NOTE IMDb
6,1/10
31 k
MA NOTE
Un gouvernement fait croire à la mort d'un criminel pour transformer une jeune femme en tueur à son service.Un gouvernement fait croire à la mort d'un criminel pour transformer une jeune femme en tueur à son service.Un gouvernement fait croire à la mort d'un criminel pour transformer une jeune femme en tueur à son service.
Histoire
Le saviez-vous
- GaffesBob's recollection of the location of Maggie's plot in the cemetery is inconsistent. He first said "Plot 48, row 12" and later: "Row 48, plot 12"
- Versions alternativesBecause the original version was rated "Not under 18" in Germany, the film had to be cut to receive a "Not under 16" rating for video release and television broadcast. All scenes in which Victor kills somebody with his pistol were cut out. Also some fighting scenes with Maggie were shortened.
- Bandes originalesWild Is the Wind
Written by Ned Washington and Dimitri Tiomkin
Performed by Nina Simone
Courtesy of Polygram Special Markets, a division of Polygram Group Distribution, Inc.
Commentaire à la une
I've never seen the French film, Nikita, on which this is based, but it sounds superb. What drew me into this film was the presentation of the story, which focuses less on her as a professional killer and more on her humanity. In the French film, Nikita looks very forceful and aggressive. Fonda in "Point" seems more sensitive and feminine. I'm just going to have to see the French one. I'm not easy to impress and this film drew me in. Nikita must be awesome.
BRIDGET FONDA has a face one can just stare at for hours. It's a restrained performance. She plays a very conflicted character full of paradox. A proposal from her lover cause tears to well up in her eyes as she peers down the scope of her rifle at her latest target. She manages to keep a straight face when her friend is killed in front of her. She even manages a smile and says, "I never did mind about the little things." Fonda has such talent that she's able to portray pure calm with every muscle in her face while her eyes swim in terror and heartbreak.
HARVEY KEITEL is Victor, the Cleaner. His face is a stone. No smiles, frowns, or grimaces. He is heartless and emotionless. As he kills, his face remains stone cold. He says no unnecessary words. His answers are short, to the point. Superb. His performance is understated brilliance.
GABRIEL BYRNE has a knack for making his characters believable. He's harsh, yet sympathetic. He alone makes this movie worth watching.
BRIDGET FONDA has a face one can just stare at for hours. It's a restrained performance. She plays a very conflicted character full of paradox. A proposal from her lover cause tears to well up in her eyes as she peers down the scope of her rifle at her latest target. She manages to keep a straight face when her friend is killed in front of her. She even manages a smile and says, "I never did mind about the little things." Fonda has such talent that she's able to portray pure calm with every muscle in her face while her eyes swim in terror and heartbreak.
HARVEY KEITEL is Victor, the Cleaner. His face is a stone. No smiles, frowns, or grimaces. He is heartless and emotionless. As he kills, his face remains stone cold. He says no unnecessary words. His answers are short, to the point. Superb. His performance is understated brilliance.
GABRIEL BYRNE has a knack for making his characters believable. He's harsh, yet sympathetic. He alone makes this movie worth watching.
- dustinjhogan
- 17 mai 2002
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Assassin
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 30 038 362 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 160 389 $US
- 21 mars 1993
- Montant brut mondial
- 30 038 362 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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