NOTE IMDb
7,7/10
39 k
MA NOTE
Sur une planète lointaine où règnent des géants bleus, les humanoïdes opprimés se rebellent contre leurs chefs semblables à des machines.Sur une planète lointaine où règnent des géants bleus, les humanoïdes opprimés se rebellent contre leurs chefs semblables à des machines.Sur une planète lointaine où règnent des géants bleus, les humanoïdes opprimés se rebellent contre leurs chefs semblables à des machines.
- Récompenses
- 1 victoire et 2 nominations au total
Barry Bostwick
- Adult Terr - Narrator
- (English version)
- (voix)
Jennifer Drake
- Tiwa
- (voix)
Eric Baugin
- Young Terr
- (voix)
Jean Topart
- Master Sinh
- (voix)
Yves Barsacq
- Om
- (voix)
Madeleine Clervanne
- Additional Voices
- (voix)
- (as Madeleine Clervannes)
Histoire
Le saviez-vous
- AnecdotesOne reason the coproduction took so long to complete is that in 1968 the Russians invaded Czechoslovakia which caused a delay.
- Gaffes(2016 remastered original, English subtitles.) According to Terr, one week in a Draag's life is as long as one Om (human) year. But he also says that his owner Tiwa (the Draag that raised Terr from infancy) loses interest in Terr "as she grew into her teens". By that time Terr would almost certainly be in his late middle years, at the very least -- yet Terr appears to be still no older than his twenties.
- Citations
[first lines]
Draag child 1: It doesn't move.
Draag child 2: What a shame we can't play with her any more.
- Versions alternativesIn the German version, the humans aren't called "Oms", they are simply referred to as Menschen (humans) or Menschen-Tiere (human animals). Terr's name is also given a different origin. In both the original French and English versions, Tiwa names her pet Om Terr because his father says he behaves like a "real terror". In the German dub, Tiwa settles on the name after his father compares her pet to a struggling termite.
- ConnexionsFeatured in The Cell (2000)
- Bandes originalesDeshominisation (I+II)
Written and Performed by Alain Goraguer Et Son Orchestre
Commentaire à la une
A delightful, original an odd French-Czechoslovakian animation movie by Rene Laloux that wan Cannes Jury's award in 1974.
The 2-D animation is something that you can expect from the seventies, but it is very original and innovative for the time. It has the detail and charm of all good illustration books, and, despite the limits in movement, the characters are very expressive and beautifully drawn, as well as the landscapes. The world and atmospheres created by Laloux are superb, both familiar and strange. The Recipe? Mix Dali surreal landscapes, Bosch architecture and fauna/flora creatures, add a hint of 19th century botanical drawings, slowly pour some Pink Floyd-ish music, and whisk all energetically with a fat-free faux-mythological metaphorical story, and you have The Savage Planet, which is the original title of the movie in French.
The story is very interesting and has many possible interpretations and readings: the role of humans in Nature, cohabitation and coexistence of different species and political systems, what makes different species superior and savage, among others. I found funny that the people in the story are called Oms (French word for people is Hommes and it sounds the same as Oms), and the main character is called Terr (the name of earth in French is Terre and sounds the same as Terr).
The main problem with the story and the characters is that they are not always engaging as they don't transmit enough emotion or feeling to the viewer. The viewer doesn't feel empathy towards the poor suffering human pets or towards the aliens, the first because they really act like a pest, and the second because they are too spiritual and developed to tolerate others than themselves. This is all intended, but still frigidly expressed. The lack of thrill is what kills the movie.
Nevertheless, this is one of those animation movies that everybody should see, full of imagination, talent, and landmarks in Animation. A cult movie that deserves the cult. Unique.
The 2-D animation is something that you can expect from the seventies, but it is very original and innovative for the time. It has the detail and charm of all good illustration books, and, despite the limits in movement, the characters are very expressive and beautifully drawn, as well as the landscapes. The world and atmospheres created by Laloux are superb, both familiar and strange. The Recipe? Mix Dali surreal landscapes, Bosch architecture and fauna/flora creatures, add a hint of 19th century botanical drawings, slowly pour some Pink Floyd-ish music, and whisk all energetically with a fat-free faux-mythological metaphorical story, and you have The Savage Planet, which is the original title of the movie in French.
The story is very interesting and has many possible interpretations and readings: the role of humans in Nature, cohabitation and coexistence of different species and political systems, what makes different species superior and savage, among others. I found funny that the people in the story are called Oms (French word for people is Hommes and it sounds the same as Oms), and the main character is called Terr (the name of earth in French is Terre and sounds the same as Terr).
The main problem with the story and the characters is that they are not always engaging as they don't transmit enough emotion or feeling to the viewer. The viewer doesn't feel empathy towards the poor suffering human pets or towards the aliens, the first because they really act like a pest, and the second because they are too spiritual and developed to tolerate others than themselves. This is all intended, but still frigidly expressed. The lack of thrill is what kills the movie.
Nevertheless, this is one of those animation movies that everybody should see, full of imagination, talent, and landmarks in Animation. A cult movie that deserves the cult. Unique.
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- How long is Fantastic Planet?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 2 704 $US
- Durée1 heure 12 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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