Inquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque ... Tout lireInquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque locale.Inquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque locale.
- Nommé pour 1 Oscar
- 6 victoires et 14 nominations au total
Sam Coppola
- Dan Fusco
- (as Sam J. Coppola)
Robert Costanzo
- Paint Store Customer
- (as Robert Costanza)
Histoire
Le saviez-vous
- AnecdotesJohn Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body.
- GaffesWhen Tony is walking with Stephanie to get coffee, a girl's scream is heard. A group of girls was watching them film the scene and they would scream when they saw John Travolta.
- Citations
Tony Manero: Would ya just watch the hair. Ya know, I work on my hair a long time and you hit it. He hits my hair.
- Crédits fousWhen the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.
- Versions alternativesIn 2002, AMC (American Movie Classics) showed a new print of 'Fever' with scenes not in the theatrical release nor home version:
- 1) After Tony's first night at the disco, he and his buddies cruise the bridge, where the song 'Jive Talkin'' can be heard in the background. He gets out of the car, and begins to caress the bridge's structure with his fingertips.
- 2) After asking Doreen to dance, Tony and Doreen dance to 'Disco Duck'.
- 3) Tony takes Stephanie back to her Bay Ridge home, where they kiss in the car.
- 4) Tony signs for a telegram that tells his father has been asked to go back to work.
- 5) After getting out of the subway, Tony buzzes Stephanie's apartment building.
- ConnexionsFeatured in Les rendez-vous du dimanche: Épisode datant du 16 avril 1978 (1978)
- Bandes originalesHow Deep Is Your Love
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
Commentaire à la une
... this is a product of my generation. I was the age that Travolta's character Tony was in 1977, although in a completely different part of the US. Probably the disco era is the only one in the history of film in which people in street clothes look like they are going to a costume party. The pointy collars, the shoes, the hair so full of hairspray that it looks like it would shatter if it brushed up against something, and those jackets that are so full of holes - big ones - they look like they were attacked by moths and why are we calling them jackets anyways?
So Tony (Travolta) is a New York City born and bred Italian American with only a high school education, an employee at a dead end job - selling and mixing paint - in a store that is now extinct - the neighborhood hardware store that is about to get replaced by the big box hardware stores such as Harbor Freight. Dad is used to being the head of the family, but now he has been laid off in middle age. Suddenly Edith is talking back and disrespecting Archie and he doesn't like it one bit. And the only thing that makes Tony feel alive is Saturday nights on the dance floor of the local disco where he is the best.
And then he meets a girl - Stephanie. She is everything that I, a Texan, was told that New Yorkers are - loud mouthed, self important, snooty. And yet Tony follows her around like a puppy because he is in love. Annette (Donna Pescow) follows Tony around like a puppy because she is in love. It's funny how Tony doesn't like how Stephanie treats him, yet he turns around and treats Annette the same way. But Tony turns out to be much more self aware than you would think. And Stephanie - there is much more to her story than her being just another stuck up Manhattanite.
There is so much casual sex going on here that it answers the question "Where did herpes come from?". But it is so much more than glittering disco balls. it is a love story. A story of a guy learning about the friendship component of love. It is a tragedy. It is a story of young people at a crossroads. And last but not least, it has probably one of the great soundtracks in motion picture history and gave the Bee Gees a second act. I'd highly recommend it. Just try to ignore your probable first reaction "Yikes those clothes!!!!"".
So Tony (Travolta) is a New York City born and bred Italian American with only a high school education, an employee at a dead end job - selling and mixing paint - in a store that is now extinct - the neighborhood hardware store that is about to get replaced by the big box hardware stores such as Harbor Freight. Dad is used to being the head of the family, but now he has been laid off in middle age. Suddenly Edith is talking back and disrespecting Archie and he doesn't like it one bit. And the only thing that makes Tony feel alive is Saturday nights on the dance floor of the local disco where he is the best.
And then he meets a girl - Stephanie. She is everything that I, a Texan, was told that New Yorkers are - loud mouthed, self important, snooty. And yet Tony follows her around like a puppy because he is in love. Annette (Donna Pescow) follows Tony around like a puppy because she is in love. It's funny how Tony doesn't like how Stephanie treats him, yet he turns around and treats Annette the same way. But Tony turns out to be much more self aware than you would think. And Stephanie - there is much more to her story than her being just another stuck up Manhattanite.
There is so much casual sex going on here that it answers the question "Where did herpes come from?". But it is so much more than glittering disco balls. it is a love story. A story of a guy learning about the friendship component of love. It is a tragedy. It is a story of young people at a crossroads. And last but not least, it has probably one of the great soundtracks in motion picture history and gave the Bee Gees a second act. I'd highly recommend it. Just try to ignore your probable first reaction "Yikes those clothes!!!!"".
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Fiebre de sábado por la noche
- Lieux de tournage
- 86th Street, Brooklyn, Ville de New York, New York, États-Unis(opening sequence: Tony's Walk)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 94 213 184 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 878 099 $US
- 18 déc. 1977
- Montant brut mondial
- 237 113 184 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of La Fièvre du samedi soir (1977) in Canada?
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