NOTE IMDb
5,7/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueUnemployed Scottish miner Danny Scoular (Liam Neeson) is forced into bare-knuckle boxing to make ends meet.Unemployed Scottish miner Danny Scoular (Liam Neeson) is forced into bare-knuckle boxing to make ends meet.Unemployed Scottish miner Danny Scoular (Liam Neeson) is forced into bare-knuckle boxing to make ends meet.
Joanne Whalley
- Beth Scoular
- (as Joanne Whalley-Kilmer)
Johnny Beattie
- Beth's Father
- (as John Beattie)
Histoire
Le saviez-vous
- AnecdotesSir Billy Connolly (Frankie) said in a stand up comedy show that while filming the sex scene with Julie Graham (Melanie), Director David Leland urged him and Julie to be more enthusiastic, vocal, and vulgar. Billy said that he's not like that in real-life. Just "quietly grateful" that he's having sex.
- GaffesWhen Beth whacks Frankie with the shovel, just after she has hit him, she jerks it quickly and you can see by the way it wobbles slightly that it is made of rubber.
- Versions alternativesShortened and retitled for US release.
- ConnexionsFeatured in The 72nd Annual Academy Awards (2000)
Commentaire à la une
The Big Man is not a true genre movie. It isn't a boxing movie, not a crime movie and not a family drama, but elements from all those genres meet somewhere in this film.
The setting is great. The director managed to choose a location that is barren, almost colourless and is obviously a skeleton of what it once was; a mining town. The coal mine has been shut down long ago and that is the beginning of the story. But I'm not going to give too much away of the hows and what's, for the film itself is good enough to tell it's own story without any problems.
The acting is good. I can't tell if the people could pass as those that they portray, but they make it believable for those who have never been in Scotland. It's very easy to admire Neeson; main reason is that there are many villages with someone like him, only here it goes a little to the extreme.
Even if there are fighters, gangsters and blood, this is still a drama. So it's rather slow. Don't watch this for the boxing or the gangsterism alone. All those elements make it a very rich movie, sometimes even towards the exotic. Downside to this is that it's not always easy to adapt 'all' facets of life. The movie focuses only once on a happening, and that is the fight it's all about. The rest is a little out of focus, but in the end it comes together to one important lesson.
As some people in other comments already noticed; music is by Ennio Morricone. It's strange at first to hear an Italian soundtrack (with this I mean music in the style for Italian thrillers) when viewing Scotland, but is sure works. The music during the fight is a great build-up piece that goes from suspenseful to epic.
I don't know what score to give this. I wanted to give it a 7, maybe because I didn't enjoy everything in it, but I'll give and 8 after all; I find this movie too sympathetic to give a 7 and there are many elements that I enjoy.
Saw it on a Dutch 6 euro DVD with excellent quality and lots of subtitles. Maybe best purchase this month.
The setting is great. The director managed to choose a location that is barren, almost colourless and is obviously a skeleton of what it once was; a mining town. The coal mine has been shut down long ago and that is the beginning of the story. But I'm not going to give too much away of the hows and what's, for the film itself is good enough to tell it's own story without any problems.
The acting is good. I can't tell if the people could pass as those that they portray, but they make it believable for those who have never been in Scotland. It's very easy to admire Neeson; main reason is that there are many villages with someone like him, only here it goes a little to the extreme.
Even if there are fighters, gangsters and blood, this is still a drama. So it's rather slow. Don't watch this for the boxing or the gangsterism alone. All those elements make it a very rich movie, sometimes even towards the exotic. Downside to this is that it's not always easy to adapt 'all' facets of life. The movie focuses only once on a happening, and that is the fight it's all about. The rest is a little out of focus, but in the end it comes together to one important lesson.
As some people in other comments already noticed; music is by Ennio Morricone. It's strange at first to hear an Italian soundtrack (with this I mean music in the style for Italian thrillers) when viewing Scotland, but is sure works. The music during the fight is a great build-up piece that goes from suspenseful to epic.
I don't know what score to give this. I wanted to give it a 7, maybe because I didn't enjoy everything in it, but I'll give and 8 after all; I find this movie too sympathetic to give a 7 and there are many elements that I enjoy.
Saw it on a Dutch 6 euro DVD with excellent quality and lots of subtitles. Maybe best purchase this month.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Crossing the Line
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 59 227 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 248 $US
- 11 août 1991
- Montant brut mondial
- 59 227 $US
- Durée1 heure 56 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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