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Ajouter une intrigue dans votre langueA film crew sets out to record a year in the life of an average family, but things quickly start going wrong.A film crew sets out to record a year in the life of an average family, but things quickly start going wrong.A film crew sets out to record a year in the life of an average family, but things quickly start going wrong.
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- AnecdotesAlbert Brooks was under a great deal of pressure to finish the film on-budget, because he would have been personally responsible for any extra costs. During one particularly difficult filming day, he sat feeling totally dejected. Charles Grodin walked up to him and said, "I have to leave at 4." This totally ridiculous request was sufficient to cheer Brooks up.
- GaffesIn the opening sequence the U.S. flag and the Arizona state flag are in the wrong positions behind the speakers. They should be switched per proper protocol.
- Citations
Albert Brooks: [showing off a high-tech camera to be used in filming] Only six of these cameras were ever made. Only five of them ever worked. We have four of those.
- Crédits fousThe end credits finishes with a bar-code for Alka-Seltzer.
Commentaire à la une
Comedian Brooks tries hard, probably too hard, while the script makes a hash of Hollywood satire. Playing a moviemaker in the film, actor Brooks' promising idea is to document a year in the life of a typical American family. Trouble is that he's so full of himself and his ideas, he can't leave the family alone long enough to act out their own lives. Worse, he's got a battery of distracting psychologists analyzing the minutiae (coffee cups) of the family's daily life. So, what starts out as a promising docu idea, ends up a fiasco.
Actually, my little recap makes events sound more coherent than they are. All in all, the movie's really a mess, despite occasionally funny moments. No doubt about it, Brooks has an inventive flair (the space-helmet cameras, for one). But in this movie, too many of his ideas simply cascade forth, remaining ill-formed (the psychologists), or plain non-starters (the dead horse, the gynecology office). Still, the latter raise a thought-provoking question- that is, just how broad should a real life account be. Should it include bathroom trips, for example. And if a line is drawn, where should it be and why. The issue is raised somewhat in the movie, but stumbles around with neither depth nor laughs.
Looks to me like a critical eye was needed in addition to the three writers (Brooks & Co.). That is, someone who could weed out the losers and shape the winners. After all, the premise itself remains a promising one. Too bad that the humorous Grodin is wasted in a deadpan role that preempts his often subtle brand of comedy. I kept hoping I'd see some trace of his churlish shtick, but it's frozen deadpan all the way.
Anyway, I'm not usually an advocate of re-makes, but here, in more disciplined hands, the results could be both thought-provoking and knee-slapping. As things stand, the movie fails on both accounts.
Actually, my little recap makes events sound more coherent than they are. All in all, the movie's really a mess, despite occasionally funny moments. No doubt about it, Brooks has an inventive flair (the space-helmet cameras, for one). But in this movie, too many of his ideas simply cascade forth, remaining ill-formed (the psychologists), or plain non-starters (the dead horse, the gynecology office). Still, the latter raise a thought-provoking question- that is, just how broad should a real life account be. Should it include bathroom trips, for example. And if a line is drawn, where should it be and why. The issue is raised somewhat in the movie, but stumbles around with neither depth nor laughs.
Looks to me like a critical eye was needed in addition to the three writers (Brooks & Co.). That is, someone who could weed out the losers and shape the winners. After all, the premise itself remains a promising one. Too bad that the humorous Grodin is wasted in a deadpan role that preempts his often subtle brand of comedy. I kept hoping I'd see some trace of his churlish shtick, but it's frozen deadpan all the way.
Anyway, I'm not usually an advocate of re-makes, but here, in more disciplined hands, the results could be both thought-provoking and knee-slapping. As things stand, the movie fails on both accounts.
- dougdoepke
- 21 janv. 2018
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Aus dem Leben gegriffen
- Lieux de tournage
- Phoenix Zoo - 455 N Galvin Parkway, Phoenix, Arizona, États-Unis(The Yeagers visit the zoo during the montage.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 364 642 $US
- Montant brut mondial
- 364 642 $US
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