NOTE IMDb
6,8/10
642
MA NOTE
Amedeo et sa soeur Ofelia ont une ancienne copropriété et aimeraient la vendre, mais ils doivent expulser les locataires réticents. Le chat, mascotte aimée de tous, meurt leur donnant une ex... Tout lireAmedeo et sa soeur Ofelia ont une ancienne copropriété et aimeraient la vendre, mais ils doivent expulser les locataires réticents. Le chat, mascotte aimée de tous, meurt leur donnant une excuse pour s'immiscer dans la vie des locataires.Amedeo et sa soeur Ofelia ont une ancienne copropriété et aimeraient la vendre, mais ils doivent expulser les locataires réticents. Le chat, mascotte aimée de tous, meurt leur donnant une excuse pour s'immiscer dans la vie des locataires.
- Récompenses
- 1 victoire au total
Histoire
Le saviez-vous
- AnecdotesHalfway through the film Dalila Di Lazzaro stopped shooting because she didn't want to shoot a scene in the shower without her panties on. "There was a reason", Di Lazzaro explains, "but it was personal and I didn't want to tell anyone about it: I had shaved my pubes because of a bet I had lost with my partner. Everyone was curious and Comencini had the production company call my agent: while waiting for them to come to an agreement, I was stuck in a bathrobe in the small bathroom where we were to shoot the scene. While Ugo Tognazzi was on a break, my refusal reached his ears and, curious as he was, he came to the set with the excuse of convincing me, but in reality to find out the reason for my rejection. And the more I kept silent, the more he put me under pressure: 'Are you a man? What are you hiding there?' he asked in his unmistakable tone of voice. He was nice, but I stubbornly didn't tell him my secret. 'Are you part of a religious sect?' he insisted. He thought, by making me laugh, that he could solve the riddle. But I held firm. In the end we came to a compromise: I would have shot the scene in the shower showing the camera my back, but I had to take off my briefs. Tognazzi sent the seamstress to spy on me, so my secret was revealed. In the evening he knocked on my room: 'Who is that asshole who makes you shave yourself? There is nothing more beautiful than a woman with her pubic hair,' he said. 'Hair has its charm. I guess you haven't met a real man yet.' 'I lost a bet," I replied. 'Yes, good, tell it to someone else. Too bad you're not one of the hens in my henhouse!' and walked away," Di Lazzaro recalls.
Commentaire à la une
This delightful black comedy was one of three films I watched in tribute to Italian director Comencini who died recently aged 90. It is often hilarious and boasts several exquisite characterizations, led by two incomparable stars - Ugo Tognazzi and Mariangela Melato - in top form (the latter was in fact awarded the David di Donatello, Italy's equivalent of the Oscar, as Best Actress).
Like Comencini's earlier THE Sunday WOMAN (1975), the film takes several swipes at a particular strata of Italian society - in this case, the petite bourgeoisie. Tognazzi and Melato own a dilapidated condominium and the plot follows their various attempts to evict the tenants, so that an ultra-modern one can be erected in its place thus making themselves rich in the process; still, the two of them hate each other's guts and don't think twice about cheating one another! Events come to a head when the titular feline, owned by the two and which causes no end of mischief to the rest of the inhabitants, turns up dead: they hassle the police to find the killer of their pet, but he repeatedly shuns them - little knowing that the investigation they eventually conduct on their own leads to multiple criminal cases (prostitution and drug rackets) and even political scandals (a high state official is a homosexual who's being blackmailed by the Mafia)!
The complex plot - taking several surprising turns along the way, including Tognazzi's involvement with the sluttish Dalila di Lazzaro and Melato's awkward seduction of priest Philippe Leroy! - renders the film somewhat overlong, but it's buoyed by an infectious score from the one and only Ennio Morricone (which is itself utilized for comic counterpoint during the climactic trial sequence). Incidentally, the film's executive producer was one Sergio Leone!
Like Comencini's earlier THE Sunday WOMAN (1975), the film takes several swipes at a particular strata of Italian society - in this case, the petite bourgeoisie. Tognazzi and Melato own a dilapidated condominium and the plot follows their various attempts to evict the tenants, so that an ultra-modern one can be erected in its place thus making themselves rich in the process; still, the two of them hate each other's guts and don't think twice about cheating one another! Events come to a head when the titular feline, owned by the two and which causes no end of mischief to the rest of the inhabitants, turns up dead: they hassle the police to find the killer of their pet, but he repeatedly shuns them - little knowing that the investigation they eventually conduct on their own leads to multiple criminal cases (prostitution and drug rackets) and even political scandals (a high state official is a homosexual who's being blackmailed by the Mafia)!
The complex plot - taking several surprising turns along the way, including Tognazzi's involvement with the sluttish Dalila di Lazzaro and Melato's awkward seduction of priest Philippe Leroy! - renders the film somewhat overlong, but it's buoyed by an infectious score from the one and only Ennio Morricone (which is itself utilized for comic counterpoint during the climactic trial sequence). Incidentally, the film's executive producer was one Sergio Leone!
- Bunuel1976
- 17 avr. 2007
- Permalien
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Détails
- Durée1 heure 49 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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