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Pulsions

Titre original : Dressed to Kill
  • 1980
  • 16
  • 1h 44min
NOTE IMDb
7,0/10
55 k
MA NOTE
POPULARITÉ
2 991
24
Pulsions (1980)
A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.
Lire trailer2:06
4 Videos
99+ photos
GialloThriller érotiqueTueur en sérieWhodunnitCriminalitéDrameMystèreThriller

Une blonde mystérieuse tue la patiente d'un psychiatre, puis s'en prend à la call-girl, témoin du meurtre.Une blonde mystérieuse tue la patiente d'un psychiatre, puis s'en prend à la call-girl, témoin du meurtre.Une blonde mystérieuse tue la patiente d'un psychiatre, puis s'en prend à la call-girl, témoin du meurtre.

  • Réalisation
    • Brian De Palma
  • Scénariste
    • Brian De Palma
  • Stars
    • Michael Caine
    • Angie Dickinson
    • Nancy Allen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    55 k
    MA NOTE
    POPULARITÉ
    2 991
    24
    • Réalisation
      • Brian De Palma
    • Scénariste
      • Brian De Palma
    • Stars
      • Michael Caine
      • Angie Dickinson
      • Nancy Allen
    • 308avis d'utilisateurs
    • 163avis des critiques
    • 74Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 10 nominations au total

    Vidéos4

    Official Trailer
    Trailer 2:06
    Official Trailer
    Dressed To Kill: The Attack
    Clip 0:28
    Dressed To Kill: The Attack
    Dressed To Kill: The Attack
    Clip 0:28
    Dressed To Kill: The Attack
    Dressed To Kill: I Shouldn't Have Been So Rude
    Clip 1:07
    Dressed To Kill: I Shouldn't Have Been So Rude
    Dressed To Kill: Elevator Ride
    Clip 1:36
    Dressed To Kill: Elevator Ride

    Photos140

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    + 134
    Voir l'affiche

    Casting principal29

    Modifier
    Michael Caine
    Michael Caine
    • Dr. Robert Elliott
    Angie Dickinson
    Angie Dickinson
    • Kate Miller
    Nancy Allen
    Nancy Allen
    • Liz Blake
    Keith Gordon
    Keith Gordon
    • Peter Miller
    Dennis Franz
    Dennis Franz
    • Detective Marino
    David Margulies
    David Margulies
    • Dr. Levy
    Ken Baker
    • Warren Lockman
    Susanna Clemm
    Susanna Clemm
    • Betty Luce
    Brandon Maggart
    Brandon Maggart
    • Cleveland Sam
    Amalie Collier
    • Cleaning Woman
    Mary Davenport
    • Woman in Restaurant
    Anneka Di Lorenzo
    • Nurse
    • (as Anneka De Lorenzo)
    Norman Evans
    • Ted
    Robbie L. McDermott
    • Man in Shower
    Bill Randolph
    Bill Randolph
    • Chase Cabbie
    Sean O'Rinn
    • Museum Cabbie
    Fred Weber
    • Mike Miller
    Samm-Art Williams
    • Subway Cop
    • Réalisation
      • Brian De Palma
    • Scénariste
      • Brian De Palma
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs308

    7,055K
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    Avis à la une

    7Ahmad_pilehvar

    One of Brian De Palma's best mysterious pictures

    I believe it was one of the best works of Mr De Palma. I like the story it was wonderful & I it took me almost after 75 min of watching movie to take guess who could be the mysterious killer and when I find out I got quiet excited although 10 minutes later everybody knew who's the killer. but all in all I enjoyed that and I could call it one of the best Mystery, Thriller movies I have ever seen of curse with breath taking ending. I should say the acting of Michael Caine & Nancy Allen were perfect.
    8fertilecelluloid

    Surreal, bloody, erotically charged odyssey

    When you compare what Brian De Palma was doing in the 80's to what passes for entertainment today, his films keep looking better and better. "Dressed To Kill, "Blow Out", "Body Double", "Scarface" and "Carlito's Way" are all superb works of a cinematic craftsman at the peak of his powers. The guy had a long run of better than average films. This is pure Hitchcock with an 80's dash of lurid perversion, an affectionately told tale of lust and murder with plenty of twists, huge helpings of style, a stunning Pino Donaggio score, and a trashy, giallo-inspired plot. De Palma's love of complex camera-work and luscious, blood-smudged visuals helps overcome the logical holes while the terrific performances of Dennis Franz, Keith Gordon (a good director in his own right), Nancy Allen (De Palma's wife at the time) and Michael Caine make every scene special. Let the virtuoso take you on a surreal, scary, erotically charged odyssey and you'll enjoy every frame of "Dressed To Kill".
    8truemythmedia

    One of DePalma's Better Films

    I became rather intrigued with De Palma after watching Blow Out (1981) and one of my friends, who is a De Palma enthusiast, recommended Dressed to Kill based on my love for the former. De Palma's earlier films are, in my opinion, far more interesting than some of his more famous later works like Scarface or The Untouchables. Dressed To Kill feels to me like a Hitchcock film with a dash of Dario Argento; it's meticulously and artfully directed, but it contains scenes of sudden shocking, bloody violence and, at times, gratuitous sex. It feels like a high-class Gialo film in the best way possible.
    DrLenera

    Stunning exercise in audience manipulation,possibly even MORE effective than it's model,Psycho

    Alfred Hitchcock's Psycho may be one of the most influential movies ever-for a start it was at least partially responsible for the whole subgenre of 'slasher' movies and the shower scene has inspired more homages than you can count. Brian De Palma's thriller Dressed To Kill is basically a semi remake of Psycho,right from the structure of it's story to it's villain right down to certain specific scenes. It's also an absolutely stunning piece of audience manipulation and perhaps more importantly a cracking thriller. Watch this film knowing about the Psycho element and as long as you don't mind some graphic sex and violence you should have a whale of a time. In fact,to a modern audience it may very well be more effective than Psycho {and this is coming from a big Hitckcock fan}.

