NOTE IMDb
7,4/10
9,2 k
MA NOTE
Une avocate défend son père accusé de crimes de guerre, mais l'affaire est bien plus compliquée qu'elle ne pense.Une avocate défend son père accusé de crimes de guerre, mais l'affaire est bien plus compliquée qu'elle ne pense.Une avocate défend son père accusé de crimes de guerre, mais l'affaire est bien plus compliquée qu'elle ne pense.
- Nommé pour 1 Oscar
- 1 victoire et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesAfter the movie was released, screenwriter Joe Eszterhas' own father, Istvan Eszterhas, was accused of war crimes in Hungary for printing anti-Semitic editorials, and even organizing a book burning. When Istvan admitted the charges were accurate, Joe responded by publicly condemning his father, and disowning him as a parent, later writing that he never reconciled with Istvan, and refused to let him see his grandchildren right up to the point where Istvan died of natural causes.
- Citations
Mack Jones: What do we know about our parents?
Commentaire à la une
Jessica Lange is very good as Ann Talbot, a lawyer who takes up the task of defending her father (Armin Mueller-Stahl) against charges of Nazi war crimes. The charges are ridiculous to her at first, but she slowly begins to realize they might be true. Lukas Haas, giving an exceptionally bright-eyed and intelligent performance, plays Ann's 12-year-old son, who believes unquestioningly that his beloved grandfather is innocent.
Roger Ebert wrote that the father, while very well-played by Mueller-Stahl, does not devote enough time to helping us to understand his character, but I don't know that any film could do that for such a person. Mueller-Stahl and the script at least offer suggestions and let our imaginations do the rest.
I found this film, scripted by Joe Eszterhas and directed by Costa-Gavras, to be a quietly effective courtroom thriller (even though the idea of a lawyer defending her own father in this situation requires a high suspension of disbelief) and found the central drama of a woman discovering her father is, or at least was, a monster to be moving.
Roger Ebert wrote that the father, while very well-played by Mueller-Stahl, does not devote enough time to helping us to understand his character, but I don't know that any film could do that for such a person. Mueller-Stahl and the script at least offer suggestions and let our imaginations do the rest.
I found this film, scripted by Joe Eszterhas and directed by Costa-Gavras, to be a quietly effective courtroom thriller (even though the idea of a lawyer defending her own father in this situation requires a high suspension of disbelief) and found the central drama of a woman discovering her father is, or at least was, a monster to be moving.
- J. Spurlin
- 22 juin 2010
- Permalien
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Détails
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 263 883 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 381 $US
- 25 déc. 1989
- Montant brut mondial
- 6 263 883 $US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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