NOTE IMDb
6,9/10
15 k
MA NOTE
Une jeune femme muette travaillant dans une station de pêche dans un cadre idyllique est entourée des différents aspects déplaisants de l'espèce humaine. Elle tombe amoureuse d'un homme en f... Tout lireUne jeune femme muette travaillant dans une station de pêche dans un cadre idyllique est entourée des différents aspects déplaisants de l'espèce humaine. Elle tombe amoureuse d'un homme en fuite pour avoir commis un meurtre.Une jeune femme muette travaillant dans une station de pêche dans un cadre idyllique est entourée des différents aspects déplaisants de l'espèce humaine. Elle tombe amoureuse d'un homme en fuite pour avoir commis un meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 7 nominations au total
Histoire
Le saviez-vous
- AnecdotesThis fell foul of the British Board of Film Classification who demanded cuts, not because of the scene where a metal object is inserted into a vagina but of cruelty to fish, which director Kim Ki-duk admitted was genuine.
- Versions alternativesThe cut UK print was submitted to the Irish censor who cited the violence as causing concern - he gave the distributor (Tartan Films) two options:
- Resubmit the same version (presumably for an appeal/reconsideration)
- Submit an altered version to secure a certificate
- ConnexionsReferenced in Printemps, été, automne, hiver... et printemps (2003)
Commentaire à la une
Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.
What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.
It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.
It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
- Smallclone100
- 13 juin 2018
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Isle?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 666 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 546 $US
- 25 août 2002
- Montant brut mondial
- 24 963 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant