Dans le cadre d'un accord avec une agence de renseignements pour rechercher son frère disparu, un pilote rebelle part en mission avec un hélicoptère de combat avancé.Dans le cadre d'un accord avec une agence de renseignements pour rechercher son frère disparu, un pilote rebelle part en mission avec un hélicoptère de combat avancé.Dans le cadre d'un accord avec une agence de renseignements pour rechercher son frère disparu, un pilote rebelle part en mission avec un hélicoptère de combat avancé.
- Récompensé par 1 Primetime Emmy
- 4 victoires et 7 nominations au total
Parcourir les épisodes
Histoire
Le saviez-vous
- AnecdotesJan-Michael Vincent's addiction to alcohol and drugs was a constant problem during filming.
- GaffesAirwolf's control stick has two buttons controlled by the thumb: On the left side to enable "turbos", on the top to fire a missile. Throughout season 3 Hawke and Dominic sometimes press the top "missile" button to engage turbos.
- Citations
Dominic Santini: [after they've flown Airwolf into the Upper Atmosphere] Now, would mind telling me why the hell we did that?
Stringfellow Hawke: I just wanted to see if it could be done.
- Versions alternativesIn the Italian version Hawke's surname is "Stradivarius".
- ConnexionsFeatured in Jan-Michael Vincent Is My Muse (2002)
Commentaire à la une
As a young teenager at the time, Airwolf was compulsory viewing for a generation who wanted their "Cowboys and Indians" to have amazing gadgets and whizz-bang explosions.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.
But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.
With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.
For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Lobo del aire
- Lieux de tournage
- Monument Valley, Utah, États-Unis(establishing shots of the Valley of the Gods)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
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