NOTE IMDb
7,6/10
39 k
MA NOTE
Une employée de bureau de vingt-sept ans se rend à la campagne tout en se remémorant son enfance à Tokyo.Une employée de bureau de vingt-sept ans se rend à la campagne tout en se remémorant son enfance à Tokyo.Une employée de bureau de vingt-sept ans se rend à la campagne tout en se remémorant son enfance à Tokyo.
- Récompenses
- 1 victoire et 8 nominations au total
Toshirô Yanagiba
- Toshio
- (voix)
Yoko Honna
- Taeko (Child)
- (voix)
Mayumi Izuka
- Tsuneko
- (voix)
- (as Mayumi Iizuka)
Mei Oshitani
- Aiko
- (voix)
Megumi Komine
- Toko
- (voix)
Yukiyo Takizawa
- Rie
- (voix)
Masashi Ishikawa
- Soo
- (voix)
Yuuki Masuda
- Shuji Hirota
- (voix)
Michie Terada
- Mother
- (English version)
- (voix)
Masahiro Ito
- Father
- (voix)
Yorie Yamashita
- Nanako
- (voix)
Yuki Minowa
- Yaeko
- (voix)
Chie Kitagawa
- Grandmother
- (voix)
Sachiko Ishikawa
- Kiyoko
- (voix)
Masako Watanabe
- Naoko
- (voix)
Hirozumi Sato
- Abe
- (voix)
Histoire
Le saviez-vous
- AnecdotesThe movie is based on a manga series of comic vignettes of a small girl. The scenes in the film portraying Taeko as an adult were created by writer-director Isao Takahata. The adult scenes gave the entire film a plot and connected the original vignettes as recollections of her childhood, making it a cohesive whole.
- ConnexionsFeatured in JesuOtaku Anime Reviews: Only Yesterday (2012)
- Bandes originalesCantec de nunta
Written by Gheorghe Zamfir (uncredited)
Performed by Gheorghe Zamfir and Ansamblul Ciocarlia
Courtesy of Electrecord Romania
Commentaire à la une
Imagine a commonplace story in commonplace settings with a not so immensely interesting main character (a bit like you and me) and a pastoral kinda hippie-message... and it works!
This is another memory-thingie from Japan (they are obsessed with memory there, is that because of the Meiji period? who knows), from the genius who brought us Grave of the Fireflies.
The story's so simple: a young woman in her late 20s doesn't have any real problems, is kind of ready for the rest of her life to happen, but it's just not happening. Something seems to be in the way of her accepting the possibility of happiness in the simple things that she finds on her way, and that that might just be what she's looking for and therefore enough.
A trip to the countryside brings back memories of her childhood as the youngest of three in a middle-of the road household in late 60's Japan. The thing is, it is SO well-done. Often, films focus on the misery of this life and the sweet innocent splendor of youth. This one turns it upside down, and not by depicting a horrible childhood which has to be "taken care of". Just by looking at things the way a child does.
It's often the little things, that seem of no importance to adults, that mould a child, shape it's personality. The "small killings" so to speak. Events no one notices and no one readily remembers, but no one really forgets either. And when you remember them, they hurt in a way that you find unreasonable.
So with this film. The flashbacks of not really a "missed opportunity" childhood, but rather of small events that stuck, chills you and sometimes fills you with warmth. It suggests at the same time that though there might be events that made her what she is, she also always was who she is, and it's the interplay between who you are and what you encounter that shape your life. You might say "it might have gone a different way", but then again it didn't exactly because you are you. Very Tao if you ask me. How it ends... just go and find out.
The fact that the film, entirely inconspicuously, manages to pull it off to tell that in images, makes it great art. The subtitles are hazardous (sometimes too fast, too much on the screen...), but let that not spoil the splendor. Get out and rent it now. I bought it.
This is another memory-thingie from Japan (they are obsessed with memory there, is that because of the Meiji period? who knows), from the genius who brought us Grave of the Fireflies.
The story's so simple: a young woman in her late 20s doesn't have any real problems, is kind of ready for the rest of her life to happen, but it's just not happening. Something seems to be in the way of her accepting the possibility of happiness in the simple things that she finds on her way, and that that might just be what she's looking for and therefore enough.
A trip to the countryside brings back memories of her childhood as the youngest of three in a middle-of the road household in late 60's Japan. The thing is, it is SO well-done. Often, films focus on the misery of this life and the sweet innocent splendor of youth. This one turns it upside down, and not by depicting a horrible childhood which has to be "taken care of". Just by looking at things the way a child does.
It's often the little things, that seem of no importance to adults, that mould a child, shape it's personality. The "small killings" so to speak. Events no one notices and no one readily remembers, but no one really forgets either. And when you remember them, they hurt in a way that you find unreasonable.
So with this film. The flashbacks of not really a "missed opportunity" childhood, but rather of small events that stuck, chills you and sometimes fills you with warmth. It suggests at the same time that though there might be events that made her what she is, she also always was who she is, and it's the interplay between who you are and what you encounter that shape your life. You might say "it might have gone a different way", but then again it didn't exactly because you are you. Very Tao if you ask me. How it ends... just go and find out.
The fact that the film, entirely inconspicuously, manages to pull it off to tell that in images, makes it great art. The subtitles are hazardous (sometimes too fast, too much on the screen...), but let that not spoil the splendor. Get out and rent it now. I bought it.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Only Yesterday
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 453 243 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 970 $US
- 3 janv. 2016
- Montant brut mondial
- 608 562 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Souvenirs, goutte à goutte (1991) officially released in Canada in French?
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