Elle est journaliste et abandonne sa carrière par amour et pour sa famille. Lui est un chroniqueur de Playboy qui ne peut pas tout à fait abandonner ses anciennes combines. Et si cette relat... Tout lireElle est journaliste et abandonne sa carrière par amour et pour sa famille. Lui est un chroniqueur de Playboy qui ne peut pas tout à fait abandonner ses anciennes combines. Et si cette relation ne génère pas de brûlures d'estomac, rien ne le fera.Elle est journaliste et abandonne sa carrière par amour et pour sa famille. Lui est un chroniqueur de Playboy qui ne peut pas tout à fait abandonner ses anciennes combines. Et si cette relation ne génère pas de brûlures d'estomac, rien ne le fera.
- Récompenses
- 1 victoire et 3 nominations au total
- Annie
- (as Natalie Stern)
Histoire
Le saviez-vous
- AnecdotesMeryl Streep's daughter Mamie Gummer was used as Annie the baby.
- GaffesRachel pays for a flight with a credit card, on board the plane, but this is mostly likely on the Eastern Shuttle, between NYC and DC, which allowed you to pay on board. Remember that this movie was long before 9-11, back when air travel was more relaxed.
- Citations
Mark Forman: [taking a very pregnant Rachel to the hospital] Just keep breathing, you can do it.
Rachel Samstat: [panting] I don't want to do it, honey. Can't we get somebody else to do it?
- ConnexionsFeatured in At the Movies: Vamp/Pirates/Aliens/A Great Wall (1986)
- Bandes originales(When We Are Dancing) I Get Ideas
Written by Dorcas Cochran and Julio C. Sanders (as Julio Sanders)
Acting:
Alright, so let me start this review by stating that I'm a die-hard fan of Jack Nicholson. So, I might be slightly transparent about the flaws of the movie, but there aren't many. This film is very hard to get a hold of actually. I stumbled upon a used DVD store and being a collector of Jack Nicholson's films and a huge fan, I immediately purchased it. I hadn't ever heard of this film until then and made a quick research on IMDb and Wikipedia about the movie. This movie's story is written by Nora Ephron and is loosely based on her life and relationship with real-life journalist Carl Bernstein. On paper, the story of the movie goes like this: Divorced woman meets a sort-of heartless playboy, falls for him, marries him, has children with him, and leaves him after figuring out that he's been cheating on her. Sounds so simple, but in reality, it isn't. That's the reason why we have veteran actors like Nicholson and Meryl Streep on board. Meryl Streep is brilliant. Totally. Even in totally clichéd scenes, she performs to her fullest. Many people might be surprised, but this is actually the first film of Meryl Streep I've seen. I had always wanted to see her work ever since learning that she has the most number of Academy Award nominations for Best Actress or Supporting Actress, but never really got around to doing so. I wonder what her really brilliant performances would be like, if this was off the hook itself. Jack Nicholson plays the uber cool guy he always is and as we always have more often than not, there is a scene of him going totally crazy. But I don't want to give away too many things. You should check out the movie for yourself. This movie also marks the feature-film debut of Kevin Spacey, whom I was quite surprised to see actually, but it turned out that it was only a small cameo.
Story, Screenplay and Direction:
Enough about actors. Lets get down to the story, screenplay and ultimately, the execution of the overall film. This film is ultra-realistic. Except a couple of teeny-tiny moments in the film, you'll be surprised at how super realistic that this film is. Being born in the 90s, I was able to get a slight sense of how life revolved in the 80s and was super-thrilled and totally upset in not being able to experience the US of that era. That is also where the film goes awry, in a sense. It is so realistic, that it loses itself onto you at a point where you wouldn't know what is going on. There are hints of Mark (Jack Nicholson) being a brilliant and a sincere reporter, but we really don't get to see much of that. However, we do get to see a couple of scenes of Rachel (Meryl Streep) working in her NY paper where she's a food journalist, but it doesn't go beyond that. Basically, the emphasis is so much on the character's emotions, especially Streep's, that the film kind of weighs down a bit when you reach the 58 minute mark. Other than this slight niggle, this film is amazing. Streep showcases her character's emotions so perfectly that you actually start to feel for her and get a tight sense of what her character is going through. Jack Nicholson shines in whatever scene he's in, as always, but is ultimately weighed down by a superb display by Meryl Streep. I was surprised that she hadn't gotten an Oscar Nomination for this, but hey, Nicholson didn't either, for 'The Shining (1980)', which was one of his best works in the 80s.
Technical Work:
The cinematography is top-notch too, considering the fact that this was the 80s. I had initially thought that this was a Stanley Kubrick film, which always has the best camera work. But it was good to know that Mike Nichols also had an affinity towards great camera work and composition to each and every scene. Lastly, I had learned that this film had become even more popular because of the superb musical score by Carly Simon. 'Coming Around Again' is too good. Whoever you are, whatever era you were born into, you would surely have heard this song, even if you might not be able to recognize it just by reading the name.
Overall, this is a brilliant film, with a very few cons. You should definitely watch it, if only for Meryl Streep's performance.
This is a very, very highly underrated film.
- adithyasivas-234-471768
- 17 déc. 2015
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Heartburn
- Lieux de tournage
- Apthorp Apartments - 2211 Broadway, Manhattan, Ville de New York, New York, États-Unis(Rachel's father's apartment building)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 314 189 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 783 079 $US
- 27 juil. 1986
- Montant brut mondial
- 25 314 189 $US