NOTE IMDb
7,6/10
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MA NOTE
Dans la Russie tsariste, un soldat névrosé et sa lointaine cousine complotent pour assassiner Napoléon.Dans la Russie tsariste, un soldat névrosé et sa lointaine cousine complotent pour assassiner Napoléon.Dans la Russie tsariste, un soldat névrosé et sa lointaine cousine complotent pour assassiner Napoléon.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Féodor Atkine
- Mikhail
- (as Feodor Atkine)
Yves Barsacq
- Rimsky
- (as Yves Barsaco)
Gérard Buhr
- Servant
- (as Gerard Buhr)
Henri Czarniak
- Ivan
- (as Henry Czarniak)
Histoire
Le saviez-vous
- AnecdotesIn an interview with 'Esquire' magazine, Woody Allen once said of the making of this movie: "When good weather was needed, it rained. When rain was needed, it was sunny. The cameraman was Belgian, his crew French. The underlings were Hungarian, the extras were Russian. I speak only English - and not really that well. Each shot was chaos. By the time my directions were translated, what should have been a battle scene ended up as a dance marathon. In scenes where Keaton and I were supposed to stroll as lovers, Budapest suffered its worst weather in twenty-five years".
- GaffesThe young Boris has blue eyes, but the adult Boris has brown eyes.
- Citations
Sonja: To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be unhappy, one must love or love to suffer or suffer from too much happiness. I hope you're getting this down.
- Crédits fousRussian composer Sergei Prokofiev is listed in the credits as "S. Prokofiev," just the way he would have been listed in the credits of a Russian film.
- Versions alternativesThe MGM DVD release deletes the pre-title Prokofiev overture.
- ConnexionsFeatured in V.I.P.-Schaukel: Épisode #7.3 (1977)
Commentaire à la une
As a huge Woody Allen fan, I was delighted and surprised by this film. I have scarcely heard anyone mention it, but for my money it is the single most comically dense of all of Woody's films. There are so many truly impressive/hilarious/memorable one-liners that I'm amazed people don't quote this movie left and right. The setting, costumes, accents all add to the hilarity of the film--truly reminiscent of a Marx Brothers romp. Really outstanding among his pre-Annie Hall films. Only rivaled by Bananas in my opinion for simple laugh value.
Unlike any other of his films, this deals with his "deep" questions of death/metaphysics in an unflaggingly light and comical fashion. For instance:
Sonja: But judgment of any system or a priori relation of phenomena exists in any rational or metaphysical or at least epistemological contradiction to an abstracted empirical concept such as being or to be or to occur in the thing itself or of the thing itself.
Boris: Yeah, I've said that many times.
Not Woody's "best" film (see Annie Hall, Manhattan, Crimes and Misdemeanors), but perhaps his most laugh-filled. Satisfying throughout. I give it a 9/10.
Unlike any other of his films, this deals with his "deep" questions of death/metaphysics in an unflaggingly light and comical fashion. For instance:
Sonja: But judgment of any system or a priori relation of phenomena exists in any rational or metaphysical or at least epistemological contradiction to an abstracted empirical concept such as being or to be or to occur in the thing itself or of the thing itself.
Boris: Yeah, I've said that many times.
Not Woody's "best" film (see Annie Hall, Manhattan, Crimes and Misdemeanors), but perhaps his most laugh-filled. Satisfying throughout. I give it a 9/10.
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Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 123 742 $US
- Montant brut mondial
- 20 123 742 $US
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