NOTE IMDb
6,5/10
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MA NOTE
Ajouter une intrigue dans votre langueA TV program selects people at random to kill one another for fame and their freedom.A TV program selects people at random to kill one another for fame and their freedom.A TV program selects people at random to kill one another for fame and their freedom.
- Récompenses
- 3 victoires et 4 nominations au total
Histoire
Le saviez-vous
- AnecdotesWriter/Director Daniel Minahan's childhood friend, Dawn Lagarto, is given a "Special Thanks" credit. He originally wrote the story using her name for the main character. When it came time to start filming the producers had legal concerns regarding the use of a real person's name, but actress Brooke Smith felt an affinity for the name and wanted to retain it for her character. Minahan called the real Dawn Lagarto and got her blessing to use the name. The real Dawn Lagarto is not an unwed mother, has never participated in a reality TV series, and has never killed anyone.
- GaffesThe truck Tony drives off with the baby in is a Ford Ranger (a mid-size truck). The stock footage of a chase from a helicopter shows a truck that is supposed to be Tony's, but is now a full-sized Chevy. Back in the close-ups, it's a Ford Ranger again.
- Citations
[After taking a movie audience hostage]
Dawn Lagarto: Bring my baby here or else innocent people are gonna die!
[Audience members applaud and cheer.]
Dawn Lagarto: That means YOU, ASSHOLES!
[Audience shuts up.]
- Crédits fousAfter the title credits, a warning appears "Due to the graphic nature of this program, viewer discretion is advised."
- Versions alternativesThe DVD version includes deleted scenes that are viewed seperately. They include:
- The reunion with Dawn's family is extended.
- A scene of Franklin refusing the radio/GPS rig and explaining why he lives in a lead-lined shack.
- A scene where Franklin is looking in the mirror and mentally preparing himself before he receives the note.
- Franklin's speech in the mall is extended.
- A scene with Connie's priest, where he explains in an interview that he's a fan of the show, that he recognized Connie's voice in the confessional, and that he hopes that she confesses for the two murders before she herself dies.
- 'Man-on-the-street' interviews.
- The 'real' ending, which we are told in the film that the footage was destroyed and then are presented a dramatization of the events. The 'real' ending is, when presented with the choice of killing one another, Jeff and Dawn put the guns down, run out of the theatre, were they meet a crowd of disgruntled fans. The fans give chase after them and, after catching them entering their SUV, begin beating them, presumably to death. This explains why, at the end of the film, Doria is proclaiming that she's been framed and why Jeff survived.
- An interview with Laura with Dawn's baby, where she renames the baby Dawn and says she's proud of her sister.
- A PSA from Doria about checking for testicular cancer.
- Bandes originalesMeet The Contenders
Written and Performed by Girls Against Boys
Published by Action Collar Music/EMI/Blackwood Music/BMI
Copyright 2000 Geffen Records;
Girls Against Boys appears courtesy of Geffen Records
Commentaire à la une
Series 7: The Contenders, is a very twisted black comedy about six contestants on a reality show. The premise of the reality show is that the contestants are given weapons and have to murder each other in order to win. The contestants include a mentally insane man living in a trailer park, a cancer patient, a religious nurse, a high school teenager, a middle-aged father, and (the reigning champion) a pregnant woman. The film is structured as a marathon showing and is played as a series of episodes strung together each following these contestants. The film depicts these people as normal and everyday people who are forced into this terrible situation against their will, but the real meat of the film comes in when we get to learn about the histories of some of these characters. That's the point of the film where the film grows out of being a spoof of reality shows and begins to manifest into a social commentary. The high school teenager has parents who encourage her every step of the way and help her suit up for the murders that she is about to commit. The pregnant woman has been disowned by her own mother due to past incidents. The middle-aged parent has his own troubles at home. There's a lot more going on here than at first glance. This is an angry and dark satire that really challenges some of the concepts of reality and the satire of itself.
There's a lot here that I truly admire. For starters, the performances. They are pretty awful in a way that, at times, seems cringe-worthy. However, when you take a look at reality television shows such as Survivor and The Real World, the acting in those is even worse. It's supposed to be reality, yet the people in them are not believable. That's what makes reality television such a joke, and so in a roundabout way of saying things the performances here are good because the actors are good at capturing the melodramatic mannerisms of the contestants at large. I particularly enjoyed the performance of Brooke Smith as the pregnant woman. She is ridiculously cold and cruel and monstrous, and you can really feel the bitterness that she feels. Yet her mannerisms are so sarcastic and almost pathetic. The same goes for the rest of the cast, but Smith has a visual presence to her that I've always admired. She's a terrific actress. Nobody can forget her performance as the kidnapped victim in The Silence of the Lambs. I've seen some of her television work as well and she almost always sticks out in a good way. Merritt Wever and Glenn Fitzgerald do an equally good job as the teenage girl and the cancer patient, the former being the most likable person in the cast and the latter having all of the best lines and being the most interesting of all the characters.
