It'd be difficult to pick a winner between Oliver Stone's JFK and the film Ruby in terms of judging a race between the two movies as to which flick took more liberties with...er, um, 'historical interpretation' of the known facts surrounding the Kennedy assassination. I'd perhaps have to give it to Stone's JFK, if only because that movie had a longer run time.
Ruby was really no less ridiculous than Stone's JFK, nor less laugh-inducing. With both movies, as to how the amount of patently ridiculous conclusions ended up in the screenplays it always helps me to remember the axiom of many a conspiracy theorist, in that 'absence of evidence is not evidence of absence.' Or, put another way, just because there's no proof something didn't happen doesn't mean it didn't happen.
At least with the movie Ruby, the scope of the story is appreciably smaller than that of Stone's JFK. I suppose by necessity any movie concerning Jack Ruby would be, since Ruby was a fringe player.
Anyway, onto the plot. In a nutshell...Jack Ruby is a nightclub owner in Dallas, Texas in the early 1960's. Originally hailed from Chicago, had a life of low-level crime in the Windy City in the 1930's. Small-time stuff. Doubtless had some accomplices back then who were affiliated with organized crime associates along the lines of street level soldiers in the Mob. So far, that much is verifiably true. From there, Ruby the movie goes on to infer that somehow Jack Ruby is also simultaneously an informant for the Dallas Police Department as well as an informant on organized crime for the Federal Bureau of Investigation in a civilian undercover capacity. In addition, Ruby has also been entrusted to break out a high-level Mafia don out of a Cuban prison. Also, Ruby has been tapped by a Central Intelligence Agency agent to assassinate Fidel Castro with a rifle. Along with all this, apparently Jack Ruby was also on a familiar enough basis with the leading Mafia figures of the country to both dine and socialize with them on an infrequent basis.
I could keep going on re: itemizing the outlandish claims the movie Ruby makes regarding the activities and involvements of Jack Ruby. Rather than bother doing so, I'll just start asking questions about what I've already listed.
If Ruby was so connected with so many important people, why does he keep whining throughout the movie about tax problems he has concerning his nightclub? Shouldn't he have been able via his connections to have had those problems taken care of? Unless, of course, he wasn't nearly as connected with ANY of the important people the movie claims he was.
Why could the CIA entrust the assassination of Fidel Castro to a nightclub-owning, street-level hustler from Dallas, Texas? Conversely, if Ruby were as important in mafia circles as the movie claims he was, why would the CIA entrust the assassination of Fidel Castro to such a person as that?
Would President Kennedy have had so much difficulty getting laid that he would have found it necessary to fly to Las Vegas to have a tryst with a stripper procured for him by the Mafia via Jack Ruby? I know there are shades of Judith Campbell Exner in there, but it wasn't as if JFK was attending an Appalachia-style conference in order to hook up with Exner.
Does David Ferrie strike anybody as the kind of individual with whom one would confide a plot to murder the president to? Or as the kind of individual who would be on a first-name basis with leading organized crime figures?
Wouldn't one think that a policeman guarding the entrance of the Texas School Book Depository in advance of the presidential motorcade arriving (a circumstance that, like so many others in the movie, never happened) would have remembered being told by Lee Harvey Oswald that it was okay to let an unidentified man into the TSBD because he was there to watch the motorcade with Oswald?
The above are just a few of the many, many questions one asks oneself while watching the movie. Just general inquiries that question the logic and rationality of the inferences Ruby the movie makes. I suppose if one is predisposed to believe President Kennedy was murdered by a conspiracy then it is fairly easy to buy into what Ruby the movie is trying to sell. Myself, I can't help but laugh at the absurdity of it all, hence the 8 out of 10 stars: honestly, I look at Ruby (1992) as a comedy.
The kicker is that in the end according to Ruby the movie, Jack Ruby ends up deciding to shoot Oswald entirely of his own volition anyway. Not because the Mafia ordered Ruby to do so as a means of silencing Oswald, as so many other theories suggest. Nope, in Ruby (1992), Jack Ruby shoots Oswald because in doing so he will "blow the whole conspiracy wide open". As to exactly how shooting Oswald was supposed to accomplish this the movie doesn't explain. Nor does the movie explain why, if it wasn't a murder of opportunity re: Ruby being by happenstance physically proximate to Oswald during the basement parking garage transfer but was something Ruby planned, Ruby left his beloved dog in his car when he went to shoot Oswald. Nor does the movie chronicle how Ruby stalked Oswald at the police station throughout the 48 hours between Kennedy's shooting and Oswald being shot. The movie DOES depict Ruby as somehow being able to view Dealey Plaza and the assassination from his vantage point at the Dallas Morning News building, even though in reality that building was several blocks away and didn't have a view of Dealey Plaza.
Sherilyn Fenn plays a character named 'Candy Cane' which is a composite of real-life Carousel Club stripper Candy Barr along with JFK mistress Judith Campbell Exner and self-proclaimed JFK assassination witness Beverly Oliver, a crank who emerged in 1970 claiming at the tender age of 17 to have been standing across the street from the Grassy Knoll when Kennedy was shot and photographed the whole thing using a type of camera that didn't exist in 1963. I mean, that the co-lead character in the movie is somebody who not only didn't exist but has composite elements of a known fabricator and fantasist tells one all one needs to know about credibility and Ruby (1992).
