NOTE IMDb
7,6/10
18 k
MA NOTE
Ajouter une intrigue dans votre langueA working-class family from Melbourne, Australia fights city hall after being told they must vacate their beloved family home to allow for infrastructural expansion.A working-class family from Melbourne, Australia fights city hall after being told they must vacate their beloved family home to allow for infrastructural expansion.A working-class family from Melbourne, Australia fights city hall after being told they must vacate their beloved family home to allow for infrastructural expansion.
- Récompenses
- 2 victoires et 11 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe family was named Kerrigan so the filmmakers could borrow trucks from an actual tow-truck company, Kerrigan's Towing.
- GaffesWhen the characters have their final appeal to the High Court of Australia, it is before 5 Justices. However in reality, when a constitutional dispute is brought before the High Court, all 7 Justices will sit (known as the Full Bench).
- Citations
Dale Kerrigan: [voiceover] He loved the serenity of the place
Darryl Kerrigan: Hows the serenity?
Dale Kerrigan: [voiceover] I think he also just loved the word.
Darryl Kerrigan: So much serenity.
- Versions alternativesAfter some mixed sneak previews, distributor Miramax ordered some changes to the film's dialogue for the USA release and a new music score. The dialogue changes included replacing the words:
- 'cladding' with 'siding'
- 'petrol station' with 'gas station'
- 'rissoles' with 'meatloaf'
- 'tertiary education' with 'college education'
- 'a Mini and a Vauxhaull' with 'a Geo and a Volksy'
- 'rabbit on' with 'babble on'
- 'trolley' with 'baggage cart'
- 'caravan' with 'mobile home'
- 'Camira' with 'Corolla'
- 'Hey Hey It's Saturday' with 'Funniest Home Videos' and 'Gong him, Red!' with 'Doggy breath!'
- 'Esky' with 'cooler'
- 'punnet' with 'tub'
- 'baby capsule' with 'baby carriage'
- ConnexionsEdited into Terror Nullius (2018)
- Bandes originalesBaby, Now That I've Found You
(1967)
Performed by Alison Krauss
Written by Roger Nichols (uncredited) and Tony Macaulay (uncredited)
Courtesy of Larriken Entertainment Pty Ltd
Album: Now That I've Found You
Commentaire à la une
This is an very Australian film built for a particular sense of humour. Having lived in both Sydney and Melbourne, I feel I can say that this will appeal more to the Melbourne than the Sydney sense of humour.
Forget "The Crocodile Hunter", Nicole Kidman or Russel Crowe. This is a lot closer to your typical Australian.
Reading the other comments, two things surprised me.
1) That anybody outside Australia, the UK, NZ or Ireland actually got this movie. To those Americans who praised it, thank you for taking the time to appreciate something outside your normal experiences.
and
2) The ferocity with with those who didn't get it damned the movie.
The Castle is very very clever. Yes, there are references to "wogs" and "lebs", but if given how that's exactly how a large percentage of these ethnic groups refer to themselves, they are terms without power and thus are rarely used in a racist sense. Melbourne is a wog city. It has the largest Greek population outside of Greece and is the third largest Greek city in the world. It also feature a huge population of first, second or third generation Italians. Some of my ex-coworkers sounded like they were straight out the Godfather. Then there are the lebs and the polacks and and a great mix of European Cultures.
Wogs. The lot of them. :)
To reduce the movie to laughing at the lack of intelligence in the family or to picking on racial minorities (not that the wogs are a minority in Melbourne), is to miss the point entirely. If you don't live in Aus, I can fully understand why this would be the case.
But simply because a movie is a outside your understanding or experience or doesn't fit your personal expectations of what is "funny" it no reason to condemn it. Once you get more sophisticated than "Beverly Hills Cop", you are not going to carry 100% of the audience, and the audience shouldn't expect that it would. (Notable exceptions exist.. Dead Poets' Society immediately comes to mind)
Personally, I like movies is one that makes a social comment, or those that a rift in society and stir informed debate. The Castle is a reflection on the "Australian Dream", if such a thing exists, which is that everybody should get "A fair go". This is streets apart from the American dream of riches beyond imagination at the expense of everything else, and highlights the great difference between the two cultures.
Forget "The Crocodile Hunter", Nicole Kidman or Russel Crowe. This is a lot closer to your typical Australian.
Reading the other comments, two things surprised me.
1) That anybody outside Australia, the UK, NZ or Ireland actually got this movie. To those Americans who praised it, thank you for taking the time to appreciate something outside your normal experiences.
and
2) The ferocity with with those who didn't get it damned the movie.
The Castle is very very clever. Yes, there are references to "wogs" and "lebs", but if given how that's exactly how a large percentage of these ethnic groups refer to themselves, they are terms without power and thus are rarely used in a racist sense. Melbourne is a wog city. It has the largest Greek population outside of Greece and is the third largest Greek city in the world. It also feature a huge population of first, second or third generation Italians. Some of my ex-coworkers sounded like they were straight out the Godfather. Then there are the lebs and the polacks and and a great mix of European Cultures.
Wogs. The lot of them. :)
To reduce the movie to laughing at the lack of intelligence in the family or to picking on racial minorities (not that the wogs are a minority in Melbourne), is to miss the point entirely. If you don't live in Aus, I can fully understand why this would be the case.
But simply because a movie is a outside your understanding or experience or doesn't fit your personal expectations of what is "funny" it no reason to condemn it. Once you get more sophisticated than "Beverly Hills Cop", you are not going to carry 100% of the audience, and the audience shouldn't expect that it would. (Notable exceptions exist.. Dead Poets' Society immediately comes to mind)
Personally, I like movies is one that makes a social comment, or those that a rift in society and stir informed debate. The Castle is a reflection on the "Australian Dream", if such a thing exists, which is that everybody should get "A fair go". This is streets apart from the American dream of riches beyond imagination at the expense of everything else, and highlights the great difference between the two cultures.
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- How long is The Castle?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 877 621 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 452 $US
- 9 mai 1999
- Montant brut mondial
- 893 748 $US
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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