La politique, la trahison, la luxure, la cupidité et la venue d'un Messie. Basé sur le roman classique de science-fiction de Frank Herbert.La politique, la trahison, la luxure, la cupidité et la venue d'un Messie. Basé sur le roman classique de science-fiction de Frank Herbert.La politique, la trahison, la luxure, la cupidité et la venue d'un Messie. Basé sur le roman classique de science-fiction de Frank Herbert.
- Récompensé par 2 Primetime Emmys
- 9 victoires et 9 nominations au total
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Histoire
Le saviez-vous
- AnecdotesThe Mahdi statue at Sietch Tabr was inspired by the Buddha statues in Bamian, Afghanistan, which were later destroyed by the Taliban.
- GaffesThe computer generated "'thopters" have fans on the back wings to make them fly. The actual close-up models are missing these fans.
- Versions alternativesThere exist four versions of this mini series:
- the original version presented to the Sci-Fi channel which runs ca. 280 minutes and was deemed unsuitable by Network execs/censors. This version was used everywhere else.
- the American TV version (ca. 265 min., see below)
- the UK version (see below)
- the Director's edition which adds ca. 6 minutes to the original version (ca. 286 min., see below)
- ConnexionsFeatured in Troldspejlet: Épisode #25.11 (2001)
Commentaire à la une
This miniseries devotes more time than the David Lynch version (but at 4.5 hrs will be less than the two new Denis Villeneuve films). The big success here is that it manages to unpack much more of Frank Herbert's novel, expand the role of characters who were either truncated or missing from the Lynch film. It also gains more depth by including a few more scenes as well e.g. The banquet scene, the interactions with Duncan and Keynes after the death of Duke Leto.
There is one particularly large change from the novel and this is to expand the role of the Princess Irulan who now takes on an investigation role and is used as a way of helping the audience understand the story. This makes perfect sense given that viewers of the Lynch version were largely left baffled.
Where it lets itself down is in production values. Acting is variable in quality and at times below professional levels, some actors seem to be struggling to act in English and are emphasising parts of sentences in all the wrong places. Even oscar winner William Hurt seems dead behind the eyes on this just quietly reading out his lines with little passion. PH Moriarti is often incomprehensible Only Ian Mcneice really shines delivering a pantomime like performance and occasionally breaking the fourth wall.
VFX is generally acceptable though also reused a bit in places. Some really obvious backdrops lets this down badly though in places - not sure why they didn't use green-screen but you can clearly see where paintings have been stuck together in places.
The costume design is another dodgy part of this. It feels like the designers thought making a sci-fi film was a license to treat everything like an avant garde Paris fashion show. Some very silly costumes and ridiculous hats make it hard to take some scenes seriously.
There is one particularly large change from the novel and this is to expand the role of the Princess Irulan who now takes on an investigation role and is used as a way of helping the audience understand the story. This makes perfect sense given that viewers of the Lynch version were largely left baffled.
Where it lets itself down is in production values. Acting is variable in quality and at times below professional levels, some actors seem to be struggling to act in English and are emphasising parts of sentences in all the wrong places. Even oscar winner William Hurt seems dead behind the eyes on this just quietly reading out his lines with little passion. PH Moriarti is often incomprehensible Only Ian Mcneice really shines delivering a pantomime like performance and occasionally breaking the fourth wall.
VFX is generally acceptable though also reused a bit in places. Some really obvious backdrops lets this down badly though in places - not sure why they didn't use green-screen but you can clearly see where paintings have been stuck together in places.
The costume design is another dodgy part of this. It feels like the designers thought making a sci-fi film was a license to treat everything like an avant garde Paris fashion show. Some very silly costumes and ridiculous hats make it hard to take some scenes seriously.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Frank Herbert's Dune
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée4 heures 25 minutes
- Mixage
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