Ajouter une intrigue dans votre langueFollowing his father's early death and the loss of possessions in France young Henry VI comes to the throne, under the protection of the duke of Gloucester. He is unaware that there are othe... Tout lireFollowing his father's early death and the loss of possessions in France young Henry VI comes to the throne, under the protection of the duke of Gloucester. He is unaware that there are other claimants to the throne, Plantagent of York and Somerset of Lancaster, whose factions wi... Tout lireFollowing his father's early death and the loss of possessions in France young Henry VI comes to the throne, under the protection of the duke of Gloucester. He is unaware that there are other claimants to the throne, Plantagent of York and Somerset of Lancaster, whose factions will ultimately cause the Wars of the Roses. Ignorant of the schisms Henry tries to unite th... Tout lire
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- AnecdotesThis episode was filmed on the same set as The First Part of Henry the Sixth (1983). However, designer Oliver Bayldon altered the set so it would appear that the paint work was flaking and peeling, and the set falling into a state of disrepair, as England descended into an ever increasing state of chaos. In the same vein, the costumes became more and more monotone as the four plays went on; The First Part of Henry the Sixth (1983) features brightly coloured costumes which clearly distinguish the various combatants from one another, but by The Tragedy of Richard III (1983), everyone fights in similarly coloured dark costumes, with little to differentiate one army from another.
- GaffesToutes les informations contiennent des spoilers
- Citations
Dick the Butcher: The first thing we do, let's kill all the lawyers.
- ConnexionsFollowed by The Third Part of Henry the Sixth (1983)
The BBC Television Shakespeare series is interesting, for having productions of all of his plays and for seeing fine actors that were already experienced in Shakespeare or were early on in their careers, even if it is also not a consistent one. Most are decent to brilliant, though it is not without its disappointments (the weakest as far as the previous productions of the series go being 'A Midsummer Night's Dream'). 'Henry VI' is the second of only two plays to be split in performance for the series in more than one part, the first being 'Henry IV', this review is for the series' production of the second part and the production fits in the good category on the whole. It more than makes do as a production of a not-often-performed play and another play where DVD/VHS competition is far from large, another available version being the adaptation as part of 'The Hollow Crown' series.
Am beginning with the good things, having started with the bad things in the review for the also good if not great first part. Of which this production of the second part is a marginal improvement on, having not liked Brenda Blethyn's interpretation of Joan (personal opinion of course and probably not shared with some) and she is not here.
It's the cast that makes 'The Second Part of King Henry VI' worth watching. Some people have problems with Peter Benson in the title role, am going to continue being one of those in defense of him. He is too old for the title role, but brings a lot of authority and sincerity to it. It was an intriguing and brave move having most of the cast doubling roles, and they do very, very well bringing contrasting personalities to them. Found the cast standouts this time to be Trevor Peacock as an absolutely terrific Jack Cade, David Burke's thoughtful Gloucester and Bernard Hill's chilling York. Ron Cook also makes his first appearance as Richard III, before he became king, and it's a promising one. Paul Chapman fares strongly too as Suffolk.
Felt that the costumes were at least tasteful and were more appealing on the eye, while the staging is on the most part done with a lot of spirit and thought, avoiding being cluttered or having overblown speactacle that would potentially swamp the drama and there is enough momentum and action to avoid the static trap (on the most part, it is not completely avoided). Jack Cade's commanding rebellion scenes are indeed among the stirring scenes of the series. The emotional impact is there and a lot of it is to do with Shakespeare's writing being so good and that the cast speak and act it so wonderfully. The camera work has enough intimacy while not being too restricted.
However, am still not one of the biggest of fans of the production values, well the sets really, even with the more abstract look which had the potential to make it more interesting it did look drab and under-budgeted. Not the most appealing or interesting productions to look at from personal tastes.
The staging at times could have opened up more, as parts are on the stagy and static side so there are a few dull patches.
Julia Foster's Margaret also came over as insipid and like she didn't want to be there.
Summing up, another good if not great production. 7/10
- TheLittleSongbird
- 23 mai 2019
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Complete Dramatic Works of William Shakespeare: Henry VI, Part Two
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée3 heures 23 minutes
- Couleur