Drop Zone
- 1994
- Tous publics
- 1h 41min
NOTE IMDb
5,6/10
22 k
MA NOTE
Un flic coriace fait équipe avec un parachutiste professionnel pour capturer un pirate informatique renégat fuyant la loi.Un flic coriace fait équipe avec un parachutiste professionnel pour capturer un pirate informatique renégat fuyant la loi.Un flic coriace fait équipe avec un parachutiste professionnel pour capturer un pirate informatique renégat fuyant la loi.
Histoire
Le saviez-vous
- AnecdotesThe character of Jess Crossman was originally written as a man. After the character was made a woman and Yancy Butler was cast in the role, the filmmakers wanted to remove the part where Nessip hits her after she drops him out of the plane. However, Butler insisted that the "hitting" scene be left in, and it was.
- GaffesWhen one of team has a chute that fails to open he falls to the ground much faster than the rest of the team whose chutes opened as expected. When he hits the water, everyone on the ground immediately runs to his aid, including Jessie who should still be up in the air hanging from a parachute.
- Citations
Jessie Crossman: People probably told you that Jessie Crossman was the only person skilled enough to jump from a 747.
Pete Nessip: Well, the actual phrase used was "dick brain".
- Versions alternativesAll UK versions were originally cut for violence by the BBFC.This cut version was released in Europe and Australia. The footage missing includes:
- The stamp to Swoop's face has been removed in the toilet scene.
- The sound effects in the ensuing fight have been reduced in volume.
- Kara having a photocopier machine lid slammed down upon her head has also been cut to remove the second shot of her bloodied face on the glass.
- When we see the photocopies of her dead face coming out of the machine, the number of sheets that come out has been reduced.
Commentaire à la une
<*sigh!*> Am I the only one this entire sad, weary world who notices that all these action films use the exact (and I mean exact!) same plot? Or am I just the only one who cares?
As action movies go, this one is OK, I guess. (But that's a little bit like saying "As cases of diarrhea go, this one was OK.") On the plus side, the aerial photography depicting the skydiving scenes was spectacular. There were the requisite number of explosions, chase scenes, and witty banter on the part of both the hero (Wesley Snipes) and the villain (Gary Busey), delivered archly in the expectation that one of their ripostes might become a popular catchphrase. And Yancy Butler is not too hard to look at, either.
However, if I pay $8 or $9$ to watch a film, I expect a little more than something made from a cookie cutter. Hollywood spends a great deal of time, effort and money putting together movies with extraordinary special effects, and they've become quite good at it. OK, so I'm impressed! Can't a few more of them work a little bit on story, characterization and dialogue? Is that really too much to ask?
As I watched this movie (and to be fair, I stumbled across it on television rather than paying an exorbitant ticket price at the theater; this probably made me more disposed to be tolerant) All I could think was that this is what Coleman Francis might have made had he had a bigger budget. Maybe he would have thrown in more coffee, cigarettes, booze and bad tempered swearing as well.
As action movies go, this one is OK, I guess. (But that's a little bit like saying "As cases of diarrhea go, this one was OK.") On the plus side, the aerial photography depicting the skydiving scenes was spectacular. There were the requisite number of explosions, chase scenes, and witty banter on the part of both the hero (Wesley Snipes) and the villain (Gary Busey), delivered archly in the expectation that one of their ripostes might become a popular catchphrase. And Yancy Butler is not too hard to look at, either.
However, if I pay $8 or $9$ to watch a film, I expect a little more than something made from a cookie cutter. Hollywood spends a great deal of time, effort and money putting together movies with extraordinary special effects, and they've become quite good at it. OK, so I'm impressed! Can't a few more of them work a little bit on story, characterization and dialogue? Is that really too much to ask?
As I watched this movie (and to be fair, I stumbled across it on television rather than paying an exorbitant ticket price at the theater; this probably made me more disposed to be tolerant) All I could think was that this is what Coleman Francis might have made had he had a bigger budget. Maybe he would have thrown in more coffee, cigarettes, booze and bad tempered swearing as well.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 28 735 315 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 143 566 $US
- 11 déc. 1994
- Montant brut mondial
- 28 735 315 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant