Le retour de Max Dugan

As an actress, Marsha Mason always makes the best of an occasionally bad situation ("Audrey Rose", "Chapter Two"), yet in "Max Dugan Returns" she really gets to shine with excellent material. She has often played mothers, but Mason's relationship here with screen-son Matthew Broderick is extremely warm and real--it lives beyond the wisecracks--and as a daughter to Jason Robards she's funny and occasionally maternal. Plot about an L.A.-area teacher struggling to keep ahead of the bill collector has a jaunty, lively rhythm and a vitality that puts it above most family comedies. When the teacher gets a visit from her long-lost father, carrying a satchel of stolen money, the story thickens but doesn't bubble over. Director Herbert Ross does a good job at keeping the situation grounded. Donald Sutherland is perhaps an odd casting choice as the detective/love-interest investigating Pop (Sutherland has played so many heavies, he still has an evil glint in his eyes and an edge in his voice), however he makes the character right for him. Credit Neil Simon with one of his best scripts; he has no agenda here except to make us laugh, though that presents a problem when reality sinks in and daughter and dad have to deal with the moral (and legal) ramifications of the money. There are some quick lines at the finale designed to make the ending a happy one, but I'm not so sure Mason would be in the clear after the police become involved--nor would her romance with Sutherland be quite so rosy once he has to choose the law over his feelings for her. And why does Mason say "he's going to drive" at the finale when the car turns into an animated plane? Would Pop ditch the car at the airport? And what about that lunch date at Pizza Hut? When Mason and Broderick show up in a taxi, wouldn't detective Sutherland be a little bit suspicious? *** from ****