My favorite thing about this film, however, has to be the momentum of it. Series 7: The Contenders is almost never boring and there's always something going on. It's virtually impossible to stop watching once you've started, even if you pick up in the middle of it. I think this was done intentionally. I think a lot of televisions shows have that same kind of watchability factor, and what I appreciated the most about this film is that there were no commercials that cut into the action. The satire of the film itself is simple and clever, but even if you put all that aside, you still have one hell of a captivating film. Putting the climax of the film aside, you do get to care about almost all these characters and you don't particularly want to see any of them die really.
If you want my personal opinion on the film, I cannot say that I like it too much. I don't personally find the film itself to be very funny. I like dark humor, but I thought that this was too sick, really, to be funny. I also really don't like the ending. It felt like I was being beaten over the head by the satire. I also find that the film itself isn't exactly re-watchable. Once you know how it all ends, you really don't have any desire to ever really sit down and watch it. There are films out there that are sick and that you never really WANT to watch again, but at the same time you feel you should and can't help but feel the need to sit through it, but Series 7: The Contenders plays all of it's cards in one sitting and as a result you really don't feel any desire to absorb any of it. It's more the type of film that you just appreciate rather than like and enjoy. I can imagine a lot of horror fan and readers of Fangoria would love it to pieces or at least get a huge kick out of watching it. In my opinion, as brilliant and as clever as it is, I definitely wouldn't advise mainstream moviegoers to watch this. I thought it was a brilliantly directed film in a lot of ways, and the satire was effective, but I can't exactly recommend it. I'm glad I saw it though.
There's a lot here that I truly admire. For starters, the performances. They are pretty awful in a way that, at times, seems cringe-worthy. However, when you take a look at reality television shows such as Survivor and The Real World, the acting in those is even worse. It's supposed to be reality, yet the people in them are not believable. That's what makes reality television such a joke, and so in a roundabout way of saying things the performances here are good because the actors are good at capturing the melodramatic mannerisms of the contestants at large. I particularly enjoyed the performance of Brooke Smith as the pregnant woman. She is ridiculously cold and cruel and monstrous, and you can really feel the bitterness that she feels. Yet her mannerisms are so sarcastic and almost pathetic. The same goes for the rest of the cast, but Smith has a visual presence to her that I've always admired. She's a terrific actress. Nobody can forget her performance as the kidnapped victim in The Silence of the Lambs. I've seen some of her television work as well and she almost always sticks out in a good way. Merritt Wever and Glenn Fitzgerald do an equally good job as the teenage girl and the cancer patient, the former being the most likable person in the cast and the latter having all of the best lines and being the most interesting of all the characters.
My favorite thing about this film, however, has to be the momentum of it. Series 7: The Contenders is almost never boring and there's always something going on. It's virtually impossible to stop watching once you've started, even if you pick up in the middle of it. I think this was done intentionally. I think a lot of televisions shows have that same kind of watchability factor, and what I appreciated the most about this film is that there were no commercials that cut into the action. The satire of the film itself is simple and clever, but even if you put all that aside, you still have one hell of a captivating film. Putting the climax of the film aside, you do get to care about almost all these characters and you don't particularly want to see any of them die really.
If you want my personal opinion on the film, I cannot say that I like it too much. I don't personally find the film itself to be very funny. I like dark humor, but I thought that this was too sick, really, to be funny. I also really don't like the ending. It felt like I was being beaten over the head by the satire. I also find that the film itself isn't exactly re-watchable. Once you know how it all ends, you really don't have any desire to ever really sit down and watch it. There are films out there that are sick and that you never really WANT to watch again, but at the same time you feel you should and can't help but feel the need to sit through it, but Series 7: The Contenders plays all of it's cards in one sitting and as a result you really don't feel any desire to absorb any of it. It's more the type of film that you just appreciate rather than like and enjoy. I can imagine a lot of horror fan and readers of Fangoria would love it to pieces or at least get a huge kick out of watching it. In my opinion, as brilliant and as clever as it is, I definitely wouldn't advise mainstream moviegoers to watch this. I thought it was a brilliantly directed film in a lot of ways, and the satire was effective, but I can't exactly recommend it. I'm glad I saw it though.
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- How long is Series 7: The Contenders?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 195 065 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 844 $US
- 4 mars 2001
- Montant brut mondial
- 300 086 $US
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Series 7: The Contenders (2001) officially released in Canada in English?
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