Men who've answered personal ads in the lonely hearts column featuring poetry are being found naked, face down on their beds. There are cigarette butts with lipstick on them in their ashtrays. Detective Frank Keller (Al Pacino), along with his sidekick Sherman (John Goodman), decide to enter their own ad in the lonely hearts column, and try to match the killer's fingerprints.
A great premise that definitely justifies making yet another police procedural, this Al Pacino vehicle won this reviewer over, which is hard to do these days with cop thrillers - once you see enough they all start to look the same.
But here we've got a great script, with some terrific wisecracking cop lines, great actors, especially Pacino, Goodman and sexy Ellen Barkin - which make for a very enjoyable ride. Sure the score is a little 80's, and Ellen Barkin may look back and regret that hair-do, but otherwise this is a very successful piece of film.
This is largely due to the terrific screen presence of Al Pacino - he's such a firecracker! And the hugely enjoyable chemistry between partners Pacino and John Goodman. They play off each other so well. The dating scenes are particularly fun - personal highlights for me. And, of course, Ellen Barkin exudes sensuality. Its incredible.
The title may sound pulpy and cheap - but its for good cause. We find out in the first few minutes that its the name of the song the killer was playing when the first murder of the film occured. Its also ironic - the crime-ridden world of this film is anything but a sea of love.
7/10. Must-see for Pacino fans and fans of cop thrillers. For everyone else, not essential, but great saturday night fair.
