L'assassin est-il coupable?

David Janssen stars in what might be described as a "mid-'60s sun-baked L.A. neo-noir meets Dragnet-esque police procedural". This was probably Janssen's best big screen role of his career, although the film did still overall have the production values and feel of a made-for-TV movie. I thought director Budd Kulik did well with his blocking and the pace of the film.

Janssen, in his usual low-key but effective manner of acting, plays LAPD Sgt. Tom Valens who is accused of the wrongful shooting of a respected Beverly Hills doctor during a late night stakeout. Later, unable to locate the gun he claims the doctor had pulled on him, Valens is first relieved of duty and then must face a grand jury hearing after which the prosecutor played by Sam Wannamaker expresses his delight in "putting bad cops in their place". With all the evidence pointing to Valens' guilt and with few if anyone believing his story, he sets out for himself in search of evidence to prove his innocence. (sound familiar, fans of his most memorable television role?)

A number of well known and respected actors and actress of the time would make what could basically be called long cameos throughout much of the movie, as it does seem a bit episodic in some parts. Among those familiar faces would be Ed Begley as Valens' LAPD superior, Lilian Gish as a sweet but forgetful elderly lady, Stefanie Powers as a sympathetic nurse, George Sanders as an investment banker, Eleanor Parker as the decedent's less-than-grieving widow, Joan Collins as Valens' soon-to-be ex-wife, Steve Allen as a blowhard television commentator, Carroll O' Connor as the grand jury judge and George Grizzard as a playboy airline pilot.

The ending is a bit weak in regard to a somewhat illogical aspect to it, but overall it is worthwhile.