NOTE IMDb
5,9/10
18 k
MA NOTE
Diverses personnes luttent pour survivre à Los Angeles, en Californie suite à un tremblement de terre aux proportions inimaginables.Diverses personnes luttent pour survivre à Los Angeles, en Californie suite à un tremblement de terre aux proportions inimaginables.Diverses personnes luttent pour survivre à Los Angeles, en Californie suite à un tremblement de terre aux proportions inimaginables.
- Récompensé par 1 Oscar
- 3 victoires et 7 nominations au total
Geneviève Bujold
- Denise Marshall
- (as Genevieve Bujold)
Walter Matthau
- Drunk
- (as Walter Matuschanskayasky)
Pedro Armendáriz Jr.
- Emilio Chavez
- (as Pedro Armendariz Jr.)
Histoire
Le saviez-vous
- AnecdotesThe producer, Jennings Lang, offered a cameo role to his friend Walter Matthau. Matthau accepted, without compensation, on the condition that he be billed under the name "Walter Matuschanskayasky," the last name being a long-standing "inside joke" that he had used for decades. The role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed - as agreed to by Lang and Matthau - "The Drunk" was credited as "Walter Matuschanskayasky." This led to a long-standing (and false) rumor that "Matuschanskayasky" was Matthau's real last name.
- GaffesWhen Miles (Richard Roundtree) drives in and out of the loop on his motorcycle, the stuntman is a White stuntman wearing dark makeup.
- Versions alternativesFor the initial network television showing broadcast on NBC in September 1976, additional footage was shot to lengthen the film in order to show it over two nights. The most extensive segment of new footage is a subplot of a newlywed couple (Debralee Scott and Sam Chew Jr.) on a flight to Los Angleles so the husband can interview for a job with Stewart Graff (Charlton Heston). The plane tries to land as the earthquake hits, but the pilots are able to regain control and fly away before the runway breaks up. Other significant segments are new scenes with Jody (Marjoe Gortner) and Rosa (Victoria Principal), which establish Jody's obsession with Rosa, as well as one short scene in a pawn shop with Buck (Jesse Vint) and Hank (Michael Richardson), who play Marjoe's roommates in the theatrical version. Contrary to popular belief, these additional scenes were *not* "leftover" footage from the original 1974 theatrical release. Rather, the footage was filmed almost two years later by NBC to expand the film. These additional scenes were shot without the original director Mark Robson, who opted out, (in fact, he loathed the additional scenes), but they were shot with Universal's approval. In addition, two deleted scenes originally shot for the theatrical release were re-inserted into the television version, including a narrative opening about the San Andreas Fault, as well as a scene of Rosa brushing off a guy (Reb Brown) trying to give her a ride on his motorcycle.
- ConnexionsEdited from Le Rideau déchiré (1966)
Commentaire à la une
In 1974 I was 29 years old when I first saw this movie. At the time I didn't question the suitability of the lead stars as I had grown up with them appearing in other films. Considering all the various genre of films I had seen up to that time, I must confess that it didn't seem a bad effort at that point in time. I grew up with various westerns and others and one film in particular I remember well is the classic "King Kong".
Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.
However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.
Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.
However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.
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Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 79 666 653 $US
- Montant brut mondial
- 79 666 653 $US
- Durée2 heures 2 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What is the Japanese language plot outline for Tremblement de terre (1974)?
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