NOTE IMDb
7,2/10
5,6 k
MA NOTE
Amelia et Pippo sont réunis après des dizaines d'années pour interpréter leur ancien numéro de music-hall dans une émission de télévision.Amelia et Pippo sont réunis après des dizaines d'années pour interpréter leur ancien numéro de music-hall dans une émission de télévision.Amelia et Pippo sont réunis après des dizaines d'années pour interpréter leur ancien numéro de music-hall dans une émission de télévision.
- Nomination aux 1 BAFTA Award
- 18 victoires et 18 nominations au total
Friedrich von Ledebur
- Admiral Aulenti
- (as Frederick Ledebur)
Jacques Henri Lartigue
- Brother Gerolamo
- (as Jacques Henry Lartigue)
Totò Mignone
- Totò
- (as Toto Mignone)
Antoine Saint-John
- Bandaged man
- (as Antoine Saint Jean)
Friedrich von Thun
- Kidnapped Industrialist
- (as Frederich Thun)
Antonino Iuorio
- Production Inspector
- (as Antonio Iuorio)
Histoire
Le saviez-vous
- AnecdotesUpon the film's release in the USA, Ginger Rogers sued the production and the distributors for 'misappropriation and infringement of her public personality'. The case was dismissed, the judgment stating that the film referred to her and Fred Astaire only obliquely.
- Citations
Clark Gable: One moment, madam. In my birthday suit, I look like a Greek god.
Amelia Bonetti: Then get back to the museum. Goodbye.
- ConnexionsFeatured in At the Movies: The Money Pit/Ginger and Fred (1986)
Commentaire à la une
I think this is the last great Federico Fellini picture. Maybe it's not as classic as "I vitelloni", "La strada", "Le notti di Cabiria", "La dolce vita", "Otto e mezzo" and "Amarcord", but it's a return to a more comedy style and it's one of the most accessible works of the Maestro as well.
"Ginger e Fred" (1985) comes after a series of more experimental films from Fellini. In this satirical comedy about TV power, a couple of old dancers reunite for a Christmas show. They enter a world where everything is taken for making audience, the two and their art are just caricatures... But who cares? The only important thing is audience.
In this feature Fellini warns about TV dangers -in a very sarcastic way he anticipates what TV is today with all these Reality shows.
The film is a typical Fellini picture -the story has not a real plot, it's a voyage where strange people (also in a physical way!) meet, we always can find exaggerated and ambiguous situations...
At the same time there's a lot of tenderness between the two dancers, superbly played by Marcello Mastroianni (who starred in several Fellini works) and Giulietta Masina (the actual Fellini's wife). It's useless to say that the chemistry between the two main actors is rally great.
It's quite a nostalgic movie -it seems that Fellini looks back and thinks about a world in which fantasy and creativity could be expressed in a better way, whereas TV kills everything.
The two subsequent films of the Italian director ("Intervista" and "La voce della luna") are rather minor -although poetic they're not as fresh and simple as "Ginger e Fred".
We miss Federico, Giulietta and Marcello.
"Ginger e Fred" (1985) comes after a series of more experimental films from Fellini. In this satirical comedy about TV power, a couple of old dancers reunite for a Christmas show. They enter a world where everything is taken for making audience, the two and their art are just caricatures... But who cares? The only important thing is audience.
In this feature Fellini warns about TV dangers -in a very sarcastic way he anticipates what TV is today with all these Reality shows.
The film is a typical Fellini picture -the story has not a real plot, it's a voyage where strange people (also in a physical way!) meet, we always can find exaggerated and ambiguous situations...
At the same time there's a lot of tenderness between the two dancers, superbly played by Marcello Mastroianni (who starred in several Fellini works) and Giulietta Masina (the actual Fellini's wife). It's useless to say that the chemistry between the two main actors is rally great.
It's quite a nostalgic movie -it seems that Fellini looks back and thinks about a world in which fantasy and creativity could be expressed in a better way, whereas TV kills everything.
The two subsequent films of the Italian director ("Intervista" and "La voce della luna") are rather minor -although poetic they're not as fresh and simple as "Ginger e Fred".
We miss Federico, Giulietta and Marcello.
- michelerealini
- 4 oct. 2005
- Permalien
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- How long is Ginger & Fred?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Ginger & Fred
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 837 623 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 725 $US
- 30 mars 1986
- Montant brut mondial
- 837 953 $US
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By what name was Ginger et Fred (1986) officially released in India in English?
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