En 1999, la vie de Claire est changée à jamais après un accident de voiture. Elle sauve Sam et voyage autour du monde avec lui. L'écrivain Eugène les suit, car ils ont inventé un appareil ca... Tout lireEn 1999, la vie de Claire est changée à jamais après un accident de voiture. Elle sauve Sam et voyage autour du monde avec lui. L'écrivain Eugène les suit, car ils ont inventé un appareil capable d'enregistrer les rêves.En 1999, la vie de Claire est changée à jamais après un accident de voiture. Elle sauve Sam et voyage autour du monde avec lui. L'écrivain Eugène les suit, car ils ont inventé un appareil capable d'enregistrer les rêves.
- Récompenses
- 2 victoires et 1 nomination au total
- Mechanic
- (as Jean Charles Dumay)
- Irina Farber
- (as Christine Österlein)
- Receptionist
- (as Diogo Doria)
- Woman in Street Car
- (as Amalia Rodrigues)
- Krasikova
- (as Elena Smirnova)
- Truck Driver
- (as Zhang Jinzhan)
Histoire
Le saviez-vous
- AnecdotesWim Wenders' original rough cut for this film was twenty hours long.
- GaffesWhen several of the European characters leave the Mbantua settlement to take a group photo, believing the adventure to be over, the voice-over mentions that it's February, 2000. Yet shortly after, as Henry Farber is trying a new series of experiments on recording dream imagery, a computer display for the current experiment shows January 21.
- Citations
Eugene Fitzpatrick: [voice over] Soon they were hooked; all of them. They lived to see their dreams, and when they slept they dreamed about their dreams. They had arrived at the island of dreams together; but in a short time they were oceans apart. I watched helplessly as Claire and Sam were drowning in their own nocturnal imagery. They ignored each other, and neglected themselves. The dreams which should have been flushed away with the first yawn, were now their only diet; and thus became more and more concentrated. They made monsters for themselves that they could neither tolerate nor do without... They wandered in and out of lost worlds. Feelings and figures emerged from a forgotten past. Their dreams became black holes of isolation... They suffered, finally; from a complete loss of reality.
- Versions alternativesThe film exists in four separate versions. The first is the significantly cut American 158-minute version released by Warner Bros. in theaters, and on VHS, LaserDisc, and some streaming platforms. Wenders has disparagingly referred this cut as the 'reader's digest version'. The second is a 179-minute cut that existed only on Japanese LaserDisc. The third is Wim Wenders' director's cut, which runs 300 minutes. This cut significantly expands scenes, motivates Claire's romantic involvement with Sam Farber and keeps it from seeming less frivolous and more the expression of a wounded heart, additional scenes in Japan, and in San Francisco with Allen Garfield as an evil car salesman (a take-off on his character in another Wenders film), and numerous other expansions/additions. This full-length version divided the film into three parts, all given episode names, and all with opening credits because it was originally intended for this version to be shown as three separate films, or as a mini-series. This 300-minute cut was only available on DVD in Germany, Italy and France. It was screened several times over the years in America and the UK: the National Film Theatre in London on Saturday 2nd July 1994, December 6, 1996 at the University of Washington, with director Wim Wenders attending, Jan. 14, 2001 at the American Cinematheque (with Wenders attending), February 24, 2001 at the Directors Guild of America Theater with Wenders announcing the film would be released on DVD.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1992 (1992)
- Bandes originalesOpening Titles
Written by Graeme Revell
Performed by David Darling (cello solo)
Courtesy of Trans Glide Music BMI
Wim Wenders simply a great director, visionary in his own way. However here he bites off more than he can chew with an ambitious road movie that, like the satellite that threatens the earth, easily spins out of his control. The story starts intriguingly Claire's journey is interesting and her globe trotting is at least entertaining. It doesn't have a great deal of humour but it is light and it feels like Claire, Trevor and Eugene's journeys are all building to something.
However it doesn't provide. The final hour of the film is static all in Australia, and it becomes heavy with pretention and navel-contemplation. The subjects of dreams etc are broached but it doesn't convince, despite throwing up interesting images and some intriguing ideas. It very much crawls to a conclusion and it's almost a relief when it ends.
The title suggests that there will be an element of apocalyptic dread about this. I know that's not the focus of the film, but I did feel it could have used this better. At the start it is mentioned and we see some evidence of panic etc but after that it is forgotten in fact everywhere seems quite normal. Later in the film something happens that threatens the earth but in a desert in Australia we never know what's happening and indeed neither the characters or the director seem to care either. I don't know why they bothered with the story line at all they certainly didn't do anything with it.
The cast are OK, but they move all over the place with the tone of the film. The best summary of the cast is that Hurt and Neil are nearly always watchable. Dommartin as Claire isn't as good as she needs to be and can't carry the `quest for love' side or the `addicted to dreams' side. They do provide some good moments but the characters are as illogical and meaningless as the film itself! Why would two bank robbers let Claire transport their money AND let her travel the earth for her lover and continually send her money to do it?!
Overall this provides several entertaining moments, but this is never as deep as it thinks it is. The second half is bogged down in a heavy plot and babble about dreams etc and by the time the ending comes you'll almost wish that the satellite had just fallen quickly and put us all out of our misery. Deeply disappointing.
- bob the moo
- 20 avr. 2002
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Until the End of the World
- Lieux de tournage
- Tosca Cafe - 242 Columbus Avenue, North Beach, San Francisco, Californie, États-Unis(Claire meets Sam again)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 829 625 $US
- Week-end de sortie aux États-Unis et au Canada
- 38 553 $US
- 29 déc. 1991
- Montant brut mondial
- 829 625 $US
- Durée4 heures 47 minutes
- Couleur
- Rapport de forme
- 1.66 : 1