NOTE IMDb
6,2/10
1,5 k
MA NOTE
À New York, dans le monde criminel et violent des gitans, leur « roi », Zharko Stepanowicz, passe le flambeau à Dave, son petit-fils réticent, laissant le père sur la touche.À New York, dans le monde criminel et violent des gitans, leur « roi », Zharko Stepanowicz, passe le flambeau à Dave, son petit-fils réticent, laissant le père sur la touche.À New York, dans le monde criminel et violent des gitans, leur « roi », Zharko Stepanowicz, passe le flambeau à Dave, son petit-fils réticent, laissant le père sur la touche.
- Récompenses
- 3 nominations au total
Zvee Scooler
- Phuro
- (as Svee Scooler)
Cory Einbinder
- Young Dave
- (as Corey Einbinder)
Matthew Labyorteaux
- Middle Dave
- (as Matthew Laborteaux)
Danielle Brisebois
- Young Tita
- (as Danielle Brisbois)
Histoire
Le saviez-vous
- AnecdotesYears after they made this movie, Shelley Winters and Annie Potts appeared as guests on the television talk show The Tonight Show Starring Johnny Carson (1962). Looking at Potts, Winters said, "I know you from somewhere, or I've seen you in some great movies. I can't remember which." Potts replied, "Well, maybe it was one we did together." Winters didn't remember the film, until Potts reminded her that it was Le Roi des gitans (1978). Upon being told this, Winters instantly said to Potts, "Of course! And you were wonderful in it!" This caused a large roar of laughter from the audience.
Commentaire à la une
This movie was panned by critics, but it seems to have gained cult status among those who like 70s films.
I liked it simply for its fascinating subject--Gypsies in modern day urban America.
This is certainly not a definitive study of the culture, but it is exciting and most of the acting is solid. Roberts and Shields are incredibly beautiful, and the cinematography has that ripe, but overcast look you see in so many films released during the era. Stephane Grapelli's violin in the background adds weight to the glorious score.
The biggest downside is Sterling Hayden's performance. His voice tends to rupture and bark in its heaviness; it lacks nuance. Also, I sometimes felt embarrassed for Sarandon. Though she was perfectly cast, she seems embarrassed herself at times; there is a brief scene where she has to dance, and her body language suggests she's thinking "Do I still have time to reconsider?" Another problem is the continuity. Where was the script supervisor? Shield's character was supposedly born in the 1940s, but when we see her again as a young teenager, it is clearly the late 1970s. You hear Disco in the background, see the long leather coats, and wait for John Travolta to make a grand entrance.
But enough of my nit-picking. Maybe this is not the finest film, but it is indeed a *fun* film. The subject is intriguing, and the plot itself is good. What it lacks in directorial perfection, it makes up for in soul.
I liked it simply for its fascinating subject--Gypsies in modern day urban America.
This is certainly not a definitive study of the culture, but it is exciting and most of the acting is solid. Roberts and Shields are incredibly beautiful, and the cinematography has that ripe, but overcast look you see in so many films released during the era. Stephane Grapelli's violin in the background adds weight to the glorious score.
The biggest downside is Sterling Hayden's performance. His voice tends to rupture and bark in its heaviness; it lacks nuance. Also, I sometimes felt embarrassed for Sarandon. Though she was perfectly cast, she seems embarrassed herself at times; there is a brief scene where she has to dance, and her body language suggests she's thinking "Do I still have time to reconsider?" Another problem is the continuity. Where was the script supervisor? Shield's character was supposedly born in the 1940s, but when we see her again as a young teenager, it is clearly the late 1970s. You hear Disco in the background, see the long leather coats, and wait for John Travolta to make a grand entrance.
But enough of my nit-picking. Maybe this is not the finest film, but it is indeed a *fun* film. The subject is intriguing, and the plot itself is good. What it lacks in directorial perfection, it makes up for in soul.
- redbirdbeat
- 8 avr. 2007
- Permalien
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- How long is King of the Gypsies?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- King of the Gypsies
- Lieux de tournage
- Hillside, New Jersey, États-Unis(Hollywood Cemetery)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 325 177 $US
- Montant brut mondial
- 7 325 177 $US
- Durée1 heure 52 minutes
- Mixage
- Rapport de forme
- 1.78 : 1
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By what name was Le Roi des gitans (1978) officially released in India in English?
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