Welcome to Hollywood

Full Frontal - which Steven Soderbergh describes as a "satire" of

Hollywood - does a fine job of sampling the seedy, sexual, shallow and

sycophant side of the entertainment business. But the earlier Welcome to

Hollywood does an even better job skewering a different side of

Hollywood. Spend a few days following an actor/waiter/bartender around

town on the circuit of headshots, casting director workshops, agent

searches, auditions, and bit parts, and you will more deeply appreciate the

bitter sarcasm of this film. Tony Markes - a former casting director - nails the part of everyman Nick Decker - a talentless wannabe trying not to

drown in a sea of negativity. Adam Rifkin nails the role of the name

director who would cheerfully dump his friend in a trash bin in order to

advance his own career. Together, Markes and Rifkin manage to scam their

way into the Oscars and collect cameos from big-name Hollywood actors

who clearly think they are talking to the entertainment press, not two guys

trying to make a movie about Hollywood. It's a clever stunt with a clever,

funny script, and it is right on the money. Most of the "actors" in this film are real agents, real casting directors, real actors, directors and producers playing themselves. It's not a documentary in the strict sense, but it

accurately and gleefully depicts the reality of what goes on in Hollywood.

If you have any interest in seeing how the process works (or doesn't), see

this movie today.