Lorsqu'un innocent échappe de justesse à un lynchage, il réapparaît après avoir été fait homme de loi déterminé à traduire ses agresseurs en justice.Lorsqu'un innocent échappe de justesse à un lynchage, il réapparaît après avoir été fait homme de loi déterminé à traduire ses agresseurs en justice.Lorsqu'un innocent échappe de justesse à un lynchage, il réapparaît après avoir été fait homme de loi déterminé à traduire ses agresseurs en justice.
Histoire
Le saviez-vous
- AnecdotesInger Stevens had never heard of Clint Eastwood before she was cast. Once they met she began to like him very much and they ended up having an affair during filming. When the film was finished, Stevens told director Ted Post: "Anytime you do a picture with Clint and there's a part in it, call me."
- GaffesWhen Jed is rescued from the noose, a white vehicle can be seen flashing quickly between the trees in the distance.
- Citations
Jed Cooper: You don't remember me, do you?
Reno, Cooper Hanging Party: No.
Jed Cooper: [showing his hanging scar] When you hang a man, you better look at him.
- Versions alternativesAs with many westerns at the time the UK cinema version was cut by the BBFC to reduce facial closeups during the opening lynching and to edit Cooper's fight with Miller. Later video/DVD releases were intact.
- ConnexionsFeatured in Legends of the West (1992)
- Bandes originalesShall We Gather at the River?
Members of choir and congregation, First Baptist Church, Las Cruces NM
By Robert Lowry
Sung by crowd before mass hanging
Commentaire à la une
Hang 'Em High is directed by ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood, Inger Stevens, Pat Hingle, Ed Begley, Ben Johnson, Charles McGraw, Ruth White and Bruce Dern. Music is by Dominic Frontiere and cinematography is shared by Richard H. Kline and Leonard J. South.
An innocent man survives a lynching and returns as a lawman and sets about bringing the vigilantes to justice.
After making a name in Leone's Dollars Trilogy, Eastwood returned to America and began cementing his name in the genre of film that would come to define him. Though very much an American Western, this does have Spaghetti Western tonal splinters. Story is derivative and safe, however the characterisations are not and are pungent enough to warrant viewing investment.
Unfortunately director Ted Post often lets the pace sag to unbearable levels - especially in the last third of film, it's a shame that the mooted Robert Aldrich didn't get the gig. There simply is not enough on the page to sustain the near two hour running time, with the finale proving to be a rather flat experience. The liberal stance on the death penalty is a touch heavy handed, but not so as to kill the picture since the thought process of the complexities of justice holds high interest values. Then of course there is Eastwood to lure one in.
He's not the best actor in the film, though the amorality of character he plays makes him the fascinating centre piece. Hingle steals the acting honours as the stoically forthright Judge Fenton, while Stevens also shines as Rachael Warren, a character who like Eastwood's Jed Cooper has an obsessional motive for capturing criminals in her heart. All told the perfs across the board are pitched right and good value.
I'm not sure if the fact two cinematographers were used was a job for mates scenario? Whatever though, for there's nice work here, the New Mexico locations pleasing and at the same time mood compliant for the harsher edges of the story. Frontiers's music is interesting, full of ebullience - sometimes overbearing, it strangely at times sounds familiar to some of Herrmann's compositions in the fantasy genre...
Hang 'Em High is an important entry in the Western genre library, though neither great or bad, it's still a must see for genre enthusiasts. 7/10
An innocent man survives a lynching and returns as a lawman and sets about bringing the vigilantes to justice.
After making a name in Leone's Dollars Trilogy, Eastwood returned to America and began cementing his name in the genre of film that would come to define him. Though very much an American Western, this does have Spaghetti Western tonal splinters. Story is derivative and safe, however the characterisations are not and are pungent enough to warrant viewing investment.
Unfortunately director Ted Post often lets the pace sag to unbearable levels - especially in the last third of film, it's a shame that the mooted Robert Aldrich didn't get the gig. There simply is not enough on the page to sustain the near two hour running time, with the finale proving to be a rather flat experience. The liberal stance on the death penalty is a touch heavy handed, but not so as to kill the picture since the thought process of the complexities of justice holds high interest values. Then of course there is Eastwood to lure one in.
He's not the best actor in the film, though the amorality of character he plays makes him the fascinating centre piece. Hingle steals the acting honours as the stoically forthright Judge Fenton, while Stevens also shines as Rachael Warren, a character who like Eastwood's Jed Cooper has an obsessional motive for capturing criminals in her heart. All told the perfs across the board are pitched right and good value.
I'm not sure if the fact two cinematographers were used was a job for mates scenario? Whatever though, for there's nice work here, the New Mexico locations pleasing and at the same time mood compliant for the harsher edges of the story. Frontiers's music is interesting, full of ebullience - sometimes overbearing, it strangely at times sounds familiar to some of Herrmann's compositions in the fantasy genre...
Hang 'Em High is an important entry in the Western genre library, though neither great or bad, it's still a must see for genre enthusiasts. 7/10
- hitchcockthelegend
- 30 mars 2019
- Permalien
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Détails
Box-office
- Budget
- 1 600 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 000 000 $US
- Montant brut mondial
- 11 000 000 $US
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By what name was Pendez-les haut et court (1968) officially released in India in English?
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