NOTE IMDb
6,0/10
16 k
MA NOTE
Un jeune homme fraîchement sorti de la faculté de droit tente d'obtenir un sursis pour son grand-père raciste condamné à mort.Un jeune homme fraîchement sorti de la faculté de droit tente d'obtenir un sursis pour son grand-père raciste condamné à mort.Un jeune homme fraîchement sorti de la faculté de droit tente d'obtenir un sursis pour son grand-père raciste condamné à mort.
- Récompenses
- 2 nominations au total
Raymond J. Barry
- Rollie Wedge
- (as Raymond Barry)
- …
Greg Goossen
- J.B. Gullitt
- (as Gregory Goossen)
Histoire
Le saviez-vous
- AnecdotesThe story of the freakish execution that Sam tells Adam, about a condemned prisoner beating his head against a metal pole inside the gas chamber, is a true story. It happened to Mississippian Jimmy Lee Gray in 1983.
- GaffesSam Cahall states that the new law allowing him to opt for lethal injection applied only to inmates convicted after 1984. Actually it was just the opposite: Those convicted after 1984 could only have lethal injection. Before 1984 convicts could choose between lethal injection and the gas chamber.
- Citations
E. Garner Goodman: How much do you know about the death penalty?
Adam Hall: I've read everything there is.
E. Garner Goodman: Then you know nothing.
- Bandes originalesTemenos (Here Come The Shakes)
Written by Shelby Tate
Performed by Remy Zero
Courtesy of DGC Records
By Arrangement with MCA Special Markets & Products
Commentaire à la une
Most reviews on this site, neglect to mention how vividly the film captures the racist politics of the American South at this time. The actions of all politicians reveals how difficult it can be to seek justice. They are always looking sideways. Also the crowd outside the execution site shows how easy it is to stir up mob emotion. Again, nicely laid out and captured on film. The film visually translated Grishelm's understanding of Southern culture and politics.
I also thought Chris O'Donnell captured the intensity of someone who is confronting his family's past. The camera work, which holds on his face, assists in helping us to see the quiet determination with which he works. (The camera is a good replacement for the interior monologue of fiction!)I also liked the flash-backs which help him to comprehend just where his father came from and why suicide might have been a response.
This film is timely today in lieu of the polarization of American politics. Scary stuff!
I also thought Chris O'Donnell captured the intensity of someone who is confronting his family's past. The camera work, which holds on his face, assists in helping us to see the quiet determination with which he works. (The camera is a good replacement for the interior monologue of fiction!)I also liked the flash-backs which help him to comprehend just where his father came from and why suicide might have been a response.
This film is timely today in lieu of the polarization of American politics. Scary stuff!
- gracescheel
- 25 mars 2011
- Permalien
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Détails
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 551 359 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 612 095 $US
- 13 oct. 1996
- Montant brut mondial
- 22 540 359 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was L'héritage de la haine (1996) officially released in India in English?
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