Un récit à peine romancé d'un réalisateur de cinéma légendaire, dont le désir de traquer un animal se transforme en une situation sombre avec son équipe de tournage en Afrique.Un récit à peine romancé d'un réalisateur de cinéma légendaire, dont le désir de traquer un animal se transforme en une situation sombre avec son équipe de tournage en Afrique.Un récit à peine romancé d'un réalisateur de cinéma légendaire, dont le désir de traquer un animal se transforme en une situation sombre avec son équipe de tournage en Afrique.
- Récompenses
- 2 nominations au total
- Reissar - a British Partner
- (as Edward Tudor Pole)
Histoire
Le saviez-vous
- AnecdotesThe main character, John Wilson, portrayed by Clint Eastwood, was based on legendary director John Huston; Jeff Fahey's Pete Verrill writer character was based on novelist Peter Viertel; George Dzundza's Paul Landers producer character was based on producer Sam Spiegel; Marisa Berenson's Kay Gibson character was based on Katharine Hepburn, and Richard Vanstone's Phil Duncan character was based on Humphrey Bogart.
- GaffesThe plane's flight to Africa is marked from it's starting point in Europe, south to it's destination in Uganda. The shot then switches to the plane flying over the Victoria Falls, Zimbabwe.
- Citations
John Wilson: I would like to tell you a little story.
Mrs. MacGregor: Oh, I love stories.
John Wilson: Well, you mustn't interrupt now, because you're way too beautiful to interrupt people. When I was in London in the early 40's, I was dining one evening at the Savoy with a rather select group of people, and sitting next to me was a very beautiful lady, much like yourself.
Mrs. MacGregor: Now you're pulling my leg.
John Wilson: Now, just listen, dear. Well, we were dining and the bombs were falling, and we were all talking about Hitler and comparing him with Napoleon, and we were all being really brilliant. And then, suddenly, this beautiful lady, she spoke up and said that was the thing she didn't mind about Hitler, was the way he was treating the Jews. Well, we all started arguing with her, of course. Though, mind you, no one at the table was Jewish. But she persisted. Are you listening, honey?
Mrs. MacGregor: Mustn't interrupt Daddy.
John Wilson: That's right. You're way too beautiful for that. Anyway, she went on to say that that's how she felt about it, that if she had her way, she would kill them all, burn them in ovens, like Hitler. Well, we all sat there in silence. Then finally, I leaned over to her and I said, "Madam, I have dined with some of the ugliest goddamn bitches in my time. And I have dined with some of the goddamndest ugly bitches in this world. But you, my dear, are the ugliest bitch of them all." Well, anyway, she got up to leave and she tripped over a chair and fell on the floor. And we all just sat there. No one raised a hand to help her. And finally when she picked herself up I said to her one more time: "You, my dear, are the ugliest goddamn bitch I have ever dined with." Well, you know what happened? The very next day, she reported me to the American Embassy. And they brought me in for reprimand. And then when they investigated it, they found out she was a German agent. And they locked her up.
[smiles]
John Wilson: Isn't that amazing?
Mrs. MacGregor: Why did you tell me that story?
John Wilson: Oh, I don't know. It wasn't because I thought you were a German agent, honey. But I was tempted tonight to say the very same thing to you. I didn't want you to think I had never said it before. You, madam, are the - Well, you know the rest.
- Bandes originalesSatin Doll
Written by Duke Ellington, Johnny Mercer and Billy Strayhorn
The only person on the crew who shares his view and almost understand him is Pete Verril (Jeff Fahey), a writer brought on to improve the script. Although Pete supports Wilson, Pete realizes that the hunt of an elephant is more than just an adventure for Wilson, but an obsession. Wilson is willing to compromise the entire crew's careers and futures just to commit "the only legal sin."
The movie has certain themes, including conservation, obsession and movie-making theories. The themes aren't explored too well, which explains the muddled ending. But still this is an enjoyable film.
Based on a novel by Peter Viertel, based on his experiences while filming the African Queen, the film is either going to grip you from the start, or bore you to death. You'll ever like it or forget it. The ending takes a little figuring out (especially at mentioning the title), but people who like movies about film making and Africa should like this.
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Détails
Box-office
- Budget
- 24 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 319 124 $US
- Week-end de sortie aux États-Unis et au Canada
- 165 450 $US
- 16 sept. 1990
- Montant brut mondial
- 2 319 124 $US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 1.85 : 1