It's pretty rare that I watch simple, straightforward thrillers, let alone particularly enjoy them, so She Cried Murder was quite a treat to me. As simple as they come, without a speck of fat, this is lean, keen stuff even by made for television standards, clocking in at around 66 minutes in length, a good six or seven minutes shorter than the average. The action starts immediately with model Sarah Cornell witnessing a man push a lady to her death in front of a subway train, and her nightmare really begins when encounters said murderer later, the nefarious individual being rather keen to keep her quiet after having seen her see him. From then on the film takes the form of a constant chase, mixed with a dash of paranoia and a few explanatory digressions providing context without slowing down the main pulse. The lovely Lynda Day George makes a good fist of the main role, she isn't the most convincing as an actress but looks the part and throws herself into the action with an agreeable determination that grows effectively frayed and desperate as her pursuer proves frightening tenacious. Telly Savalas is excellent as said pursuer, playing things low key, soft faced and even superficially charming, he menaces through the contrast of his actions and demeanour rather than playing things up as a baddie and is all the better for it. Nobody else really has big enough roles to make an impression, but Mike Farrel (BJ from M.A.S.H.) does have a nice turn as a sympathetic police officer. There's little more to say about this that would stray into the realms of spoilers, but director Herschel Daughtery does a sterling job with both the pace and set pieces, there are several moments of seat edge suspense and the finale is a minor marvel. At times the film is even somewhat reminiscent of Italian gialli, though the film only very seldom approaches the same heights of style and has almost none of the same twisted verve. As one might expect of a made for television production things are rather tame, and there are one or two nagging loose ends, but on the whole this is a splendid ride, one that never wears out its excitement and is hence well worth a look for vintage thriller fans.