    De Palma's intentions are apparent right from the beginning,which shows a naked woman, played by Angie Dickinson 'enjoying herself' in a shower,with huge close ups of her breasts {not Angie Dickinson's though}. A man suddenly surprises and assaults her. Than we cut to Angie and her husband having loveless sex on a bed. This whole opening sequence has it all-the Psycho reference,the slight twisting of that reference,the dreamy eroticism,the sudden shock,the surprise. It shows De Palma,more than anything else,playing with his audience,manipulating them like puppets on strings. Yes,like Hitckcock,but sometimes going further. Basically,if you like this opening sequence,you will enjoy the rest of the film.

    While there definitely IS a plot {quite a familiar one,but you should know this by now},it is Dressed To Kill's set pieces that stand out,that show De Palma's brilliance. There's a dreamlike and subtly erotic sequence in an art gallery where Dickinson is picked up by a stranger,an incredible murder in a lift which is shocking without showing THAT much blood,a thrilling chase in an underground train station where the heroine is pursued not just by the killer but for a while by a gang of youths,a very scary ending about which I won't go into {except that it features another shower scene!}but where the tension is ramped up to an incredible degree. Here,De Palma is BETTER than Hitchcock.

    Although the best scenes are those without dialogue,where De Palma just lets Pino Donnaggio's lush,darkly beautiful score take over the sound,there is quite a bit of fun to be had in the often deliberately humorous dialogue,and the really rather cute relationship between nerdy Keith Gordon and tough as nails Nancy Allen,who make a great team. The identity of the killer is not exactly hard to spot,perhaps more work could have been done here,but going by the cheeky attitude of the film in general this may have been intentional.

    When Dressed To Kill originally came out it was heavily criticised for being misogynist,especially with the first third of the film {just in case you HAVEN'T seen Psycho,I won't go into detail}. I've always believed that this part of the film is about the possible dangers of indulging one's fantasies. De Palma is NOT a misogynist anyway really,think of the many memorable heroines of his films. Even if you disagree, see Dressed to Kill to see an oft criticised but occasionally brilliant director at the height of his powers.
    7Stevieboy666

    "There's all kind of ways to get killed in this city if you're looking for it!"

    Brian de Palma's erotic suspense psycho thriller/horror has more than just a nod to Hitchcock's classic "Psycho" (1960), however I do not wish to give away any spoilers so I won't say what de Palma has lifted from Hitch's movie. Psycho is easily the better of the two movies but Kill is far more graphic, both in terms of sex and nudity and violence/gore. Very low body count but the lift scene is incredibly bloody. The movie looks great and has some very good suspense. Michael Caine, Angie Dickinson and Nancy Allen are the lead players but Dennis Franz as vulgar New York cop Detective Marino gets my vote as best character. Heavily cut on VHS and for TV but the Blu-ray is uncut, highly recommended. Good looking movie, I enjoyed it but just found the killer reveal to be not very plausible, shame really, I'd like to have scored it higher but it gets a pretty solid 7/10 from me.

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    Centres d’intérêt connexes

    Jacopo Mariani in Les Frissons de l'angoisse (1975)
    Giallo
    Sharon Stone in Basic Instinct (1992)
    Thriller érotique
    Brad Pitt and Morgan Freeman in Seven (1995)
    Tueur en série
    Jude Law in Sherlock Holmes : Jeu d'ombres (2011)
    Whodunnit
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drame
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Angie Dickinson said the scene where her character gets seduced in the back of a taxicab was filmed on-location in New York City, where several gawkers observed the scene and shouted, "Right on, Police Woman!" (referring to her previous television role as the title character on Sergent Anderson (1974)).
    • Gaffes
      (at around 55 mins) Peter Miller looks in the visor of his Super 8 camera. The format of the visor is 'Cinemascope', which never has been really possible with S8. Later, when the resulting movie is seen, it is in the standard 4/3 format.
    • Citations

      Liz Blake: Do you want to fuck me?

      Dr. Robert Elliott: Oh, yes.

      Liz Blake: Well, why don't you?

      Dr. Robert Elliott: Because I'm a doctor and...

      Liz Blake: Fucked a lot of doctors.

      Dr. Robert Elliott: ...and I'm married.

      Liz Blake: Fucked a lot of them, too.

    • Versions alternatives
      NBC edited 14 minutes from this film for its 1982 network television premiere.
    • Connexions
      Edited into Sex at 24 Frames Per Second (2003)
    • Bandes originales
      The Shower (Main Title Theme)
      (uncredited)

      Composed by Pino Donaggio

      Conducted by Natale Massara

    Meilleurs choix

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    FAQ22

    • How long is Dressed to Kill?Alimenté par Alexa
    • Who played the guy in the museum who lures Angie Dickenson into the taxi?
    • What are the differences between the R-Rated version and the Unrated Version?

    Détails

    Modifier
    • Date de sortie
      • 15 mars 1981 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • MGM
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Vestida para matar
    • Lieux de tournage
      • Philadelphia Museum of Art - 2600 Benjamin Franklin Parkway, Philadelphie, Pennsylvanie, États-Unis
    • Sociétés de production
      • Filmways Pictures
      • Cinema 77 Films
      • American International Pictures (AIP)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 31 899 000 $US
    • Montant brut mondial
      • 31 900 256 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 44min(104 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.39 : 1

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