Un garçon d'autel est accusé d'avoir assassiné un prêtre et la vérité est enterrée à plusieurs niveaux.Un garçon d'autel est accusé d'avoir assassiné un prêtre et la vérité est enterrée à plusieurs niveaux.Un garçon d'autel est accusé d'avoir assassiné un prêtre et la vérité est enterrée à plusieurs niveaux.
- Nommé pour 1 Oscar
- 10 victoires et 12 nominations au total
Histoire
Le saviez-vous
- AnecdotesThis is Edward Norton's motion picture debut.
- Gaffes(at around 1h 19 mins) It is stated by several characters that a plea cannot be changed mid trial. However, it is entirely possible to change a plea before sentencing.
- Citations
[first lines]
[while getting dressed as Naomi helps him]
Martin Vail: On my first day of law school, my professor says two things. First was: from this day forward, when your mother tells you she loves you, get a second opinion.
Jack Connerman: [chuckles] And?
Martin Vail: If you want justice, go to a whorehouse. If you wanna get fucked, go to court.
- Bandes originalesIntroitus: Cibavit Eos
by William Byrd
Performed by The Voices of Christ Church Cathedral Choir
Conducted by Stephen Darlington
Courtesy of Nimbus Records
Commentaire à la une
... although, like Perry Mason, we do have a legal trio here - The cynical high dollar criminal attorney who loves the limelight (Richard Gere as Martin Vail), the private detective (Andre Braugher as Goodman) and the very quiet legal secretary (Maura Tierney as Naomi).
Vail has made a fortune and a very public persona defending drug dealers and gangsters who are embarrassingly guilty of at least similar crimes to the ones of which they are accused. But then a case that is very much in the news arouses his interest - a choirboy is accused of the brutal butchering of a beloved priest. The manhunt for the blood covered suspect is even televised on local Chicago news. Vail goes to visit the suspect. He may be guilty but he is also a 19 year old stuttering kid (Edward Norton in his film debut) who at least claims he is innocent. Vail is intrigued so he takes the case pro bono. He is looking for a change of pace and this is it.
The obvious complicating factor is that the prosecuting attorney assigned to this case is his old lover (Laura Linney as Janet Venable). She saw their relationship as just one of his extended stay one night stands, he saw it as something more. And furthermore the DA is seeking the death penalty in this case.
It has several twists in it, some shocking at the time, others probably not so much considering that even in the 90s corruption in high office was not surprising to the public at all. It's probably not that well remembered today because it comes in rather late in Gere's best remembered performances and very early in Edward Norton's. Laura Linney's character was great, and a good job was done rounding out her character so that she wasn't just an easy love interest. She was a tough young female prosecutor who knew how to play the game, and Gere exploited that tough attitude in the courtroom.
I loved Alfre Woodard as the judge, someone who isn't afraid to carry a glass of iced tea into the courtroom. When someone in her chambers is obviously rattled and lights up a cigarette to calm down, she makes them put it out but then does offer a shot of bourbon instead. She is the definition of calm and smooth authority.
To say much more would be to give too much away, but I think it does still hold up almost 30 years later and I would still recommend it if you like courtroom dramas.
An interesting aside - There is a scene with Tony Plana and Richard Gere as they walk along with one of Gere's gangster clients. 14 years before they starred together in "Officer and a Gentleman" where they both played naval officer candidates. A coincidence? I don't know.
Vail has made a fortune and a very public persona defending drug dealers and gangsters who are embarrassingly guilty of at least similar crimes to the ones of which they are accused. But then a case that is very much in the news arouses his interest - a choirboy is accused of the brutal butchering of a beloved priest. The manhunt for the blood covered suspect is even televised on local Chicago news. Vail goes to visit the suspect. He may be guilty but he is also a 19 year old stuttering kid (Edward Norton in his film debut) who at least claims he is innocent. Vail is intrigued so he takes the case pro bono. He is looking for a change of pace and this is it.
The obvious complicating factor is that the prosecuting attorney assigned to this case is his old lover (Laura Linney as Janet Venable). She saw their relationship as just one of his extended stay one night stands, he saw it as something more. And furthermore the DA is seeking the death penalty in this case.
It has several twists in it, some shocking at the time, others probably not so much considering that even in the 90s corruption in high office was not surprising to the public at all. It's probably not that well remembered today because it comes in rather late in Gere's best remembered performances and very early in Edward Norton's. Laura Linney's character was great, and a good job was done rounding out her character so that she wasn't just an easy love interest. She was a tough young female prosecutor who knew how to play the game, and Gere exploited that tough attitude in the courtroom.
I loved Alfre Woodard as the judge, someone who isn't afraid to carry a glass of iced tea into the courtroom. When someone in her chambers is obviously rattled and lights up a cigarette to calm down, she makes them put it out but then does offer a shot of bourbon instead. She is the definition of calm and smooth authority.
To say much more would be to give too much away, but I think it does still hold up almost 30 years later and I would still recommend it if you like courtroom dramas.
An interesting aside - There is a scene with Tony Plana and Richard Gere as they walk along with one of Gere's gangster clients. 14 years before they starred together in "Officer and a Gentleman" where they both played naval officer candidates. A coincidence? I don't know.
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 56 116 183 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 871 222 $US
- 7 avr. 1996
- Montant brut mondial
- 102 616 183 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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