Rob Roy
- 1995
- Tous publics
- 2h 19min
En 1713, en Écosse, Rob Roy MacGregor est lésé par un noble et son neveu, et devient hors-la-loi à la recherche de vengeance en fuyant les Redcoats.En 1713, en Écosse, Rob Roy MacGregor est lésé par un noble et son neveu, et devient hors-la-loi à la recherche de vengeance en fuyant les Redcoats.En 1713, en Écosse, Rob Roy MacGregor est lésé par un noble et son neveu, et devient hors-la-loi à la recherche de vengeance en fuyant les Redcoats.
- Nommé pour 1 Oscar
- 2 victoires et 5 nominations au total
David Brooks Palmer
- Duncan
- (as David Palmer)
Histoire
Le saviez-vous
- AnecdotesTim Roth thought he was going to be fired for making Archibald Cunningham too eccentric. He asked his agent to start looking for more work for him. Despite thinking this, director Michael Caton-Jones told him to be more campy and eccentric. Roth would later receive an Oscar nomination for his performance.
- GaffesWhen Robert Roy MacGregor hides in the corpse of a highland cow, Montrose's man leading the chase says, "What a stench! Let's get downwind." To get away from an odor, a person needs to place himself upwind, not downwind.
- Citations
Archibald Cunningham: Think of yourself a scabbard, Mistress McGregor, and I the sword. And a fine fit you were, too.
Mary: I will think on you dead, until my husband makes you so. And then I will think on you no more.
- Versions alternativesThree seconds were cut from the UK cinema version to receive a 15 certificate, with a further 21 seconds removed from the video version. All the cuts were made to edit the rape scene. This version was released on DVD all over Europe as MGM mastered only one DVD for the entire region. In 2012, all previous cuts were waived by the BBFC for the 15 certificate Blu-ray release.
- Bandes originalesAilein Duinn
Traditional arrangement by Capercaillie
Additional arrangement by Carter Burwell
Performed by Capercaillie
Solo by Karen Matheson
Capercaillie appears courtesy of Survival Records Ltd
Commentaire à la une
"Rob Roy" came out in 1995 with a couple other heroic swordplay films: "Braveheart" and "First Knight." I prefer "Rob Roy" to "Braveheart," even though the two films shouldn't really be compared since "Rob Roy" focuses on the conflict of individuals in Old Scotland and "Braveheart" focuses more on whole armies battling.
The location cinematography of the Scottish Highlands is breathtaking (and superior to "Braveheart"). Liam Neeson and Jessica Lange are fine in the roles of Rob Roy and his wife. The sword-fighting (between individuals) ranks with the best in cinematic history. The film also possesses a very realistic vibe -- no anachronisms or campy humor here; the pic really helps one realize what life was like in rural Scotland 300 years ago.
What works best, to my mind, is Tim Roth's exceptional performance as Rob Roy's foppish-but-deadly nemesis. This is a villain you love to loathe. The Roth character is so foppish that he appears somewhat effeminate; but this is merely disguise as he's actually a ruthless master swordsman. Surely this is one of film's top villains ever (It doesn't sound right to say "good villain," does it?).
On the downside, the story doesn't have a lot of drive from beginning to end unlike, say, "Last of the Mohicans." Your attention may wander at points. Of course this may not be an entirely bad thing in light of the schizophrenic editing of many films post-"Armageddon" (1998). In other words, the leisurely pace can be refreshing.
There are aspects not appropriate for children: Sexual brutality (a rape scene) and vulgarity (a man shoves his fingers up a woman's nightgown); as well as blatant love-making. There are also overt scenes of, believe it or not, urination; many may regard this as needless, but (for me) it helped drive home the point of what everyday life was like back then, e.g. Where do you pee if you're living in a shack out in the hills? Or, in the middle of the night, if there's no upstairs bathroom?
The story's lack of drive prevents "Rob Roy" from attaining true greatness in my mind, but the positive aspects noted above certainly achieve greatness and there are several memorable scenes.
The film runs 2 hours, 19 minutes, and was shot entirely in Scotland.
GRADE: B+
The location cinematography of the Scottish Highlands is breathtaking (and superior to "Braveheart"). Liam Neeson and Jessica Lange are fine in the roles of Rob Roy and his wife. The sword-fighting (between individuals) ranks with the best in cinematic history. The film also possesses a very realistic vibe -- no anachronisms or campy humor here; the pic really helps one realize what life was like in rural Scotland 300 years ago.
What works best, to my mind, is Tim Roth's exceptional performance as Rob Roy's foppish-but-deadly nemesis. This is a villain you love to loathe. The Roth character is so foppish that he appears somewhat effeminate; but this is merely disguise as he's actually a ruthless master swordsman. Surely this is one of film's top villains ever (It doesn't sound right to say "good villain," does it?).
On the downside, the story doesn't have a lot of drive from beginning to end unlike, say, "Last of the Mohicans." Your attention may wander at points. Of course this may not be an entirely bad thing in light of the schizophrenic editing of many films post-"Armageddon" (1998). In other words, the leisurely pace can be refreshing.
There are aspects not appropriate for children: Sexual brutality (a rape scene) and vulgarity (a man shoves his fingers up a woman's nightgown); as well as blatant love-making. There are also overt scenes of, believe it or not, urination; many may regard this as needless, but (for me) it helped drive home the point of what everyday life was like back then, e.g. Where do you pee if you're living in a shack out in the hills? Or, in the middle of the night, if there's no upstairs bathroom?
The story's lack of drive prevents "Rob Roy" from attaining true greatness in my mind, but the positive aspects noted above certainly achieve greatness and there are several memorable scenes.
The film runs 2 hours, 19 minutes, and was shot entirely in Scotland.
GRADE: B+
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Détails
Box-office
- Budget
- 28 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 596 911 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 023 272 $US
- 9 avr. 1995
- Montant brut mondial
- 31 596 911 $US
- Durée2 heures 19 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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