Un homme découvre quelque chose d'extraordinaire sur lui-même après un terrible accident.Un homme découvre quelque chose d'extraordinaire sur lui-même après un terrible accident.Un homme découvre quelque chose d'extraordinaire sur lui-même après un terrible accident.
- Récompenses
- 2 victoires et 16 nominations au total
Robin Wright
- Audrey Dunn
- (as Robin Wright Penn)
Davis Duffield
- David Dunn Age 20
- (as David Duffield)
The 'Glass' Connections Even the Cast Didn't Know
The 'Glass' Connections Even the Cast Didn't Know
Glass connects the worlds of Unbreakable and Split, but creator M. Night Shyamalan and stars Samuel L. Jackson and James McAvoy also have some surprising connections ...
Histoire
Le saviez-vous
- AnecdotesWriter/director M. Night Shyamalan always had Bruce Willis and Samuel L. Jackson in mind to play the roles of David Dunn and Elijah Price.
- GaffesAt the end of the movie, after it's revealed who Elijah is, the camera pans across his desk showing his research. One of the large newspaper headlines reads "Mudslide in Mexico: Kills All 'Expect' Newborn", but it should read "Kills All 'Except' Newborn".
- Citations
Elijah Price: Do you know what the scariest thing is? To not know your place in this world, to not know why you're here. That's - that's just an awful feeling.
- Crédits fousAs the DVD starts, the FBI warning shatters like a window breaking.
- Versions alternativesEarly previews of the movie didn't have the superimposed text in the ending, leaving the film more open-ended. The version with text was released in France in theaters, and the text was next included on home video and television airings of the movie.
- Bandes originalesJust Out of Reach (Of My Two Open Arms)
(1951)
Written by Virgil F. Stewart (as V.F. ("Pappy") Stewart)
Performed by Solomon Burke
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
Commentaire à la une
M. Night Shyamalan seems to be proving himself quite the auteur. Unbreakable was the cinematic experience I had hoped it would be, especially after The Sixth Sense. A quiet sense of wonder permeated each and every scene, accomplished with some of the finest cinematography I've seen in the last couple of years. Director of Photography Eduardo Serra's execution is subtle, understated and absolutely beautiful.
Cinematography legend Greg Toland of Citizen Kane and The Grapes of Wrath fame would be proud of what this film accomplished artistically. I also couldn't help but notice all the long camera takes this film had, reminding me of a few Woody Allen films that let the actors act without the intrusion of the film making process, i.e.; getting a scene covered from multiple and sometimes meaningless camera angles just so the director and editor have something to work with in post production. The characters seem at times to be acting for the benefit of the others on screen rather than "us", the audience, lending a quality of voyeurism to quite a few scenes. The directors intent is quite clear to anyone wishing to delve a little bit deeper into the story and characters while appreciating how such a vision came to breath on film.
With regards to the story, Mr. Shyamalan and his crew have constructed something so rich in visual texture while managing to keep the story subdued and character development full of deep-seated anticipation. Every plot point came perfectly without any extra connotations that usually creep into a story such as this (super heroes?). Without any melodrama both Bruce Willis and Samuel L. Jackson give very authentic performances that help the film keep its "Any Town USA" and "Average Joe Six-pack" feel very much alive.
By virtue of ingenuity and most likely a meticulous preproduction period, Unbreakable manages to be a consummate clinic in directing, writing, acting, and cinematography. One of the best movies in the past decade.
Cinematography legend Greg Toland of Citizen Kane and The Grapes of Wrath fame would be proud of what this film accomplished artistically. I also couldn't help but notice all the long camera takes this film had, reminding me of a few Woody Allen films that let the actors act without the intrusion of the film making process, i.e.; getting a scene covered from multiple and sometimes meaningless camera angles just so the director and editor have something to work with in post production. The characters seem at times to be acting for the benefit of the others on screen rather than "us", the audience, lending a quality of voyeurism to quite a few scenes. The directors intent is quite clear to anyone wishing to delve a little bit deeper into the story and characters while appreciating how such a vision came to breath on film.
With regards to the story, Mr. Shyamalan and his crew have constructed something so rich in visual texture while managing to keep the story subdued and character development full of deep-seated anticipation. Every plot point came perfectly without any extra connotations that usually creep into a story such as this (super heroes?). Without any melodrama both Bruce Willis and Samuel L. Jackson give very authentic performances that help the film keep its "Any Town USA" and "Average Joe Six-pack" feel very much alive.
By virtue of ingenuity and most likely a meticulous preproduction period, Unbreakable manages to be a consummate clinic in directing, writing, acting, and cinematography. One of the best movies in the past decade.
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- How long is Unbreakable?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El protegido
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 95 011 339 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 330 771 $US
- 26 nov. 2000
- Montant brut mondial
- 248 118 121 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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