and keeps it from being as good as Wertmuller's best films, is the mixture of social and personal commentary; it is all jumbled together in a very 1970s anarchic way. Wertmuller mocks all the institutions of authority through the clever use of the same actors in multiple roles, and she mocks Mimì (Giancarlo Giannini) for his self-serving and ever-changing attitudes towards women and marriage. Each of these stand beautifully alone and each could have made an entire film. But I don't get the point of her mixing the two.