On va marier le rejeton d'une châtelain désargenté à une vierge héritière, en cachant qu'il est le fruit d'une relation bestiale, ancienne. Mais ce secret de famille se dévoile dans les rêve... Tout lireOn va marier le rejeton d'une châtelain désargenté à une vierge héritière, en cachant qu'il est le fruit d'une relation bestiale, ancienne. Mais ce secret de famille se dévoile dans les rêves masturbatoires de la fiancée, en la faisant honteusement jouir. [255]On va marier le rejeton d'une châtelain désargenté à une vierge héritière, en cachant qu'il est le fruit d'une relation bestiale, ancienne. Mais ce secret de famille se dévoile dans les rêves masturbatoires de la fiancée, en la faisant honteusement jouir. [255]
- Duc Rammendelo
- (as Dalio)
Histoire
Le saviez-vous
- AnecdotesActor Bryan Pringle once took a date to a screening of La Bête (1975) in London. She was reportedly "appalled by his taste in films."
- Citations
Priest: Spring is the cause of our excitement. We, frail humans, we are like animals, we suffer the laws of nature. Alas!
Pierre de l'Esperance: Happily, we have this intelligence, this heavenly gift, which enables us to fight our instincts.
- Versions alternativesThe film was rejected for UK cinema in 1978 by the BBFC and released on video in 1988 (as "Death's Ecstasy") with around 9 minutes of distributor pre-edits. It was finally passed completely uncut for cinema and video in 2001.
- ConnexionsEdited from Contes immoraux (1973)
The film starts off with a sequence that sees a randy male horse mount a female. This opener puts an exclamation mark on the film and prepares the audience, in some ways, for the incredible, tour de force of eroticism that they are about to see. The scenes which see the beast mate with the woman are gratuitous and shocking, and are bound to offend many people (hence the reason it was banned for over 20 years), but these scenes are not merely an excuse for Borowczyk to shock the viewer; this film has a defining point. As said during the film; the only difference between man and beast is intelligence. Both man and beast have instincts, only man knows how to control them. The Beast explores this difference between man and beast through sexuality; the fantasy sequence in which the beast appears epitomises the control of human desire, and it is only when the central female character lets go of her control that she can see the beast. The film has strong themes of the age-old story of 'beauty and beast' weaved into it, and overall this is a shockingly morbid tale of lust, but not without a moral.
Many criticise the scenes around the film's shocking sex sequences for being boring, but these scenes are important to the film's story. Without these scenes, we wouldn't get to know the characters or the story of the beast, and, most importantly; the story of 'beauty and the beast' would not be able to have it's horrifying conclusion dealt to the audience, and as that is one of the key elements of the film; it would be a real shame. Besides that, Borowczyk keeps his audience entertained through these scenes, not with shocks, but with dialogue and the upper class persona of the family, along with the beautiful shots of the mansion's ground would not be seen, and therefore the stark contrast between that and the events later on in the film would not exist either.
Overall, The Beast is a shocking film. It's portrayal of a taboo subject and the shocking way it is portrayed will ensure that this film is not for everyone. However, if you can get over the film's shock, and embrace The Beast; what awaits is a skilful and beautiful piece of art that should not be missed by anyone that is willing to give this film a chance.
Meilleurs choix
- How long is The Beast?Alimenté par Alexa
Détails
- Durée1 heure 38 minutes
- Mixage
- Rapport de forme
- 1.66 : 1