Un mercenaire est embauché pour sauver son ex-petite amie, une chanteuse qui a été enlevée par un gang de motards.Un mercenaire est embauché pour sauver son ex-petite amie, une chanteuse qui a été enlevée par un gang de motards.Un mercenaire est embauché pour sauver son ex-petite amie, une chanteuse qui a été enlevée par un gang de motards.
- Récompenses
- 2 victoires et 1 nomination au total
Grand L. Bush
- The Sorels - Reggie
- (as Grand Bush)
Mykelti Williamson
- The Sorels - B.J.
- (as Mykel T. Williamson)
Histoire
Le saviez-vous
- AnecdotesThe Attackers were the real-life band-mates of Laurie Sargent, who provided the singing voice for Ellen Aim. Their band was called Face to Face and they played mainly "new wave" music around the Boston area. The group split up in 1988.
- GaffesWhen the Sorels' bus is stopped by the cop roadblock, as McCoy is pulling the bus to a stop, there's a shot of her in the driver's seat. Seated directly behind Amy Madigan is a middle aged woman who looks like a crew member, present throughout the entire shot. She disappears immediately after the cut and is never seen again, nor was she a passenger on the bus prior to this scene.
- Versions alternativesAn 'R' rated version of the film was shown to theater exhibitors before being cut to a 'PG' for theatrical release.
- ConnexionsEdited into Code Quantum: Miss Deep South - June 7, 1958 (1990)
- Bandes originalesNowhere Fast
Performed by Fire Inc.
Vocals: Holly Sherwood, Rory Dodd, Eric Troyer
Written and Produced by Jim Steinman
Commentaire à la une
This is a brilliant film that is much more than it should be because of one genius director - Walter Hill.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
- monster-monster
- 29 nov. 2005
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Calles de fuego
- Lieux de tournage
- Wilmington, Los Angeles, Californie, États-Unis(Factory rooftop scenes; Torchie's industrial area club scenes.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 089 290 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 426 500 $US
- 3 juin 1984
- Montant brut mondial
- 8 090 173 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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