Des enfants grassouillets sont attirés dans un centre de remise en forme chic leur promettant bons moments et perte de poids rapide. Ils découvrent un enfer au milieu des bois dirigé par un ... Tout lireDes enfants grassouillets sont attirés dans un centre de remise en forme chic leur promettant bons moments et perte de poids rapide. Ils découvrent un enfer au milieu des bois dirigé par un ancien coach sportif devenu psychopathe.Des enfants grassouillets sont attirés dans un centre de remise en forme chic leur promettant bons moments et perte de poids rapide. Ils découvrent un enfer au milieu des bois dirigé par un ancien coach sportif devenu psychopathe.
Histoire
Le saviez-vous
- AnecdotesOriginally, the "Seymour Butts" joke was suppose to be a "Peter Fitz" joke. Josh was going to tell Tony that the Chipmunk Bunk snack horde belongs to "Peter Fitz." Then, Tony asks, "Who's Peter Fitz?" Josh answers with, "Anyone's Peter Fitz if you push hard enough". The joke was changed to "Seymour Butts" to be more family friendly.
- GaffesWhen Josh says "Seymour Butts" he's actually saying "Peter Fitz". Then Uncle Tony says, " Who's Peter Fitz?" and Josh's voice over is covering the answer," Anyone's Peter Fitz if you push hard enough."
- Citations
Tony Perkis: Attention campers. Lunch has been cancelled due to lack of hustle. Deal with it.
- Crédits fousAt the end of the end credits, there's a quick scene with Uncle Tony sharing what he's doing for a living, which is collecting a collection of crystals and placed them in a briefcase. The door then slams on him.
- Bandes originalesCloser to Free
Written by Sammy Llanas (as Samuel Llanas) and Kurt Neumann
Performed by BoDeans
Courtesy of Slash Records/Reprise Records
By arrangement with Warner Special Products
For one, it was written and directed by Judd Apatow, who has a majority hold on the comedies of the last decade and for two, it marks one of Ben Stiller's first prominent roles as fitness wack-job Tony Perkis, who takes over a once-adored fat camp and harasses the kids.
Good thing "Heavyweights" was made then or it may never have surfaced, seeing as the age of political correctness and weight sensitivity has befallen us. The film is not cruel at all in its depiction of overweight campers, so parents surfing around for slightly older kid films and coming across this one shouldn't be concerned about that factor, but there's no doubt that such a concept would be hard to get off the ground, especially at Disney, in the 21st Century.
Co-written by Apatow and Steven Brill, writer of "The Mighty Ducks" films, it was as if the two conspired to plant a seed for a type of humor that kids my age at the time would come to identify as their own as they entered the PG-13 and R-rated age. Tony Perkis, for example, is the spitting character image of Stiller's White Goodman from "Dodgeball" and yet to me he is just as amusing doing his patented whispery intimidating voice now despite my countless repeated viewings of "Dodgeball."
There's also a classic overnight camp comedy sense of humor in "Heavyweights" like the kids getting beat in sports by their rival camp, an awkward dance mixer with a normal girls camp and when the kids unload the candy stashes they've snuck in camp into secret compartments -- as well as the run-of-the-mill fart jokes. Characters such as Tony's hysterical right-hand European man Lars, however, were way ahead of their time.
"Heavyweights" is pretty immature and excludes girls (because fat girls would be too taboo for the '90s). Its typical camp movie plot as well as its "overthrow-the-bad-guy" story arch - - which ruled the '90s -- come off as stale. But ignore those distractions and "Heavyweights" is a funny, quotable movie with some classic scenes, which is all a kid (or someone trying to go back and grab some nostalgia) really wants.
~Steven C
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- Movie_Muse_Reviews
- 21 juin 2010
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- How long is Heavyweights?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Heavyweights
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 17 689 177 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 062 857 $US
- 20 févr. 1995
- Montant brut mondial
- 17 689 177 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1