Une femme commence à afficher un comportement de plus en plus troublant après avoir demandé le divorce à son mari. Les soupçons d'infidélité cèdent bientôt la place à quelque chose de bien p... Tout lireUne femme commence à afficher un comportement de plus en plus troublant après avoir demandé le divorce à son mari. Les soupçons d'infidélité cèdent bientôt la place à quelque chose de bien plus sinistre.Une femme commence à afficher un comportement de plus en plus troublant après avoir demandé le divorce à son mari. Les soupçons d'infidélité cèdent bientôt la place à quelque chose de bien plus sinistre.
- Récompenses
- 5 victoires et 4 nominations au total
Maximilian Rüthlein
- Man with Pink Socks
- (as Maximilian Ruethlein)
Histoire
Le saviez-vous
- AnecdotesIsabelle Adjani is reported as saying: "Possession is only the type of film you can do when you are young. He [Zulawski] is a director that makes you sink into his world of darkness and his demons. It is okay when you are young, because you are excited to go there. His movies are very special, but they totally focus on women, as if they are lilies. It was quite an amazing film to do, but I got bruised, inside out. It was exciting to do. It was no bones broken, but it was like, 'How or why did I do that?' I don't think any other actress ever did two films with him."
- Gaffes(at around 54 mins) In the kitchen scene where Anna cuts herself with an electric knife, Mark picks it up and starts slicing his left arm multiple times. The next day, he is in the kitchen again with his sleeves rolled up, but there are no cuts on his arm. Given the surreal nature of this film, this could have been planned. The camera focuses on the supposedly sliced arm. One can only speculate what message was intended, if in fact the "gaff" was intentional.
- Versions alternativesThe film was severely cut and re-edited for its American release - those versions vary from 81 to 97 minutes. The original is barely recognizable so try to catch the full version.
Commentaire à la une
I'm not very good at plot synopsis, and I very rarely write reviews, but this film could quite possibly be a distant cousin to David Lynchs 'Eraserhead', in that it involves a marriage gone wrong, a (perhaps) mutant baby, infidelity, and so much more that is felt emotionally rather than explained and read into.
It contains the most OTT, eccentric, and brilliant performances I've ever seen, and you can't say that about many films, where the performances are unique and different. There's serious acting, hammy acting, B movie acting, serious/Oscar winning acting, comical acting, silent film acting, but never any acting like you have seen in this film. And I guess you could include David Lynch acting, as thats pretty unique too. And of course method acting.
Its like watching a theatrical play in cinematic form on acid. A lot of acid.
I showed this to my friend who has the darkest possible taste in films I've ever known, owns over a thousand dvds, and even he was blown away by the sheer chaos, resonant imagery, beautifully swift camera work and photography, and of course, the performances. Most notably Isabella Adjani who manages to be sexy and scary as hell at the same time. Her performance in this is monumental, especially the often noted 'underground menstruation' scene which could induce some viewers to a panic attack. I certainly nearly had one when I watched the film for the first time.
When a character has a breakdown in this film (both of the leads) its a REAL breakdown. And boy, do you ever feel it. Its realistic yet surreal. God knows how the director managed to coax these types of performances out of his actors. He must of drugged them or hypnotized them or something. He certainly didn't just yell 'action'.
The way the scenes are cut together is highly unusual and unconventional but it makes absolute perfect sense. I don't know how, it just does. I'm unfamiliar with the directors other work but if its even half as good as this I'll order everything I can get of his.
Recommended to any open minded individual who likes films that draw attention to themselves with an utter sense of uniqueness.
It contains the most OTT, eccentric, and brilliant performances I've ever seen, and you can't say that about many films, where the performances are unique and different. There's serious acting, hammy acting, B movie acting, serious/Oscar winning acting, comical acting, silent film acting, but never any acting like you have seen in this film. And I guess you could include David Lynch acting, as thats pretty unique too. And of course method acting.
Its like watching a theatrical play in cinematic form on acid. A lot of acid.
I showed this to my friend who has the darkest possible taste in films I've ever known, owns over a thousand dvds, and even he was blown away by the sheer chaos, resonant imagery, beautifully swift camera work and photography, and of course, the performances. Most notably Isabella Adjani who manages to be sexy and scary as hell at the same time. Her performance in this is monumental, especially the often noted 'underground menstruation' scene which could induce some viewers to a panic attack. I certainly nearly had one when I watched the film for the first time.
When a character has a breakdown in this film (both of the leads) its a REAL breakdown. And boy, do you ever feel it. Its realistic yet surreal. God knows how the director managed to coax these types of performances out of his actors. He must of drugged them or hypnotized them or something. He certainly didn't just yell 'action'.
The way the scenes are cut together is highly unusual and unconventional but it makes absolute perfect sense. I don't know how, it just does. I'm unfamiliar with the directors other work but if its even half as good as this I'll order everything I can get of his.
Recommended to any open minded individual who likes films that draw attention to themselves with an utter sense of uniqueness.
- Yoooooofffff
- 3 oct. 2007
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Posesión
- Lieux de tournage
- 87 Sebastianstraße, Kreuzberg, Berlin, Allemagne(monster's apartment)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 158 473 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 232 $US
- 3 oct. 2021
- Montant brut mondial
- 1 164 496 $US
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