Zack Mayo le bâtard d'un sans grade alcoolo de la Navy décide de changer son destin en intégrant une école d'officiers pilotes. Autour de la base, de génération en génération, les filles de ... Tout lireZack Mayo le bâtard d'un sans grade alcoolo de la Navy décide de changer son destin en intégrant une école d'officiers pilotes. Autour de la base, de génération en génération, les filles de l'usine n'ont qu'un rêve : se faire épouser. Pas de ça avec Mayo. [en 255 car. pour champ ... Tout lireZack Mayo le bâtard d'un sans grade alcoolo de la Navy décide de changer son destin en intégrant une école d'officiers pilotes. Autour de la base, de génération en génération, les filles de l'usine n'ont qu'un rêve : se faire épouser. Pas de ça avec Mayo. [en 255 car. pour champ texte]
- Récompensé par 2 Oscars
- 9 victoires et 15 nominations au total
- Bunny
- (as Mara Scott Wood)
Histoire
Le saviez-vous
- AnecdotesDirector Taylor Hackford purposely kept Louis Gossett Jr. living in separate quarters from the rest of the cast to further his character's intimidating presence as a drill instructor.
- GaffesJust before the officer candidates take the oath and graduate, a recruit announces, "All officers present." The candidates' swords are up on their shoulders, but in the next shot, the swords are in their scabbards.
- Crédits fousWith special thanks to Art Kulman of the Washington State Dept. of Commerce & Economic Development, Fort Worden State Park, Gus Gustafson, Brent Shirley, and the people of Port Townsend, Washington.
- Versions alternativesNBC cut 6 minutes from this film for its 1986 network television premiere.
- Bandes originalesUp Where We Belong
Sung by Joe Cocker and Jennifer Warnes
Lyric by Will Jennings
Music by Jack Nitzsche and Buffy Sainte-Marie
Recording produced by Stewart Levine
The plot similarities are obvious: They all include the angry young man who needs to prove his gifting, the uncompromising mentor, the encouraging babe, the craft, the arena and the doomed buddy. In "An Officer" the angry young man is Richard Gere as Mayo, the mentor is Louis Gossett Jr. as Drill Instructor Folely, the babe is Paula (Debra Winger), the craft is aviation basic training, the arena is a Naval academy and the Puget Sound area of Washington (shot on location) and the buddy is Sid Worley (David Keith).
Thankfully, the film doesn't get bogged down telling the back-story of Mayo. Instead, it ingeniously shares his past in a matter of minutes at the very beginning. It's all we need to know to understand why Mayo is the way he is. And then we're off to basic training where he's tested. Does he have what it takes? Can someone as lowborn, aloof and un-trusting as Mayo make it as an officer?
Debra Winger and Lisa Blount shine here as Mayo and Worley's babes. Winger is alluring in a humble "girl next door" type of way (she out-shined Lynda Carter as Wonder Girl on "Wonder Woman," which is hard to believe), but Blount is even more alluring -- yes, despite the negative aspects of her character. I'll just put it this way, she really fills out a pair of jeans, lol.
Both couples get intimate way too quickly, but maybe this is one of the flaws of the "Puget Debs" and explains why they have a problems getting marriage material, if you know what I mean. Besides this, time has to be condensed in a two-hour film.
BOTTOM LINE: If you're in the mood for a film of this ilk "An Officer and a Gentleman" is the best of the lot.
GRADE: A
INSIGHTS ABOUT THE ENDING (***SPOILER ALERT*** Don't read further unless you've seen the film):
An officer is a military leader. Drill Instructor Foley's job is to weed out those who can't hack it as an officer. It's an important job because people's lives in combat are dependent on the quality of the leaders and Foley takes his job seriously.
Foley rightly pegs Mayo as a lowlife loner from the outset -- a wannabe officer -- and therefore puts on the pressure. This is especially so on the one weekend where he has Mayo to himself. Foley does everything he can to make Mayo break AND quit, but Mayo doesn't. He breaks, indeed, but he refuses to quit on the grounds that he has no where to go. At the end of this scene you can see that Foley develops respect for Mayo (which you get a glimpse of earlier when Mayo does extremely well on the obstacle course).
Later, Mayo disregards breaking the record on the obstacle course (which he was definitely able to do) in order to encourage Seegar (the female recruit) to finally make it over the wall. Foley sees that Mayo's no longer the aloof and selfish loner he was when he rode in on his motorcycle. He's matured; he's developed character. It was already there, of course, but the boot camp training has brought it to the fore, and Foley sees it.
After Worley's tragic death, Mayo confronts Foley while he's drilling the platoon. Foley informs Mayo that they all know what happened and even tells him they're sorry about Worley. He didn't have to do this and it shows that Foley isn't just an honorable man, but also that he cared about Worley. After all, Worley was only one week away from graduating! In a sense, he was one of Foley's kids. In other words, Foley and the platoon were grieving too. But Mayo was closest to Worley and he's crazy with shock & grief at this point. He insists that he's going to quit, to which Foley tells him to meet him for a fight. Sure, there's some testosterone in his words, but he actually does this out of respect for Mayo as a last ditch effort to keep him from dropping out.
And Foley doesn't "kick his axx", as some claim. It was essentially an even match and Foley barely walks off the mat, which is the only reason he technically wins. But that's inconsequential. The purpose of the fight was to run Mayo's steam out so he didn't make a rash decision in an obvious moment of grief & anger. Foley accomplished his purpose. Once Mayo was no longer blinded by rage he makes the right choice and graduates.
This is why he thanks Foley at the end.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- An Officer and a Gentleman
- Lieux de tournage
- The Tides Inn - 1807 Water Street, Port Townsend, Washington, États-Unis(Motel scenes, Zack & Paula stayed in room #10, while Sid & Lynette used room #12, the latter being the same room where Sid committed suicide.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 129 795 554 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 304 679 $US
- 1 août 1982
- Montant brut mondial
- 129 795 890 $US