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6,0/10
4,8 k
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Deux hommes kidnappent la femme d'un homme riche et l'enterrent dans une boîte avec 24 heures d'oxygène. Le détective du NYPD, Maddy et son équipe, obtiennent l'affaire pour tenter d'atteind... Tout lireDeux hommes kidnappent la femme d'un homme riche et l'enterrent dans une boîte avec 24 heures d'oxygène. Le détective du NYPD, Maddy et son équipe, obtiennent l'affaire pour tenter d'atteindre la femme à temps.Deux hommes kidnappent la femme d'un homme riche et l'enterrent dans une boîte avec 24 heures d'oxygène. Le détective du NYPD, Maddy et son équipe, obtiennent l'affaire pour tenter d'atteindre la femme à temps.
- Récompenses
- 1 nomination au total
Christopher J. Quinn
- Chris the Cop
- (as Christopher James Quinn)
Edmund Genest
- Sarcastic Dentist
- (as Edmond Genest)
Histoire
Le saviez-vous
- AnecdotesAdrien Brody really had braces put on his teeth for his role as Harry, rather than get fake ones put in every day. He realized this was a mistake when he realized that he couldn't get into a fight at a bar because his upper lip would be destroyed by the braces.
- GaffesDuring the first car chase immediately after the small red car pulls in front of Harry and Det. Foster the passenger-side door panel can be seen smashed in. This is before any contact between the two cars.
- Crédits fousFilmed between torrential rainstorms on location in New York City
- Bandes originalesBring Me the Gun
Written by Shaij Ticotin & Premonanda Ram Johannes
Performed by Cross of Snow
Commentaire à la une
Roaming around Hollywood Video's New Releases, passing through theatre hits and theatre flops, and the the unending list of direct-to-video releases, I found this. The story seemed like a good one, and I was in a hurry for something, so I decided to give it a whirl.
The story is interesting. A middle-aged woman, Frances, is walking her dog when she is approached by what seems like a mild-mannered man. Before she knows it, he flashes a gun, dazes her by hitting her on the temple with it, and smuggles her into a car with a friend. They drive out to the woods somewhere, where she is terrified at the realization that they plan to bury her alive, holding her hostage for her rich husband's money. They put her in the box, the man's accomplice mercifully slipping her the flashlight, and bury her, leaving her to scream in terror.
Move to New York City, where a cop, Madeline, is made aware of the predicament. After witnessing a horrifying tape of Frances begging for help in the woods, the police must plot to catch the kidnappers and find the woman, all in twenty-four hours, or Frances will run out of oxygen and die.
I won't elaborate any more on the plot, only that this movie was surprisingly good. When I noticed it was from A-Pix, I groaned and figured I was in for an hour and a half of trash. But then I saw the breathtaking first few minutes, and I was shocked. If anything, those first three to five minutes are terrifying. As Frances is being buried, she is screaming and begging, struggling to survive, lying in that wooden box as the cover is being slipped on, with only a flashlight to depend upon. And even though the cops-pursuing-the-antagonist plotline is overused, it was quite tense, especially when you realize that there are only twenty-four hours to solve the mystery of where Frances is, and the kidnapper is not interested in talking, while his accomplice is nowhere to be found.
Yes, there are flaws. The script is quite bad, with some lines that I can't believe they wrote in. For some reason, I liked the FBI agent's monologue on the death penalty a la lethal injection, but a lot was pretty bad. Maura Tierney was somewhat convincing as the main cop, playing a B-movie's Clarice Starling. The actor who played Francis's husband was a bit campy. Adrian Brody, the kidnapper, was pretty good, if not a little tough to believe. The one who out-acted them all was Laila Robins, who played Francis. Her role is quite small, only because there's a lot of restrictions with laying in a box underground for the most of the movie. But she was so convincing. My favorite scene is when the flashlight is dying, and she is screaming and begging for it to live a little longer, because, as we learn early on, she is afraid of the dark. I swear, I felt like I was her, and I couldn't believe how empathetic I was of her. Her acting reminded me of Marylin Burn's stellar performance as Sally in "Texas Chainsaw Massacre." She conveyed the emotions of the situation very well. I think that's why I felt so bad for her.
Overall, I recommend finding this. No, it's not the best thing ever made, but it is very good, and quite intense. Check it out!
The story is interesting. A middle-aged woman, Frances, is walking her dog when she is approached by what seems like a mild-mannered man. Before she knows it, he flashes a gun, dazes her by hitting her on the temple with it, and smuggles her into a car with a friend. They drive out to the woods somewhere, where she is terrified at the realization that they plan to bury her alive, holding her hostage for her rich husband's money. They put her in the box, the man's accomplice mercifully slipping her the flashlight, and bury her, leaving her to scream in terror.
Move to New York City, where a cop, Madeline, is made aware of the predicament. After witnessing a horrifying tape of Frances begging for help in the woods, the police must plot to catch the kidnappers and find the woman, all in twenty-four hours, or Frances will run out of oxygen and die.
I won't elaborate any more on the plot, only that this movie was surprisingly good. When I noticed it was from A-Pix, I groaned and figured I was in for an hour and a half of trash. But then I saw the breathtaking first few minutes, and I was shocked. If anything, those first three to five minutes are terrifying. As Frances is being buried, she is screaming and begging, struggling to survive, lying in that wooden box as the cover is being slipped on, with only a flashlight to depend upon. And even though the cops-pursuing-the-antagonist plotline is overused, it was quite tense, especially when you realize that there are only twenty-four hours to solve the mystery of where Frances is, and the kidnapper is not interested in talking, while his accomplice is nowhere to be found.
Yes, there are flaws. The script is quite bad, with some lines that I can't believe they wrote in. For some reason, I liked the FBI agent's monologue on the death penalty a la lethal injection, but a lot was pretty bad. Maura Tierney was somewhat convincing as the main cop, playing a B-movie's Clarice Starling. The actor who played Francis's husband was a bit campy. Adrian Brody, the kidnapper, was pretty good, if not a little tough to believe. The one who out-acted them all was Laila Robins, who played Francis. Her role is quite small, only because there's a lot of restrictions with laying in a box underground for the most of the movie. But she was so convincing. My favorite scene is when the flashlight is dying, and she is screaming and begging for it to live a little longer, because, as we learn early on, she is afraid of the dark. I swear, I felt like I was her, and I couldn't believe how empathetic I was of her. Her acting reminded me of Marylin Burn's stellar performance as Sally in "Texas Chainsaw Massacre." She conveyed the emotions of the situation very well. I think that's why I felt so bad for her.
Overall, I recommend finding this. No, it's not the best thing ever made, but it is very good, and quite intense. Check it out!
- WritnGuy-2
- 4 févr. 2000
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dying to Escape
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 3 088 $US
- Montant brut mondial
- 3 088 $US
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