S'approchant de son rêve de mener une vie normale, un perceur de coffres professionnel accepte de faire un coup pour la mafia, qui a d'autres plans pour lui.S'approchant de son rêve de mener une vie normale, un perceur de coffres professionnel accepte de faire un coup pour la mafia, qui a d'autres plans pour lui.S'approchant de son rêve de mener une vie normale, un perceur de coffres professionnel accepte de faire un coup pour la mafia, qui a d'autres plans pour lui.
- Récompenses
- 2 victoires et 6 nominations au total
Jim Belushi
- Barry
- (as James Belushi)
W.R. Brown
- Mitch
- (as W.R. [Bill] Brown)
Histoire
Le saviez-vous
- AnecdotesAfter Le Parrain (1972), this was James Caan's favorite film of his own. He had stated that his monologue in the diner was the scene of which he was most proud in his career.
- GaffesFrank's mentor at the steel mill said, "Seven-, Eight-thousand degrees. Portable equipment! Sonny, if I can build it, it's going to be a son-of-a-bitch to use." Given that and the small hole cut at the top of the elevator shaft, getting into the vault room with all the welding equipment, oxygen and acetylene tanks would not have been easy but they could have winched it down. When planning the heist, it is mentioned they would be spending 16 to 18 hours inside the building.
- Citations
Okla: Lie to no one. If there 's somebody close to you, you'll ruin it with a lie. If they're a stranger, who the fuck are they you gotta lie to them?
- Versions alternativesThere are three official versions of the film - the Theatrical Cut (1981), the Director's Special Edition (1995), and the Director's Cut (2014). The Director's Special Edition was released on LaserDisc in 1995, and subsequently on DVD in 1998. This was the only version of the film available until 2014, when Criterion released the newly edited Director's Cut on DVD and Blu-ray. The following year Arrow Video released a two-disc Blu-ray set featuring both the Theatrical Cut and the Director's Cut. There is only one difference between the Theatrical Cut and the Director's Cut - right after the opening heist, there is a new scene where Frank (James Caan) meets his friend Cap (Willie Dixon) on the pier and the two admire the stillness of the water (1:22). The rest of the Director's Cut is identical to the Theatrical Cut. The Director's Special Edition also features the scene with Cap, but there are also some other minor changes, which were not been carried over to the Director's Cut. For the Special Director's Edition,
- After the second heist, the scene of Frank lighting up a cigarette and nodding to himself has been shortened (-00:02).
- The cut from Frank nodding to the shot of the beach is no longer in sync with the music, instead it cuts to the beach before the music cue.
- A slow motion shot of Jessie (Tuesday Weld) holding the baby on the beach is absent (-00:07).
- The initial shot of the waves in the above scene has been slowed down (00:09).
- The shot of Frank taking a box from a shelf before telling Jessie to leave has been shortened (-00:03).
- During the scene where Frank is telling Jessie to leave, her line "We just disassemble it and put it back in a box like an erector set you just send back to a store?" has been changed to "We just disassemble it and put it back in a box?"
- The last shot of Frank's collage has been shortened (-00:02).
- The speed of some of the shots during the shootout has been altered; the shot of Attaglia (Tom Signorelli) falling to the ground and the shot of Frank falling after Carl (Dennis Farina) shoots him have been sped up (-00:04), whilst the shot of Carl falling back into the bushes has been slowed down and edited slightly differently (00:02)
Commentaire à la une
'Thief' is one of the most underrated movies of the 1980s, if not of all time. Made in the early 80s by TV veteran Michael Mann, and co-produced by the future "king" of action blockbusters Jerry Bruckheimer, this movie can almost be seen as the transition from 1970s character based crime DRAMA to 1980s flashy but brainless 1980s crime ACTION. In that sense 'Thief' is the last great 1970s movie of the 1980s. Mann made at least two great movies after this ('Manhunter' and 'Heat'), but I still think it is is his best and most satisfying work. James Caan believes that the movie contains his finest performance and I'm inclined to agree with him. Caan is dynamite throughout. He oozes charisma and is impossible to take your eyes off, but also gives a subtle and complex performance. The film works both as an exciting caper movie, and as a human drama. In many ways it is the best crime film to pull that off since Dassin's 'Rififi' in the mid 1950s. Cann is helped by a superb supporting cast, who on the surface may seem a motley bunch, but all are very good - Tuesday Weld ('Who'll Stop The Rain'), Jim Belushi (his movie debut), a memorable cameo from country legend Willie Nelson, and especially a fantastic turn from Robert Prosky. Prosky is probably best known to most viewers as the kindly father-figure he played in 'Hill Street Blues'. His turn here as a ruthless gangster is a complete eye opener! Prosky delivers one of the most vicious lines ever heard in a movie, which is a bit too extreme for me to quote here, but believe me, you will never forget it when you hear it! Many people seem to find Tangerine Dream's dated synth score to be extremely irritating but I actually enjoyed it and thought it helped build the mood. 'Thief' is a hardboiled crime classic and is highly recommended to any fan of the genre, especially those made in the 1970s. It is wildly underrated and deserves to be rediscovered by a larger audience. 'Thief' is simply one of THE great "lost" classics of the last thirty years.
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Détails
Box-office
- Budget
- 5 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 492 915 $US
- Montant brut mondial
- 11 494 812 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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