NOTE IMDb
5,4/10
58 k
MA NOTE
Après une explosion dans l'espace et une diffusion radio de deux minutes, deux astronautes rentrent chez eux auprès de leurs femmes. Peu à peu ils se révèlent ne plus être les mêmes qu'avant... Tout lireAprès une explosion dans l'espace et une diffusion radio de deux minutes, deux astronautes rentrent chez eux auprès de leurs femmes. Peu à peu ils se révèlent ne plus être les mêmes qu'avant.Après une explosion dans l'espace et une diffusion radio de deux minutes, deux astronautes rentrent chez eux auprès de leurs femmes. Peu à peu ils se révèlent ne plus être les mêmes qu'avant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Gary Carlos Cervantes
- Doctor
- (as Carlos Cervantes)
Histoire
Le saviez-vous
- AnecdotesThe movie that Jillian and Spencer watch together is Penny Serenade (1941), which also centers on a dramatic child rearing.
- GaffesAll NASA shuttle astronauts live and work in the vicinity of the Johnson Space Center in Houston, many of them in Clear Lake, a Houston suburb. Yet in the film, Jillian teaches school in Florida, where she and Armacost clearly live. Astronauts only go to Florida for launches.
- Versions alternativesThe Indian Censor Board made cuts for an 'A' (adults) certificate by deleting the word "motherfucker", muting the word "fucking" from the line "Jesus fucking Christ" and reducing 50% of the love-making scene especially reducing to a flash the thrusting movements on the bed (when shown continuously) (Length Retained: 37.00 ft).
- Bandes originalesPoor Butterfly
Written by Raymond Hubbell, John Golden
Commentaire à la une
THE ASTRONAUT'S WIFE / (1999) **
Johnny Depp plays a NASA astronaut named Spencer Armacost who, while on a space mission, losses contact with Earth for two minutes. He and his colleague, Alex Streck (Nick Cassavetes), return home to their spouses, Jillian Armacost (Charlize Theron) and Natalie Streck (Donna Murphy). Bizarre episodes begin to occur with Alex, leaving Jillian suspicious of her husband's condition. As her husband's strange behavior increases, Jillian begins to question what really happened in those 120 seconds.
"The Astronaut's Wife," written and directed by Rand Ravich, poorly executes good ideas. We have imaginative and potentially suspenseful ideas with this film's concepts behind such happenings in two minutes as Spencer and Alex are in galactic boundaries. The gradual increase in Spencer's unusual behavior depicts effective suspense-but thorough introduction of the characters does not take place, nor do we witness the key events in which the rest of the move hinges upon. Consequently, "The Astronaut's Wife" does not work.
The film's first act is full of incidences, characters, and subplots. Clearly too many things happen too early in the story. Within the first thirty minutes the production attempts to develop two separate relationships, shows us the atmosphere of a teacher's workplace, something bizarre transpires out of earth's orbit, a decision is made to resign and move to New York, a suicide takes place, a character mysteriously dies, and probably more. I just couldn't follow the plot.
I liked the eerie, supernatural overtones located throughout the production. The film is smart to reveal the right amounts of information at the precise time. There is also a certain style to "The Astronaut's Wife," containing an elusive mood, a weirdly intriguing design, and some tense and unusual camera angles. The movie becomes more interesting as we reach the closing.
Charlize Theron has been in a lot of movies lately, but "The Astronaut's Wife" is her first leading role. She seems to have come out of left field in 1997 with the comedy "Trail and Error." Afterwards, she contributed larger performances in "The Devil's Advocate," "Celebrity," "Mighty Joe Young," and most recently "The Cider House Rules," and "Reindeer Games." Her role in "The Astronaut's Wife" is a little more complex than her past credits, excluding her enticing and believable acting job in "The Devil's Advocate." She presents the traumatized Jillian Armacost with the perfect blend of zest and tragic confusion.
Depp and Theron conjure a chemistry-rich couple. The movie very clearly takes Jillian's point of view instead of allowing us to know mysteries with Spencer. This stays consistent and focused, but sometimes leaves us pondering about unexplained events.
"The Astronaut's Wife" builds for an awe-inducing conclusion through revealing and intriguing dialogue and an omnipresent undertone. The film suggests a form of extraterrestrial is behind the deaths of several characters as well as the strange behavior of Spencer, but we learn the truth only in the end. Call "The Astronaut's Wife" an unusual "The X Files" episode featuring a cliffhanger conclusion and a supernatural climax. The movie must have appeared really exciting on script. If only more capable filmmakers would have claimed this production we may have had a real winner. Instead audiences feel disappointment and failure, potential is wasted and originality is underscored
Johnny Depp plays a NASA astronaut named Spencer Armacost who, while on a space mission, losses contact with Earth for two minutes. He and his colleague, Alex Streck (Nick Cassavetes), return home to their spouses, Jillian Armacost (Charlize Theron) and Natalie Streck (Donna Murphy). Bizarre episodes begin to occur with Alex, leaving Jillian suspicious of her husband's condition. As her husband's strange behavior increases, Jillian begins to question what really happened in those 120 seconds.
"The Astronaut's Wife," written and directed by Rand Ravich, poorly executes good ideas. We have imaginative and potentially suspenseful ideas with this film's concepts behind such happenings in two minutes as Spencer and Alex are in galactic boundaries. The gradual increase in Spencer's unusual behavior depicts effective suspense-but thorough introduction of the characters does not take place, nor do we witness the key events in which the rest of the move hinges upon. Consequently, "The Astronaut's Wife" does not work.
The film's first act is full of incidences, characters, and subplots. Clearly too many things happen too early in the story. Within the first thirty minutes the production attempts to develop two separate relationships, shows us the atmosphere of a teacher's workplace, something bizarre transpires out of earth's orbit, a decision is made to resign and move to New York, a suicide takes place, a character mysteriously dies, and probably more. I just couldn't follow the plot.
I liked the eerie, supernatural overtones located throughout the production. The film is smart to reveal the right amounts of information at the precise time. There is also a certain style to "The Astronaut's Wife," containing an elusive mood, a weirdly intriguing design, and some tense and unusual camera angles. The movie becomes more interesting as we reach the closing.
Charlize Theron has been in a lot of movies lately, but "The Astronaut's Wife" is her first leading role. She seems to have come out of left field in 1997 with the comedy "Trail and Error." Afterwards, she contributed larger performances in "The Devil's Advocate," "Celebrity," "Mighty Joe Young," and most recently "The Cider House Rules," and "Reindeer Games." Her role in "The Astronaut's Wife" is a little more complex than her past credits, excluding her enticing and believable acting job in "The Devil's Advocate." She presents the traumatized Jillian Armacost with the perfect blend of zest and tragic confusion.
Depp and Theron conjure a chemistry-rich couple. The movie very clearly takes Jillian's point of view instead of allowing us to know mysteries with Spencer. This stays consistent and focused, but sometimes leaves us pondering about unexplained events.
"The Astronaut's Wife" builds for an awe-inducing conclusion through revealing and intriguing dialogue and an omnipresent undertone. The film suggests a form of extraterrestrial is behind the deaths of several characters as well as the strange behavior of Spencer, but we learn the truth only in the end. Call "The Astronaut's Wife" an unusual "The X Files" episode featuring a cliffhanger conclusion and a supernatural climax. The movie must have appeared really exciting on script. If only more capable filmmakers would have claimed this production we may have had a real winner. Instead audiences feel disappointment and failure, potential is wasted and originality is underscored
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Détails
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 672 566 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 027 003 $US
- 29 août 1999
- Montant brut mondial
- 19 598 588 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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