NOTE IMDb
6,6/10
2,1 k
MA NOTE
Deux adolescentes mal assorties forment un groupe punk et ont bientôt New York à leurs oreilles.Deux adolescentes mal assorties forment un groupe punk et ont bientôt New York à leurs oreilles.Deux adolescentes mal assorties forment un groupe punk et ont bientôt New York à leurs oreilles.
- Récompenses
- 2 nominations au total
Elizabeth Peña
- Disco Hostess
- (as Elizabeth Pena)
Histoire
Le saviez-vous
- AnecdotesThis movie was inspired by a diary that Writer and Director Allan Moyle found in a secondhand couch that he bought. The diary was from a young mentally disturbed woman that featured words and drawings about her life on the streets.
- GaffesIn the ambulance, Pamela Pearl turns the volume knob but the volume of the music does not change.
- Citations
Dr. Zymansky: Meth-o-dist Epis-co-pal.
Nicky Marotta: Take... a... piss... you... ass-hole!
- ConnexionsFeatured in Vintage Video: Times Square (2020)
- Bandes originalesYou Can't Hurry Love
Composed by Brian Holland (as Holland), Lamont Dozier (as Dozier), Eddie Holland (as Holland)
Performed by D.L. Byron
Courtey of Arista Records, Inc. and Stone Agate Music Division
Commentaire à la une
This was a huge favorite of mine as a teenager. I have been looking for a copy of the film for the longest time and finally found one in Germany. It's strange that it's so hard to get a copy of a big cult film like this one.
The film captures well the essence of punk. It is about Nicky and Pamela, two teenage NYC girls. Nicky is from the streets with a dark past and from a broken home. She has serious anger issues but is street smart and has artistic talents. Pamela is from a rich (political) family, with the security that Nicky never had but suffers because her father does not understand her. She is a great poet and full of empathy but has never dared to live her life or take a chance. They meet at a hospital and run away. Together they start a mini punk renaissance in New York CIty.
Into this mix comes a radio host called Johnny LaGuardia (played by Tim Curry) who got a letter from Pamela before she ran away. When he finds out that Pamela is living on the streets he decides to use it to get a small scoop but also to fight against the politics Pamela's father stands for. Johnny LaGuardia wants NYC to stay as it is while Pamela's father wants to clean up the streets. Tim Curry is the weakest link in this film. It's hard to tell if it is because of the script or because he or the director did not understand Johnny LaGuardiahe. Tim Curry plays him as some kind of prophet while everything points to him being a self serving, fame seeking egocentric megalomaniac. Tim Curry is at least never a convincing prophet and we never get the feeling that Tim Curry is playing him sarcastically either.
Not every scene works in this film and it does not hold perfectly together but it has a very rich soul and a desire for sincerity which is very contagious. It also captures well the culture of NYC in the late 70s/early 80s and the reason why punk spoke to the youths. And it has one of the best sound track ever (including The Ramones, The Cure, XTC, Lou Reed, Gary Numan, Talking Heads, Garland Jeffreys, Joe Jackson, Suzi Quatro, Roxy Music, Patti Smith and The Pretenders.) and a lot of wonderful poetry, like this one:
"Dear Daddy, I am not kidnapped. I am me-napped, I am soul-napped, I am Nicky-napped, I am happy-napped.
We are having our own renaissance."
The film captures well the essence of punk. It is about Nicky and Pamela, two teenage NYC girls. Nicky is from the streets with a dark past and from a broken home. She has serious anger issues but is street smart and has artistic talents. Pamela is from a rich (political) family, with the security that Nicky never had but suffers because her father does not understand her. She is a great poet and full of empathy but has never dared to live her life or take a chance. They meet at a hospital and run away. Together they start a mini punk renaissance in New York CIty.
Into this mix comes a radio host called Johnny LaGuardia (played by Tim Curry) who got a letter from Pamela before she ran away. When he finds out that Pamela is living on the streets he decides to use it to get a small scoop but also to fight against the politics Pamela's father stands for. Johnny LaGuardia wants NYC to stay as it is while Pamela's father wants to clean up the streets. Tim Curry is the weakest link in this film. It's hard to tell if it is because of the script or because he or the director did not understand Johnny LaGuardiahe. Tim Curry plays him as some kind of prophet while everything points to him being a self serving, fame seeking egocentric megalomaniac. Tim Curry is at least never a convincing prophet and we never get the feeling that Tim Curry is playing him sarcastically either.
Not every scene works in this film and it does not hold perfectly together but it has a very rich soul and a desire for sincerity which is very contagious. It also captures well the culture of NYC in the late 70s/early 80s and the reason why punk spoke to the youths. And it has one of the best sound track ever (including The Ramones, The Cure, XTC, Lou Reed, Gary Numan, Talking Heads, Garland Jeffreys, Joe Jackson, Suzi Quatro, Roxy Music, Patti Smith and The Pretenders.) and a lot of wonderful poetry, like this one:
"Dear Daddy, I am not kidnapped. I am me-napped, I am soul-napped, I am Nicky-napped, I am happy-napped.
We are having our own renaissance."
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- How long is Times Square?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- She's Got the Shakes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Durée1 heure 51 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Times Square (1980) officially released in India in English?
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