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MA NOTE
Ajouter une intrigue dans votre langueIn the Deep South, a trainer of fighting cocks takes a vow of silence and gambles his loves and possessions in a bid to win a championship.In the Deep South, a trainer of fighting cocks takes a vow of silence and gambles his loves and possessions in a bid to win a championship.In the Deep South, a trainer of fighting cocks takes a vow of silence and gambles his loves and possessions in a bid to win a championship.
Histoire
Le saviez-vous
- AnecdotesWhile trying to come up with an ad campaign to this seemingly unmarketable film, New World's advertising committee came up with this humorous fake tagline: "He came into town with his cock in hand, and what he did with it was illegal in 49 states."
- ConnexionsFeatured in Warren Oates: Across the Border (1993)
Commentaire à la une
"Cockfighter" is one of a number of collaborations between Monte Hellman and Warren Oates, with a brilliant, austere script written by Charles Willeford (also author of the book) and equally simple yet elegant cinematography by Nestor Alemendros, D.P. of Malick's "Badlands" and "Days of Heaven".
This film really captures an emerging respect and relationship between Hellman and Oates, who barely utters a word through the whole film. Like "The Shooting", "Ride in the Whirlwind" and "Two-lane Blacktop", Hellman turns to Oates for a unique and character-driven performance.
It's qualities envoke a very specific 60s and 70s motif of existentialism, a rambling from place to place and between relationships. Oates' stoicism really carries the feel of the film, with very honest performances from supporting actors Harry Dean Stanton, Richard B. Shull and Laurie Bird.
While not wanting to ruin the plot, it must be stated that the "sport" of cockfighting, while playing a part in the plot and cinematography, is really the backdrop of the story. Oates' Frank Mansfield is the true subject of the film, who, from the beginning, is a broken man on a mission, willing to keep going against the odds for his small piece of redemption. His path is very idiosyncratic, yet empathy for his positions and desires is universal.
From the cover and other reviews, it may seem that "Cockfighter" is an adventure film, rife with shock value and violence. While there are distinctly beautiful and poignant images of cockfighting (animal lovers beware), it's pace and personality are more like that of an "art film". In an effort to market the film by famed "shock" producer Roger Corman, posters and alternate titles ("Born to Kill") depict a film for a mass, Middle-American audience ready to see blood drawn.
As a huge fan of Hellman and Oates, especially Cockfighter, my opinion is that the marketing of the film and it's outer "cover" (literally and figuratively) were designed to get it seen at any cost.
This is Independent Film before it had a name, when it was simply at any cost and by any means. "Cockfighter" is a film full of philosophy, humility and respect, underrated if one ever was.
This film really captures an emerging respect and relationship between Hellman and Oates, who barely utters a word through the whole film. Like "The Shooting", "Ride in the Whirlwind" and "Two-lane Blacktop", Hellman turns to Oates for a unique and character-driven performance.
It's qualities envoke a very specific 60s and 70s motif of existentialism, a rambling from place to place and between relationships. Oates' stoicism really carries the feel of the film, with very honest performances from supporting actors Harry Dean Stanton, Richard B. Shull and Laurie Bird.
While not wanting to ruin the plot, it must be stated that the "sport" of cockfighting, while playing a part in the plot and cinematography, is really the backdrop of the story. Oates' Frank Mansfield is the true subject of the film, who, from the beginning, is a broken man on a mission, willing to keep going against the odds for his small piece of redemption. His path is very idiosyncratic, yet empathy for his positions and desires is universal.
From the cover and other reviews, it may seem that "Cockfighter" is an adventure film, rife with shock value and violence. While there are distinctly beautiful and poignant images of cockfighting (animal lovers beware), it's pace and personality are more like that of an "art film". In an effort to market the film by famed "shock" producer Roger Corman, posters and alternate titles ("Born to Kill") depict a film for a mass, Middle-American audience ready to see blood drawn.
As a huge fan of Hellman and Oates, especially Cockfighter, my opinion is that the marketing of the film and it's outer "cover" (literally and figuratively) were designed to get it seen at any cost.
This is Independent Film before it had a name, when it was simply at any cost and by any means. "Cockfighter" is a film full of philosophy, humility and respect, underrated if one ever was.
- kidbluenoah
- 4 oct. 2004
- Permalien
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- How long is Cockfighter?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Born to Kill
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 23 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Cockfighter (1974) officially released in India in English?
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