NOTE IMDb
6,5/10
4,6 k
MA NOTE
Année 1942. Leon Berstein, le photographe le plus roublard de New York, est contacté par la belle Kay Levitz qui lui demande de réunir un dossier compromettant sur le gangster Spoleto.Année 1942. Leon Berstein, le photographe le plus roublard de New York, est contacté par la belle Kay Levitz qui lui demande de réunir un dossier compromettant sur le gangster Spoleto.Année 1942. Leon Berstein, le photographe le plus roublard de New York, est contacté par la belle Kay Levitz qui lui demande de réunir un dossier compromettant sur le gangster Spoleto.
- Récompenses
- 1 nomination au total
Christian Stolte
- Ambulance Attendant
- (as Christian Stolti)
Gian-Carlo Scandiuzzi
- Maitre D' - Cafe Society
- (as Gian-Carlo Scanduzzi)
Histoire
Le saviez-vous
- AnecdotesThe character of Bernzy was inspired by real-life photographer Arthur 'Weegee' Fellig, and some of Bernzy's photos are in fact Fellig's.
- GaffesWhen Kay leafs through Bernstein' photo album, there is picture of a New York City taxi with a rectangular roof light which displays not only the word "Taxi" but also whether the taxi is off duty and its medallion number. Those signs did not come into service until the 1960s. In the 1940s, when the movie is set, New York City taxis used a variety of curved roof lights used in most other cities.
- Citations
Kay Levitz: It doesn't matter what people say unless you believe them.
- Bandes originalesYou Can't Say No to a Soldier
(1942)
Music by Harry Warren
Lyrics by Mack Gordon
Performed by Sammy Kaye and His Orchestra
Courtesy of Sandy Hook Records
Commentaire à la une
I've never rated this movie that high but I've gone back to it three times since it came out about 15 years ago on tape, so maybe I am underrating this. There still is no DVD of it, at least in Region I, and that's frustrating. There's something intriguing about this story that drives me back to it.
Perhaps that is so because it's about a photographer, something I did, too, while being in the newspaper business for years and an art form I've always enjoyed. The story also takes place in the 1940s and I love the style and atmosphere of that era which is beautifully shown here.
Joe Pesci is Leon Bernzini or "The Great Bernzini," a newspaper photographer and Barbara Hershey is a mysterious woman who Pesci has the hots for. There is a lot of mystery in here with Hershey's character. Pesci takes gruesome photos, doesn't get involved with anyone but he's willing to make an exception with "Kay Levitz" (Hershey)..... but is she good or bad for him?
Sad to say, the filmmakers kind of make a hero out of basically a sleazy guy who has few, if any, morals. ("Bernzy" was "paparazzi" before they invented the word!). The movie also has an unsatisfying ending, particularly with Hershey's character.
However, I keep getting drawn back into multiple viewings of this and I'd sure like to see what it looks like with a good DVD transfer.
Perhaps that is so because it's about a photographer, something I did, too, while being in the newspaper business for years and an art form I've always enjoyed. The story also takes place in the 1940s and I love the style and atmosphere of that era which is beautifully shown here.
Joe Pesci is Leon Bernzini or "The Great Bernzini," a newspaper photographer and Barbara Hershey is a mysterious woman who Pesci has the hots for. There is a lot of mystery in here with Hershey's character. Pesci takes gruesome photos, doesn't get involved with anyone but he's willing to make an exception with "Kay Levitz" (Hershey)..... but is she good or bad for him?
Sad to say, the filmmakers kind of make a hero out of basically a sleazy guy who has few, if any, morals. ("Bernzy" was "paparazzi" before they invented the word!). The movie also has an unsatisfying ending, particularly with Hershey's character.
However, I keep getting drawn back into multiple viewings of this and I'd sure like to see what it looks like with a good DVD transfer.
- ccthemovieman-1
- 19 mars 2006
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Public Eye?Alimenté par Alexa
Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 067 917 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 139 825 $US
- 18 oct. 1992
- Montant brut mondial
- 3 067 917 $US
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was L'oeil public (1992) officially released in Canada in English?
Répondre