Barry Lyndon

Martin Scorcese reportedly considers this to be Kubrick's best film. I must agree, and I would say it's his best by some fair margin. I've never seen a film with photography that even begins to approach that in Barry Lyndon. But everyone mentions the photography. The three things that most decisively set this film apart from all of Kubrick's others and really haven't been mentioned enough are its enormous heart, its uncompromising spirit, and the way it seems to suspend time over and over again, simultaneously standing still yet flowing along easily, almost breathlessly. If you watch it expecting A Clockwork Orange or The Shining, you'll be very disappointed and may end up calling it long and boring, but if you set aside an entire evening and surrender yourself totally to its magic, I swear you'll be looking for yourself in Stunland a few hours later. I's time to treat yourself to Barry Lyndon. You may be shocked at discovering what's been there for so long.