NOTE IMDb
6,4/10
7,2 k
MA NOTE
Un jeune cadre entame une liaison avec la femme de son patron qui dégénère ensuite en cauchemar après avoir menti à la police afin de la protéger.Un jeune cadre entame une liaison avec la femme de son patron qui dégénère ensuite en cauchemar après avoir menti à la police afin de la protéger.Un jeune cadre entame une liaison avec la femme de son patron qui dégénère ensuite en cauchemar après avoir menti à la police afin de la protéger.
Sydney Conrad Shapiro
- First Victim
- (as Sydney Conrad)
Histoire
Le saviez-vous
- AnecdotesAccording to Steve Guttenberg's autobiography, "The Guttenberg Bible", the original camera crew was fired during the first week and replaced by Producer Dino De Laurentiis with crew members who only spoke Italian. Soon afterwards, Curtis Hanson insisted on hiring Gilbert Taylor to replace the Italian cinematographer.
- GaffesAfter Terry (Steve Guttenberg) loses Chris (Brad Greenquist) after following him to a bar, he hides in his car in a side alley near Chris' home, waiting for him. When Chris arrives home, Terry drives slowly out from the side alley; a crew member wearing a red jacket and blue jeans can be seen through the rear window, behind Terry's car.
- Citations
Carl Henderson: [his only line in the movie] You?
- ConnexionsReferences Sabotage (1936)
- Bandes originalesBeautiful Thief
Performed by Ava Cherry
Written by Raun & Jon Butcher
Produced by Spencer Proffer for Pasha
Courtesy of Capitol Records, Inc.
Published by The Grand Pasha Publisher
Commentaire à la une
A young man named Terry Lambert (Steve Guttenberg) has a romantic fling with his bosses' wife. With their bedroom "activities" in progress, an outside assault occurs that gets Lambert involved, ultimately in murder.
The film's underlying "all for love" theme is not really credible. Plot contrivances, along with incredulous coincidences and improbable timing imply a screenplay that was not well thought out. Further, the lead role in this film calls for a serious actor who can express some feeling. "Police Academy" Guttenberg, boyish and goofy looking, does not lend credibility to the role. That, combined with a dubious script closes any window of believability in this overwrought thriller. And that's too bad because "The Bedroom Window" does present a fairly engaging noir look, as a result of some great lighting and camera work. Production design is also quite good.
The film's visual style is about all I can recommend in the way of interest. The ending is rather melodramatic, and includes some unintentional humor in some scenes that involve a man in a phone booth.
The film's underlying "all for love" theme is not really credible. Plot contrivances, along with incredulous coincidences and improbable timing imply a screenplay that was not well thought out. Further, the lead role in this film calls for a serious actor who can express some feeling. "Police Academy" Guttenberg, boyish and goofy looking, does not lend credibility to the role. That, combined with a dubious script closes any window of believability in this overwrought thriller. And that's too bad because "The Bedroom Window" does present a fairly engaging noir look, as a result of some great lighting and camera work. Production design is also quite good.
The film's visual style is about all I can recommend in the way of interest. The ending is rather melodramatic, and includes some unintentional humor in some scenes that involve a man in a phone booth.
- Lechuguilla
- 27 sept. 2007
- Permalien
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- How long is The Bedroom Window?Alimenté par Alexa
Détails
Box-office
- Budget
- 8 300 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 640 385 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 919 657 $US
- 18 janv. 1987
- Montant brut mondial
- 12 640 385 $US
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