RoboCop, chargé de l'application de la loi des Cyborg, revient pour protéger les citoyens de l'ancien Détroit, mais est confronté à un défi mortel lorsqu'un RoboCop 2 maléfique est créé secr... Tout lireRoboCop, chargé de l'application de la loi des Cyborg, revient pour protéger les citoyens de l'ancien Détroit, mais est confronté à un défi mortel lorsqu'un RoboCop 2 maléfique est créé secrètement.RoboCop, chargé de l'application de la loi des Cyborg, revient pour protéger les citoyens de l'ancien Détroit, mais est confronté à un défi mortel lorsqu'un RoboCop 2 maléfique est créé secrètement.
- Récompenses
- 3 nominations au total
Dan O'Herlihy
- Old Man
- (as Daniel O'Herlihy)
Willard E. Pugh
- Mayor Kuzak
- (as Willard Pugh)
Robert DoQui
- Sgt. Reed
- (as Robert Do'Qui)
Thomas Rosales Jr.
- Chet
- (as Tommy Rosales)
Histoire
Le saviez-vous
- AnecdotesThe scene in which RoboCop opens fire around the head of someone who is smoking, after which he says 'Thank you for not smoking', was actually licensed and run as a public service announcement ahead of several different films in many non-smoking movie theaters during the summer movie season that year.
- GaffesAn Asian woman in Cain's limo pleads for her life during the Nuke factory bust at the beginning of the film. When Cain shoots her and throws her from his car, a Caucasian woman in different clothing is seen falling out of the door in a subsequent shot.
- Crédits fousThe title of the film does not appear until the end credits.
- Versions alternativesThe UK VHS video release features a number of cuts for violence:
- A carjacking technique is missing
- A hooker pokes the a thief in the face with the heel of her shoe
- Duffy's face being smashed in glass is less shorter
- Duffy's death is shorter, including a line of dialogue spoken by Angie being lost
- Anne and Robo shooting bad guys and bloody exit wounds is missing
- Angie's death is less graphic. Robocop 2 breaks Angie's neck; this was cut.
- Bandes originalesThe Kid Goes Wild
Performed by Babylon A.D., Courtesy of Arista Records, Inc.
Written by Derek David, Jack Ponitt & Vic Pepe
Published by BMG Songs, Inc., Little Elvis, Jack Ponti Music, Perfect Pen Music,
Warner Bros. Music Corp. (ASCAP)
Commentaire à la une
If you believe the video game that was made out of RoboCop, it was set in the same year that RoboCop 2 was released. RoboCop is simply one of the best films ever made, and it brought me much relief from a very sorrowful childhood. Which brings me to the point I am trying to make here: anything was going to be something of a letdown. Another rebuke I would like to make of other critics of this film lies with their complaint that the movie was too mean-spirited and had too much violence. Let me quote Paul Verhoeven's commentary about the original: "the whole style of the movie is 'too much'".
The real failing of this sequel lies in the story, which is full of threads that are either resolved badly (the attempt to reprogram RoboCop with new directives) or not resolved at all (RoboCop's memories of his wife). Considering that not a single second in the original was wasted when it came to drawing the viewer into the hero's mind or building some emotional connection, the lack of sympathy one feels with even Lewis or the Sergeant is worrying. Then there's the villian. A film with a superhero, like Robocop or the Bond series, is only as effective as its main villian. Cain is not an effective villian, and gets very little development in the bargain, the exact opposite of the situation with Clarence Boddicker in the original.
The mock commercials are something of a hit and miss affair. The OCP Communications commercial was hilarious, but the Sunblock 5000 commercial was just plain tasteless. The use of children in RoboCop 2 also counts against it. There were no children in the original, reflecting the fact that the film just wasn't made with children in mind. The use of children in RoboCop 2 smacks of a cheap attempt to appeal to the children who are allowed by their parents or whomever to see the film. It doesn't work because the writers are trying to transplant adult dialogue into a child's mouth. Similarly, the attempt to transplant the manner in which the Christian Coalition think children talk into Robocop fails.
All in all, RoboCop 2 is a passable sequel, but it pales in comparison to the harsh perfection that is the original. Give it a chance because it does have some entertainment value.
The real failing of this sequel lies in the story, which is full of threads that are either resolved badly (the attempt to reprogram RoboCop with new directives) or not resolved at all (RoboCop's memories of his wife). Considering that not a single second in the original was wasted when it came to drawing the viewer into the hero's mind or building some emotional connection, the lack of sympathy one feels with even Lewis or the Sergeant is worrying. Then there's the villian. A film with a superhero, like Robocop or the Bond series, is only as effective as its main villian. Cain is not an effective villian, and gets very little development in the bargain, the exact opposite of the situation with Clarence Boddicker in the original.
The mock commercials are something of a hit and miss affair. The OCP Communications commercial was hilarious, but the Sunblock 5000 commercial was just plain tasteless. The use of children in RoboCop 2 also counts against it. There were no children in the original, reflecting the fact that the film just wasn't made with children in mind. The use of children in RoboCop 2 smacks of a cheap attempt to appeal to the children who are allowed by their parents or whomever to see the film. It doesn't work because the writers are trying to transplant adult dialogue into a child's mouth. Similarly, the attempt to transplant the manner in which the Christian Coalition think children talk into Robocop fails.
All in all, RoboCop 2 is a passable sequel, but it pales in comparison to the harsh perfection that is the original. Give it a chance because it does have some entertainment value.
- mentalcritic
- 26 févr. 2001
- Permalien
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Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 45 681 173 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 145 411 $US
- 24 juin 1990
- Montant brut mondial
- 45 681 173 $US
- Durée1 heure 57 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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